$180.00
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Summary:
"The Japanese photobook", 1912–1990 illustrates the development of photography as seen in photo publications in Japan--from the early influence of European and American pictorialism, the German Bauhaus and imperial military propaganda to the complete collapse and destruction of the country in 1945. Then followed a new beginning: with the unique self-determination of a(...)
Photography Collections
August 2016
The Japanese photobook, 1912-1980
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$180.00
(available to order)
Summary:
"The Japanese photobook", 1912–1990 illustrates the development of photography as seen in photo publications in Japan--from the early influence of European and American pictorialism, the German Bauhaus and imperial military propaganda to the complete collapse and destruction of the country in 1945. Then followed a new beginning: with the unique self-determination of a young generation of photographers and visual artists highlighted by the Provoke style--an experimental Japanese photography magazine that had a profound effect on the medium in the 1970s and ‘80s--as well as protest and war documentation of the late 1950s to the early ‘70s, the signature Japanese photobook, as we have come to know it, was born.
Photography Collections
$72.00
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Summary:
The landscape photographs of Michael Reisch show nature as spookily pristine and oddly frozen. Upon closer inspection, the viewer senses that something is amiss. These landscapes are indeed based on existing places, but Reisch has processed his images digitally, and arrived at a visual effect that both fascinates and disquiets in its airless perfection.
Michael Reisch: New landscapes
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$72.00
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Summary:
The landscape photographs of Michael Reisch show nature as spookily pristine and oddly frozen. Upon closer inspection, the viewer senses that something is amiss. These landscapes are indeed based on existing places, but Reisch has processed his images digitally, and arrived at a visual effect that both fascinates and disquiets in its airless perfection.
Photography monographs
$13.33
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Summary:
''The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.'' In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered(...)
An interview with Lewis Baltz
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''The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.'' In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Theory of Photography