Mapping Benjamin : the work of art in the digital age / edited by Hans Ulrich Gumbrecht, Michael Marrinan.
Stanford, Calif. : Stanford University Press, ©2003.
xvi, 349 pages ; 24 cm.
Writing science
"Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of imagery and media that has occurred during the past fifty years. Does Benjamin's famous essay still speak to this new situation? That is the question posed by the editors of this book to a wide range of leading scholars and thinkers across a spectrum of disciplines in the humanities. The essays gathered here do not hazard a univocal reply to that question; rather they offer a rich, wide-ranging critique of Benjamin's position that refracts and reflects contemporary thinking about the ethical, political, and aesthetic implications of life in the digital age."--Publisher.
0804744351 (cloth ; alk. paper)
9780804744355 (cloth ; alk. paper)
080474436X (pbk. ; alk. paper)
9780804744362 (pbk. ; alk. paper)
Benjamin, Walter, 1892-1940.
Benjamin, Walter.
Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.
Aesthetics, Modern.
Mass media Aesthetics.
Digital media.
Digital communications.
Mass media.
Technology and the arts.
Esthétique 20e siècle.
Transmission numérique.
Médias.
Technologie et arts.
Médias Esthétique.
Médias numériques.
mass media.
Neue Medien
Massenmedien
Ästhetik
Reproduceerbaarheid.
Kunsttheorie.
Gumbrecht, Hans Ulrich.
Marrinan, Michael.
Writing science.
Location: Library main 228657
Call No.: NA2599.8.B468 M3 2003
Status: Available
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