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''This is Toronto 50 years ago, 52 years had passed since 1918, the end of the first World War and 1970 the first year of these pictures. And since the last of the photos were made in 1972, another 50 years have passed. The appearance of people has changed little, smoking is not as common, there were no computers. The cars and phones are greater visual cues. But it is a(...)
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''This is Toronto 50 years ago, 52 years had passed since 1918, the end of the first World War and 1970 the first year of these pictures. And since the last of the photos were made in 1972, another 50 years have passed. The appearance of people has changed little, smoking is not as common, there were no computers. The cars and phones are greater visual cues. But it is a(...)
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Tony Bock: Social Landscapes Toronto 1970-72
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''This is Toronto 50 years ago, 52 years had passed since 1918, the end of the first World War and 1970 the first year of these pictures. And since the last of the photos were made in 1972, another 50 years have passed. The appearance of people has changed little, smoking is not as common, there were no computers. The cars and phones are greater visual cues. But it is a very different world we live in today.'' - TB Tony Bock is a British-born photographer who emigrated to Canada with his parents in 1952. His photographs provide a glimpse into the changing social and cultural fabric of Toronto during a time of significant transformation. Bock worked as photographer for the Toronto Star for over 30 years.
Tony Bock: Social Landscapes Toronto 1970-72
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''This is Toronto 50 years ago, 52 years had passed since 1918, the end of the first World War and 1970 the first year of these pictures. And since the last of the photos were made in 1972, another 50 years have passed. The appearance of people has changed little, smoking is not as common, there were no computers. The cars and phones are greater visual cues. But it is a very different world we live in today.'' - TB Tony Bock is a British-born photographer who emigrated to Canada with his parents in 1952. His photographs provide a glimpse into the changing social and cultural fabric of Toronto during a time of significant transformation. Bock worked as photographer for the Toronto Star for over 30 years.
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books
books
Publication:
January 2023
January 2023
Subject:
Photography monographs
Photography monographs
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books
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London Barbican is a series of photographs of the infernos housing estate by CRB founder by Craig Atkinson.
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London Barbican is a series of photographs of the infernos housing estate by CRB founder by Craig Atkinson.
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Craig Atkinson: London Barbican
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London Barbican is a series of photographs of the infernos housing estate by CRB founder by Craig Atkinson.
Craig Atkinson: London Barbican
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London Barbican is a series of photographs of the infernos housing estate by CRB founder by Craig Atkinson.
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books
books
Publication:
March 2022
March 2022
Subject:
Photography monographs
Photography monographs
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books
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact(...)
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact(...)
Title:
Dragan Novakovic: Manchester & Oldham 1970s
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact sheets. Thanks to digital, I saw them properly as 'enlargements' for the first time in 2012 after I had scanned the negatives and post-processed the files.'' - DN Dragan Novakovic is a Serbian photographer born in 1946. He bought his first camera in 1968 and taught himself to develop and print. He photographed London and Northern England, mostly as a hobby.
Dragan Novakovic: Manchester & Oldham 1970s
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact sheets. Thanks to digital, I saw them properly as 'enlargements' for the first time in 2012 after I had scanned the negatives and post-processed the files.'' - DN Dragan Novakovic is a Serbian photographer born in 1946. He bought his first camera in 1968 and taught himself to develop and print. He photographed London and Northern England, mostly as a hobby.
Form:
books
books
Publication:
January 2020
January 2020
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$23.50
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the(...)
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the(...)
Title:
Patrick Ward : Manplan 1 & 2, Britain in the late 1960s (2 vol.)
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the frustrations surrounding life, work and leisure in the Britain of the late 1960s. The result was a photo essay called 'Manplan' which ran for 75 pages in the magazine and from which these images are drawn. The project ran for several more issues, with other editorial photographers exploring more specific subjects for the project. However, I think it’s fair to surmise that the magazine, its readers, and its advertisers were relieved to return to the safer territory of architectural photography, with its correct verticals and its political correctness too!'' - PW
Patrick Ward : Manplan 1 & 2, Britain in the late 1960s (2 vol.)
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the frustrations surrounding life, work and leisure in the Britain of the late 1960s. The result was a photo essay called 'Manplan' which ran for 75 pages in the magazine and from which these images are drawn. The project ran for several more issues, with other editorial photographers exploring more specific subjects for the project. However, I think it’s fair to surmise that the magazine, its readers, and its advertisers were relieved to return to the safer territory of architectural photography, with its correct verticals and its political correctness too!'' - PW
Form:
books
books
Publication:
January 2023
January 2023
Subject:
Photography monographs
Photography monographs
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books
books
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Trellick Tower — designed by Erno Goldfinger, opened in 1972 — is a Grade II listed Brutalist tower block on Goldborne Road, London. This print and fourth edition zine is released to celebrate 50 years since the opening of Trellick Tower.
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Trellick Tower — designed by Erno Goldfinger, opened in 1972 — is a Grade II listed Brutalist tower block on Goldborne Road, London. This print and fourth edition zine is released to celebrate 50 years since the opening of Trellick Tower.
