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A shard is a fragment of broken pottery, often used by archaeologists to reconstruct objects from past civilizations. In "Shards of America", Canadian photographer Phil Bergerson has gathered richly detailed images from neglected corners of American’s towns and small cities, and created a fascinating mosaic. Businesses, religious sects, and community groups announce their(...)
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A shard is a fragment of broken pottery, often used by archaeologists to reconstruct objects from past civilizations. In "Shards of America", Canadian photographer Phil Bergerson has gathered richly detailed images from neglected corners of American’s towns and small cities, and created a fascinating mosaic. Businesses, religious sects, and community groups announce their(...)
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Phil Bergerson : shards of America
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A shard is a fragment of broken pottery, often used by archaeologists to reconstruct objects from past civilizations. In "Shards of America", Canadian photographer Phil Bergerson has gathered richly detailed images from neglected corners of American’s towns and small cities, and created a fascinating mosaic. Businesses, religious sects, and community groups announce their presence, offer their services, and pitch their messages, while commercial signs, graffiti, posters, and public notices blanket the surfaces of buildings and public spaces. Paintings and movie posters, dime-store novels and daily newspapers, figurines and mannequins, decals and stenciled graffiti, and children’s letters and drawings are laid out as artifacts of a greater whole. Patriotism, consumerism, censorship, nostalgia for a simpler past coupled with a desire for a less complicated present. Touching on all these themes, Bergerson’s quietly ironic but empathetic tone encourages the reader to imagine how our own ordinary world might appear to viewers in a hundred or more years’ time. An essay by photographic historian David Harris illuminates the work.
Phil Bergerson : shards of America
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Summary:
A shard is a fragment of broken pottery, often used by archaeologists to reconstruct objects from past civilizations. In "Shards of America", Canadian photographer Phil Bergerson has gathered richly detailed images from neglected corners of American’s towns and small cities, and created a fascinating mosaic. Businesses, religious sects, and community groups announce their presence, offer their services, and pitch their messages, while commercial signs, graffiti, posters, and public notices blanket the surfaces of buildings and public spaces. Paintings and movie posters, dime-store novels and daily newspapers, figurines and mannequins, decals and stenciled graffiti, and children’s letters and drawings are laid out as artifacts of a greater whole. Patriotism, consumerism, censorship, nostalgia for a simpler past coupled with a desire for a less complicated present. Touching on all these themes, Bergerson’s quietly ironic but empathetic tone encourages the reader to imagine how our own ordinary world might appear to viewers in a hundred or more years’ time. An essay by photographic historian David Harris illuminates the work.
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books
books
Publication:
September 2004, New York
September 2004, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Eugène Atget : unknown Paris
Eugène Atget : unknown Paris
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For 30 years, Eugène Atget photographed the historic core of Paris, its buildings and monuments, its ancient streets and civic spaces, its public parks and gardens. With the exception of his earliest photographs, he chose not to represent a particular site by a single, definitive photograph but produced sequences of interrelated images that create a cumulative(...)
$22.95
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For 30 years, Eugène Atget photographed the historic core of Paris, its buildings and monuments, its ancient streets and civic spaces, its public parks and gardens. With the exception of his earliest photographs, he chose not to represent a particular site by a single, definitive photograph but produced sequences of interrelated images that create a cumulative(...)
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Eugène Atget : unknown Paris
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For 30 years, Eugène Atget photographed the historic core of Paris, its buildings and monuments, its ancient streets and civic spaces, its public parks and gardens. With the exception of his earliest photographs, he chose not to represent a particular site by a single, definitive photograph but produced sequences of interrelated images that create a cumulative portrait. A collection of case studies of archetypal urban settings, this book examines Atget’s approach to photography. It features 240 of his photographs—nearly all of which have never been published—assembled to display the integral relationship between the photographer’s working method and his subject matter, revealing the character of le Vieux Paris itself.
