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Women's work : textile art from the Bauhaus / Sigrid Wortmann Weltge.
Main entry:

Weltge-Wortmann, Sigrid.

Title & Author:

Women's work : textile art from the Bauhaus / Sigrid Wortmann Weltge.

Publication:

San Francisco : Chronicle Books, 1993.

Description:

208 pages : illustrations (some color) ; 30 cm

Notes:
Includes bibliographical references and index.
Beginnings -- The Weimar years -- The gender issue -- Gunta Stolzl -- The question of identity -- The Weaving Workshop and Johannes Itten -- Georg Muche and the 1923 Bauhaus Exhibition -- The Dessau years -- Dessau -- a new direction -- From craft to industry -- Bauhaus fabrics -- The purge -- The legacy -- A new frontier -- The legacy -- Bauhaus style.
Also issued online.
Summary:

Resurrecting the work of gifted craftswomen, too long denied their place as pioneers in their field, Women's Work: Textile Art from the Bauhaus unearths a missing chapter in the story of the most important institution in the history of modern design. The Bauhaus defined modern design in the twentieth century. As the preeminent design phenomenon of the era, almost every aspect of it has been minutely examined. Yet the Weaving Workshop, the longest standing and most successful of all Bauhaus workshops, has been neglected for one simple reason: when the first wave of brilliantly talented women arrived at the school, they soon discovered that Bauhaus founder Walter Gropius could not sustain his ringing declaration of equality between "the beautiful and the strong gender." Textiles, in the hierarchy of art and design, were to be "women's work." Their results, however, were remarkable, both in the early days of artistic expression in Weimar and in later developments in the textile industry. The craftswomen responded to the demands of advanced technology with fabrics that incorporated new or unusual materials such as Cellophane, leather and early synthetics, which had acoustic and light-reflecting properties. They produced multi-layered fabrics, cloths with double and triple weaves, and later made extensive use of the jacquard loom. The result was a rebirth of hand-weaving and new professionalism in designing textiles for mass production. In this model study, superlatively documented with rare or little-seen photographs of the textiles and their makers, Sigrid Wortmann Weltge captures the heady atmosphere of creative excitement at the Bauhaus. Original archival research and interviews, both with survivors and their students and with leading contemporary designers, detail the workshop's history and its enduring legacy. When the Nazis closed the institution in 1933, its members dispersed to Switzerland, Holland, England, France, Russia, Mexico, and throughout the United States; their ideals and influence live on in marvelous fabrics still being produced today.

ISBN:

0811804666
9780811804660

Subject:

Bauhaus.
Textile fabrics Germany Berlin History 20th century.
Women textile designers Germany Berlin Biography History and criticism.
Textiles et tissus Allemagne Berlin Histoire 20e siècle.
Dessinatrices de tissus Allemagne Berlin Biographies Histoire et critique.
Textile fabrics
Women textile designers Biography
Textilkunst
Germany Berlin

Form/genre:

Biography.
catalogs (documents)
Catalogs
Criticism, interpretation, etc.
History
Books.
Catalogues.

Holdings:

Location: Library main 85731
Call No.: ID NK8950.B47 W4; ID:95-B3820
Status: Available

Actions:
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