$41.95
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Summary:
Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy,(...)
Design Theory
January 2024
Seeing <—> Making: Room for thought
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$41.95
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Summary:
Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy, the book reveals a wide field of view and a space to engage new critical connections between a multiplicity of objects from the past and present. Realized through an intergenerational collaboration of three cultural producers committed to making theory visible, a transformative anthology of critical essays by Susan Buck-Morss anchors this kaleidoscopic project. Images and ideas sync with Buck-Morss’ perceptive texts on visual culture, history, politics and aesthetics, fusing criticism with visual play and linking collective imagination and social action. In both design and content, "Seeing <—> Making: Room for thought" builds upon the dynamic sensorium of Marshall McLuhan and Quentin Fiore's book "The medium is the massage", Walter Benjamin's "Arcades" Project and John Berger's "Ways of seeing". This innovative volume brings Buck-Morss’ more experimental, visually engaged work to the fore in a way that has not been available in the usual contexts within which her writing has appeared.
Design Theory
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This publication is an initial attempt to examine the trajectory of the X symbol in underground music culture. While the X is broadly associated with the punk scene—in particular, straight edge hardcore—the symbol contains a wide range of often-contradictory meanings. This document presents our ongoing research; we welcome comments, corrections, and criticism.
Project X
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$10.00
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Summary:
This publication is an initial attempt to examine the trajectory of the X symbol in underground music culture. While the X is broadly associated with the punk scene—in particular, straight edge hardcore—the symbol contains a wide range of often-contradictory meanings. This document presents our ongoing research; we welcome comments, corrections, and criticism.
Way station
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Summary:
Way Station extends the January 2015 exhibition by Shannon Harvey, Adam Michaels, and Levi Murphy at Grice Bench, Los Angeles. At once static and dynamic, the book presents a journey through a series of landscapes, juxtaposed with a steadily spinning furniture form—that of the primary exhibition component, a set of colorful benches featuring ergonomics designed to(...)
Contemporary Art Monographs
January 2015
Way station
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Way Station extends the January 2015 exhibition by Shannon Harvey, Adam Michaels, and Levi Murphy at Grice Bench, Los Angeles. At once static and dynamic, the book presents a journey through a series of landscapes, juxtaposed with a steadily spinning furniture form—that of the primary exhibition component, a set of colorful benches featuring ergonomics designed to heighten and transform physical and mental awareness. The book provides a particularly associative experience for a reader seated on a Way Station bench, while maintaining interest far beyond this setting. Shannon Harvey is a designer and colorist. Adam Michaels is the cofounder of design studio Project Projects, and founder of Inventory Press. Levi Murphy is a designer and founder of Communal Objects.
Contemporary Art Monographs
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Summary:
The Fabricated Landscape (June 26, 2021–January 17, 2022, Heinz Architectural Center, Carnegie Museum of Art) presents projects from ten contemporary international architectural practices that are exceptionally responsive to the communities, localities, and cultures in which they are situated. This exhibition catalogue, organized by scale, and presented in three parts,(...)
The fabricated landscape: Domestic, civic, territorial
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The Fabricated Landscape (June 26, 2021–January 17, 2022, Heinz Architectural Center, Carnegie Museum of Art) presents projects from ten contemporary international architectural practices that are exceptionally responsive to the communities, localities, and cultures in which they are situated. This exhibition catalogue, organized by scale, and presented in three parts, features extensive documentation of projects by Anna Heringer, Anne Holtrop, Assemble, Frida Escobedo, Go Hasegawa, LCLA office, MAIO, OFFICE Kersten Geers David Van Severen, SO-IL, and UMWELT alongside texts from curator Raymund Ryan, Emilio Ambasz, Emanuele Coccia, Jing Liu, and more.
Urban Landscapes