Eugène Atget : unknown Paris
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For 30 years, Eugène Atget photographed the historic core of Paris, its buildings and monuments, its ancient streets and civic spaces, its public parks and gardens. With the exception of his earliest photographs, he chose not to represent a particular site by a single, definitive photograph but produced sequences of interrelated images that create a cumulative portrait. A collection of case studies of archetypal urban settings, this book examines Atget’s approach to photography. It features 240 of his photographs—nearly all of which have never been published—assembled to display the integral relationship between the photographer’s working method and his subject matter, revealing the character of le Vieux Paris itself.
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books
books
Publication:
October 2003, New York
October 2003, New York
Subject:
sale books
sale books
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books
books
Title:
In focus : Eugène Atget
In focus : Eugène Atget
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized(...)
$27.50
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Summary:
Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized(...)
Subject:
Photography monographs
Photography monographs
Publication:
June 2000, Los Angeles
June 2000, Los Angeles
Title:
In focus : Eugène Atget
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Summary:
Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized about 1924 by two young Americans living and working in Paris—Man Ray and his studio assistant, Berenice Abbott—who appreciated the elements of contradiction, ambivalence, and ambiguity in Atget's images of Parisian architecture, streets, and parks. Presented in this volume are more than fifty of the Getty Museum's two hundred ninety-five pictures by Atget, with commentary on each image by Gordon Baldwin, associate curator of photographs at the J. Paul Getty Museum. "In Focus: Eugène Atget" also contains a chronological overview of his life and an edited transcript of a colloquium on his career, with participants Baldwin; David Featherstone, independent editor and curator; photographer Robbert Flick, professor of art at the University of Southern California; independent scholar David Harris; Weston Naef, curator of photographs, Getty Museum; Francoise Reynaud, curator of photographs at the Musée Carnavalet, Paris; and Michael S. Roth, president, California College of Arts and Crafts.
In focus : Eugène Atget
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Summary:
Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized about 1924 by two young Americans living and working in Paris—Man Ray and his studio assistant, Berenice Abbott—who appreciated the elements of contradiction, ambivalence, and ambiguity in Atget's images of Parisian architecture, streets, and parks. Presented in this volume are more than fifty of the Getty Museum's two hundred ninety-five pictures by Atget, with commentary on each image by Gordon Baldwin, associate curator of photographs at the J. Paul Getty Museum. "In Focus: Eugène Atget" also contains a chronological overview of his life and an edited transcript of a colloquium on his career, with participants Baldwin; David Featherstone, independent editor and curator; photographer Robbert Flick, professor of art at the University of Southern California; independent scholar David Harris; Weston Naef, curator of photographs, Getty Museum; Francoise Reynaud, curator of photographs at the Musée Carnavalet, Paris; and Michael S. Roth, president, California College of Arts and Crafts.
Form:
books
books
Publication:
June 2000, Los Angeles
June 2000, Los Angeles
Subject:
Photography monographs
Photography monographs
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books
books
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$75.00
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Summary:
Ce catalogue d'exposition situe l'oeuvre panoramique de Muybridge par rapport à ses méthodes de travail et dans le contexte plus large de la représentation des villes. Avec des textes de David Harris et Eric Sandweiss.
$75.00
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Ce catalogue d'exposition situe l'oeuvre panoramique de Muybridge par rapport à ses méthodes de travail et dans le contexte plus large de la représentation des villes. Avec des textes de David Harris et Eric Sandweiss.
Title:
Eadweard Muybridge et le panorama photographique de San Francisco, 1850-1880
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Ce catalogue d'exposition situe l'oeuvre panoramique de Muybridge par rapport à ses méthodes de travail et dans le contexte plus large de la représentation des villes. Avec des textes de David Harris et Eric Sandweiss.
Eadweard Muybridge et le panorama photographique de San Francisco, 1850-1880
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Ce catalogue d'exposition situe l'oeuvre panoramique de Muybridge par rapport à ses méthodes de travail et dans le contexte plus large de la représentation des villes. Avec des textes de David Harris et Eric Sandweiss.
