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Origins of the digital
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The rest of your senses
Journeys and translation
What the future looked like
The planet is the client
Technology sometimes falls short
What you can do with the city
Let us assure you
Forces of Friction
Acts of Looking
Keep Safe
Figuring Territory
Of Migration
A Social Reset
With and Within
Will Happiness Find Us?
What about the provinces?
A history of references
Into the material world
Take care
Nature reorganized
Ideas of living
The Other Architect
Origins of the digital

What do we need to know in order to say how and when architecture became digital? Our focus is on projects produced in the 1980s and 1990s that used digital tools to explore new directions for architectural research and practice. Rather than making future projections, we look critically and archaeologically at the way digital technology has shaped architecture in a concrete way.

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Archaeologists of the Digital
Information Archaeologies
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Embryological House
Digital Tools in Four Practices
Paperless Studios
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Digital Media Archaeology: Archive, Museum, and Sonicity
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Smart Cities: A New Challenge for Design
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A Roof Can Be Anywhere
The Greg Lynn Show
A Fish Is Kind of Aerodynamic
Arata Isozaki and the Invisible Technicians
An Age of Paper
Sound Advice and Clear Drawings
Cloud and Forest
Architecture’s Digital Turn and the Advent of Photoshop
Seeing the Digital World, in Hollywood
Past(el) Digital
Cyanotopia
Article 5 of 18

Paperless Studios

Lectures by Bernard Tschumi, Stan Allen, and Hani Rashid

The paperless studios were an experiment conducted in the mid-1990s at the Graduate School of Architecture, Planning and Preservation at Columbia University.

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These presentations took place during Toolkit for Today 2013, a two-week summer seminar at the CCA for PhD candidates and Masters students from around the world. The event was conceived as an important component of the research we launched on the processes and practices related to digital media in architecture.

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