$36.95
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Summary:
In the late 1940’s, Paul Strand spoke of creating "a series of photographs that focused on the history, architecture, environs and people of a small town (which) would reveal ‘the common denominator of all humanity’ and would be a bridge toward a deeper understanding between countries". This book presents a rigorously edited selection of these photographs made in France,(...)
Photography monographs
July 2007, Göttingen
Towards a deeper understanding : Paul Strand at work
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Summary:
In the late 1940’s, Paul Strand spoke of creating "a series of photographs that focused on the history, architecture, environs and people of a small town (which) would reveal ‘the common denominator of all humanity’ and would be a bridge toward a deeper understanding between countries". This book presents a rigorously edited selection of these photographs made in France, Italy and New England between the years 1943 and 1953. Strand identified and explored the myriad variations of some central themes : the primal connection between humans and the natural world, the beauty of simple objects and structures, and the inherent dignity of every individual regardless of wealth or social status. Strand’s photographs encourage the viewer to look closely and observe how details and formal relations emerge.
Photography monographs
$81.50
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Summary:
Following the invention of the daguerreotype and calotype processes in 1839, views of ruins, classical statuary, and the antiquities of the Mediterranean and the Orient were among the first images produced by pioneer photographers. The unique accuracy and immediacy of photographs fundamentally changed aesthetic and scholarly approaches to the artifacts of the past.(...)
Photography by Region
October 2005, Los Angeles
Antiquity and photography : early views of ancient mediterranean sites
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$81.50
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Summary:
Following the invention of the daguerreotype and calotype processes in 1839, views of ruins, classical statuary, and the antiquities of the Mediterranean and the Orient were among the first images produced by pioneer photographers. The unique accuracy and immediacy of photographs fundamentally changed aesthetic and scholarly approaches to the artifacts of the past. This book, published to coincide with the inaugural exhibition at the Getty villa, explores the intellectual underpinnings of the relationship between antiquity and photography in the period 1840-1880. Drawing on the extensive collections of the Getty museum and the Getty research institute, this illustrated volume presents an introduction to the subject, followed by a detailed discussion of the influence of photography on archaeology, by an analysis of the ways antiquity is depicted, and by biographical studies of two major photographers, Joseph-Philibert Girault de Prangey and William James Stillman. Portfolios of works by Maxime Du Camp, John B. Greene, Francis Frith, Robert Macpherson, Adolphe Braun, and others appear between the essays.
Photography by Region