Form:
books
books
Publication:
March 1993, Montréal
March 1993, Montréal
Subject:
CCA Publications
CCA Publications
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books
books
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$9.95
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Summary:
A photographic survey of North American bank architecture. Texts by James Borcoman, David Harris, and Susan Wagg.
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Summary:
A photographic survey of North American bank architecture. Texts by James Borcoman, David Harris, and Susan Wagg.
Title:
Money matters: a critical look at bank architecture
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A photographic survey of North American bank architecture. Texts by James Borcoman, David Harris, and Susan Wagg.
Money matters: a critical look at bank architecture
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A photographic survey of North American bank architecture. Texts by James Borcoman, David Harris, and Susan Wagg.
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books
books
Publication:
November 1990, Montréal
November 1990, Montréal
Subject:
CCA Publications
CCA Publications
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books
books
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$9.95
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Summary:
Un survol photographique de l'architecture des banques en Amérique du nord. Avec des textes de James Borcoman, David Harris et Susan Wagg.
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Summary:
Un survol photographique de l'architecture des banques en Amérique du nord. Avec des textes de James Borcoman, David Harris et Susan Wagg.
Title:
L'or et la pierre : un regard critique sur l'architecture des banques
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Un survol photographique de l'architecture des banques en Amérique du nord. Avec des textes de James Borcoman, David Harris et Susan Wagg.
L'or et la pierre : un regard critique sur l'architecture des banques
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Un survol photographique de l'architecture des banques en Amérique du nord. Avec des textes de James Borcoman, David Harris et Susan Wagg.
Form:
books
books
Publication:
November 1990, Montréal
November 1990, Montréal
Subject:
CCA Publications
CCA Publications
Form:
books
books
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$45.00
(available in store)
Summary:
Ce catalogue d'exposition situe l'oeuvre panoramique de Muybridge par rapport à ses méthodes de travail et dans le contexte plus large de la représentation des villes. Avec des textes de David Harris et Eric Sandweiss.
$45.00
(available in store)
Summary:
Ce catalogue d'exposition situe l'oeuvre panoramique de Muybridge par rapport à ses méthodes de travail et dans le contexte plus large de la représentation des villes. Avec des textes de David Harris et Eric Sandweiss.
Title:
Eadweard Muybridge et le panorama photographique de San Francisco, 1850-1880
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$45.00
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Summary:
Ce catalogue d'exposition situe l'oeuvre panoramique de Muybridge par rapport à ses méthodes de travail et dans le contexte plus large de la représentation des villes. Avec des textes de David Harris et Eric Sandweiss.
Eadweard Muybridge et le panorama photographique de San Francisco, 1850-1880
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$45.00
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Summary:
Ce catalogue d'exposition situe l'oeuvre panoramique de Muybridge par rapport à ses méthodes de travail et dans le contexte plus large de la représentation des villes. Avec des textes de David Harris et Eric Sandweiss.
Form:
books
books
Publication:
March 1993, Montréal
March 1993, Montréal
Subject:
CCA Publications
CCA Publications
Form:
books
books
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$42.95
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Summary:
Premier survol de l'oeuvre photographique de Gabor Szilasi, qui couvre aussi bien sa production des années 50 en Hongrie, que ses photographies documentaires du Québec rural et de Montréal et son oeuvre plus récente réalisée à l'aide d'un appareil Polaroïd. Avec une préface de Franck Michel. / This book presents, for the first time, a comprehensive overview(...)
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Premier survol de l'oeuvre photographique de Gabor Szilasi, qui couvre aussi bien sa production des années 50 en Hongrie, que ses photographies documentaires du Québec rural et de Montréal et son oeuvre plus récente réalisée à l'aide d'un appareil Polaroïd. Avec une préface de Franck Michel. / This book presents, for the first time, a comprehensive overview(...)