Title:
Craig Atkinson: London, Trellick Tower
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Trellick Tower — designed by Erno Goldfinger, opened in 1972 — is a Grade II listed Brutalist tower block on Goldborne Road, London. This print and fourth edition zine is released to celebrate 50 years since the opening of Trellick Tower.
Craig Atkinson: London, Trellick Tower
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Trellick Tower — designed by Erno Goldfinger, opened in 1972 — is a Grade II listed Brutalist tower block on Goldborne Road, London. This print and fourth edition zine is released to celebrate 50 years since the opening of Trellick Tower.
Form:
books
books
Publication:
August 2022
August 2022
Subject:
Photography monographs
Photography monographs
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books
books
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''Of Wu-Tang and things…I’d say off the bat it’s the Ol' dirty bastard, asking me to destroy the negatives, that will never leave me. Meth showing me his new trick with eye and cap. U-god with a plaster on his face. The Rza in a bath tub at the Met hotel. Watching the entire Wu-Tang Clan getting passport pictures at Earl Court station. The Shows. The distinct smell of(...)
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''Of Wu-Tang and things…I’d say off the bat it’s the Ol' dirty bastard, asking me to destroy the negatives, that will never leave me. Meth showing me his new trick with eye and cap. U-god with a plaster on his face. The Rza in a bath tub at the Met hotel. Watching the entire Wu-Tang Clan getting passport pictures at Earl Court station. The Shows. The distinct smell of(...)
Title:
Eddie Otchere: Wu-Tang Clan 1994-2004
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''Of Wu-Tang and things…I’d say off the bat it’s the Ol' dirty bastard, asking me to destroy the negatives, that will never leave me. Meth showing me his new trick with eye and cap. U-god with a plaster on his face. The Rza in a bath tub at the Met hotel. Watching the entire Wu-Tang Clan getting passport pictures at Earl Court station. The Shows. The distinct smell of blunts and weed that hung in the air. Papa Wu inviting me on the coach and traveling from Putney to Kentish Town with a pit stop in Earls Court. Young dirty Bastard’s performance of Shimmy Shimmy Ya Shimmy Yam Shimmy yah. From the first encounter to my last, the Wu have never failed to disappoint. What you have here a rarified glimpse at the lead images and contact sheets of seeking out members of the Wu-Tang Clan and putting their mythos on blast. I got one shot. This was the last time we held a cipher.'' -EO
Eddie Otchere: Wu-Tang Clan 1994-2004
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''Of Wu-Tang and things…I’d say off the bat it’s the Ol' dirty bastard, asking me to destroy the negatives, that will never leave me. Meth showing me his new trick with eye and cap. U-god with a plaster on his face. The Rza in a bath tub at the Met hotel. Watching the entire Wu-Tang Clan getting passport pictures at Earl Court station. The Shows. The distinct smell of blunts and weed that hung in the air. Papa Wu inviting me on the coach and traveling from Putney to Kentish Town with a pit stop in Earls Court. Young dirty Bastard’s performance of Shimmy Shimmy Ya Shimmy Yam Shimmy yah. From the first encounter to my last, the Wu have never failed to disappoint. What you have here a rarified glimpse at the lead images and contact sheets of seeking out members of the Wu-Tang Clan and putting their mythos on blast. I got one shot. This was the last time we held a cipher.'' -EO
Form:
books
books
Publication:
January 2023
January 2023
Subject:
Photography monographs
Photography monographs
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books
books
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''My pictures were part of an extended project on Hull, then suffering both the loss of its fishing industry and a programme of extensive redevelopment which appeared to be turning its back on the city's history and replacing areas which had been human and vibrant with depressing wastelands, failing to learn the lessons that were already apparent from elsewhere in the(...)
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''My pictures were part of an extended project on Hull, then suffering both the loss of its fishing industry and a programme of extensive redevelopment which appeared to be turning its back on the city's history and replacing areas which had been human and vibrant with depressing wastelands, failing to learn the lessons that were already apparent from elsewhere in the(...)
Title:
Peter Marshall: The River Hull 1977-85
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''My pictures were part of an extended project on Hull, then suffering both the loss of its fishing industry and a programme of extensive redevelopment which appeared to be turning its back on the city's history and replacing areas which had been human and vibrant with depressing wastelands, failing to learn the lessons that were already apparent from elsewhere in the country. 'Still Occupied - A View of Hull' was shown at the Ferens Art Gallery in Hull in 1983, and the work here is from one of the eight sections of my self-published book and web site on Hull.'' - PM
Peter Marshall: The River Hull 1977-85
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''My pictures were part of an extended project on Hull, then suffering both the loss of its fishing industry and a programme of extensive redevelopment which appeared to be turning its back on the city's history and replacing areas which had been human and vibrant with depressing wastelands, failing to learn the lessons that were already apparent from elsewhere in the country. 'Still Occupied - A View of Hull' was shown at the Ferens Art Gallery in Hull in 1983, and the work here is from one of the eight sections of my self-published book and web site on Hull.'' - PM
Form:
books
books
Publication:
January 2018
January 2018
Subject:
Photography monographs
Photography monographs
