Bird's-eye perspective for Village Polychrome, near Biot, France
1952-1953
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Diazotype
sheet (incluant l'extension côté droit): 41,91 × 57,15 cm (16 1/2 × 22 1/2 in.) secondary support: 49,3 × 63,5 cm
DR1996:0005
- The sheet is affixed to the secondary support by a type of cotter pin in each corner. There is yellowish white tape affixed to the sheet along the left and right sides for publication purposes. There are erased areas in u.l., u.c. and u.r.
inscribed - by an unknown hand, in graphite, on the sheet, u.c.: "REDUIRE [sic] A [sic] / 290 mm." [circled] with publishers' cropping marks inscribed - by an unknown hand, in graphite, on the secondary support, u.l.: "Tirage sur papier" numbered - by an unknown hand, in graphite, on the tape affixed to the sheet, u.r.: "515" numbered - by an unknown hand, in graphite, on the secondary support, verso, u.l.: "4467/ / 15 ve" [sic; upside down]
© Estate of André Bruyère
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