Title:
Gabor Szilasi, photographies / photographs 1954-1996
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Premier survol de l'oeuvre photographique de Gabor Szilasi, qui couvre aussi bien sa production des années 50 en Hongrie, que ses photographies documentaires du Québec rural et de Montréal et son oeuvre plus récente réalisée à l'aide d'un appareil Polaroïd. Avec une préface de Franck Michel. / This book presents, for the first time, a comprehensive overview of this Hungarian-born Québec photographer, from his early pictorialist work in 1950s Hungary through the landcape and social documentary work in rural Quebec and Montreal to recent departures in Polaroid portraiture. Preface by Franck Michel.
Gabor Szilasi, photographies / photographs 1954-1996
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Premier survol de l'oeuvre photographique de Gabor Szilasi, qui couvre aussi bien sa production des années 50 en Hongrie, que ses photographies documentaires du Québec rural et de Montréal et son oeuvre plus récente réalisée à l'aide d'un appareil Polaroïd. Avec une préface de Franck Michel. / This book presents, for the first time, a comprehensive overview of this Hungarian-born Québec photographer, from his early pictorialist work in 1950s Hungary through the landcape and social documentary work in rural Quebec and Montreal to recent departures in Polaroid portraiture. Preface by Franck Michel.
Form:
books
books
Publication:
September 1997, Montréal
September 1997, Montréal
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$37.50
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Summary:
Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His(...)
$37.50
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Summary:
Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His(...)
Title:
Of battle and beauty : Felice Beato's photographs of China
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Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His photographic record of the Second Opium War consisted of approximately 100 images, including a number of panoramic views, which survive in the form of private albums orignally compiled by British officers as a record of their victorious campaign. In addition to providing a strikingly beautiful glimpse of nineteenth-century China, these images also reveal how photography functioned as an integral component of British imperialism by shaping perceptions about a distant country and its culture. This publication accompanies a major exhibition of Beato's work in China.
Of battle and beauty : Felice Beato's photographs of China
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$37.50
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Summary:
Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His photographic record of the Second Opium War consisted of approximately 100 images, including a number of panoramic views, which survive in the form of private albums orignally compiled by British officers as a record of their victorious campaign. In addition to providing a strikingly beautiful glimpse of nineteenth-century China, these images also reveal how photography functioned as an integral component of British imperialism by shaping perceptions about a distant country and its culture. This publication accompanies a major exhibition of Beato's work in China.
Form:
books
books
Publication:
November 1999, Santa Barbara
November 1999, Santa Barbara
Subject:
Photography monographs
Photography monographs
Form:
books
books
Actions:
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$75.00
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Summary:
Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His(...)
$75.00
(available to order)
Summary:
Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His(...)
Title:
Of battle and beauty : Felice Beato's photographs of China
Actions:
Price:
$75.00
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Summary:
Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His photographic record of the Second Opium War consisted of approximately 100 images, including a number of panoramic views, which survive in the form of private albums orignally compiled by British officers as a record of their victorious campaign. In addition to providing a strikingly beautiful glimpse of nineteenth-century China, these images also reveal how photography functioned as an integral component of British imperialism by shaping perceptions about a distant country and its culture. This publication accompanies a major exhibition of Beato's work in China.
Of battle and beauty : Felice Beato's photographs of China
Actions:
Price:
$75.00
(available to order)
Summary:
Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His photographic record of the Second Opium War consisted of approximately 100 images, including a number of panoramic views, which survive in the form of private albums orignally compiled by British officers as a record of their victorious campaign. In addition to providing a strikingly beautiful glimpse of nineteenth-century China, these images also reveal how photography functioned as an integral component of British imperialism by shaping perceptions about a distant country and its culture. This publication accompanies a major exhibition of Beato's work in China.
Form:
books
books
Publication:
November 1999, Santa Barbara
November 1999, Santa Barbara
Subject:
Theory of Photography
Theory of Photography
