Bernard Berenson : formation and heritage / Joseph Connors and Louis A. Waldman, editors.
[Florence, Italy] : Villa I Tatti, The Harvard University Center for Italian Renaissance Studies, [2014]
vii, 440 pages : illustrations ; 26 cm.
Villa I Tatti series ; 31
"Bernard Berenson (1865-1959) put the connoisseurship of Renaissance art on a firm footing in the late nineteenth and early twentieth centuries. This collection of essays explores the intellectual world in which he was formed and to which he contributed; it considers his friendship with William James and the background of perceptual psychology that underlay his concept of 'tactile values', and it explores his relationship with a variety of cultural figures, ranging from the German-born connoisseur Jean Paul Richter, the German art historian Aby Warburg, the American medievalist Arthur Kingsley Porter, the African-American dance icon Katherine Dunham, as well as with Otto Gutekunst, Archer Huntington, Umberto Morra, and Ernest Hemingway. The book will contribute to the new interest in the historiography of the nascent discipline of art history in the United States and Europe."--P. [4] of cover.
9780674427853 (paper)
0674427858 (paper)
Berenson, Bernard, 1865-1959 Congresses.
Berenson, Bernard, 1865-1959.
Art critics United States Congresses.
Critiques d'art États-Unis Congrès.
Art critics.
Art critics United States Biography Congresses
United States.
Conference publications.
Conference papers and proceedings.
Connors, Joseph, editor of compilation, writer of introduction.
Waldman, Louis Alexander, editor of compilation.
Seybold, Dietrich, 1971- author. Bernard Berenson and Jean Paul Richter.
Connors, Joseph editor of compilation, writer of introduction.
Waldman, Louis Alexander editor of compilation
Villa I Tatti (Series) ; 31.
Location: Library main 291303
Call No.: BIB 234823
Status: Available
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