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$39.95
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'Modernism and modernity : the Vancouver conference papers' was originally published as the proceedings from a conference held in Vancouver, B.C., in 1983. This publication constitutes a major contribution to the rethinking of the history and debates concerning modernism and modernity.
Architectural Theory
June 2004, Halifax
Modernism and modernity : the Vancouver conference papers
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$39.95
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Summary:
'Modernism and modernity : the Vancouver conference papers' was originally published as the proceedings from a conference held in Vancouver, B.C., in 1983. This publication constitutes a major contribution to the rethinking of the history and debates concerning modernism and modernity.
books
June 2004, Halifax
Architectural Theory
$24.95
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This book has been published to accompany the exhibition Andy Warhol - Shadows and Other Signs of Life at Galerie Chantal Crousel, Paris December 15, 2007 - January 19, 2008.
June 2008, Paris, Köln
Andy Warhol: shadows and other signs of life
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This book has been published to accompany the exhibition Andy Warhol - Shadows and Other Signs of Life at Galerie Chantal Crousel, Paris December 15, 2007 - January 19, 2008.
October 123
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In what ways have artists, academics, and cultural institutions responded to the US led invasion and occupation of Iraq?
Magazines
February 2008, New York
October 123
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In what ways have artists, academics, and cultural institutions responded to the US led invasion and occupation of Iraq?
Magazines
$62.95
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Summary:
These essays by the critic and art historian Benjamin Buchloh have had a significant impact on the theory and practice of art history. Written over the course of three decades and now collected in one volume, they trace a history of crucial artistic transitions, iterations, and paradigmatic shifts in the twentieth century, considering both the evolution and emergence of(...)
Formalism and historicity : models and methods in Twentieth-Century art
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These essays by the critic and art historian Benjamin Buchloh have had a significant impact on the theory and practice of art history. Written over the course of three decades and now collected in one volume, they trace a history of crucial artistic transitions, iterations, and paradigmatic shifts in the twentieth century, considering both the evolution and emergence of artistic forms and the specific historical moment in which they occurred. Buchloh’s subject matter ranges through various moments in the history of twentieth-century American and European art, from the moment of the retour à l’ordre of 1915 to developments in the Soviet Union in the 1920s to the beginnings of Conceptual art in the late 1960s to the appropriation artists of the 1980s.
Art Theory