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books
books
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Price:
$15.00
(available in store)
Summary:
The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for(...)
$15.00
(available in store)
Summary:
The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for(...)
Title:
Center for advanced visual studies
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Price:
$15.00
(available in store)
Summary:
The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for public events and a sampling of pictures from four years of programming. http://cavs.mit.edu
Center for advanced visual studies
Actions:
Price:
$15.00
(available in store)
Summary:
The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for public events and a sampling of pictures from four years of programming. http://cavs.mit.edu
Form:
books
books
Publication:
October 2008, Cambridge
October 2008, Cambridge
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Muriel Cooper
Muriel Cooper
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$76.50
(available to order)
Summary:
Muriel Cooper (1925–1994) was the pioneering designer who created the MIT Press colophon (or logo)—seven bars that represent the lowercase letters “mitp” as abstracted books on a shelf. She designed a modernist monument, the encyclopedic volume The Bauhaus (1969), and the controversial first edition of Learning from Las Vegas (1972). She used an offset press as an(...)
$76.50
(available to order)
Summary:
Muriel Cooper (1925–1994) was the pioneering designer who created the MIT Press colophon (or logo)—seven bars that represent the lowercase letters “mitp” as abstracted books on a shelf. She designed a modernist monument, the encyclopedic volume The Bauhaus (1969), and the controversial first edition of Learning from Las Vegas (1972). She used an offset press as an(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
September 2017
September 2017
Title:
Muriel Cooper
Actions:
Price:
$76.50
(available to order)
Summary:
Muriel Cooper (1925–1994) was the pioneering designer who created the MIT Press colophon (or logo)—seven bars that represent the lowercase letters “mitp” as abstracted books on a shelf. She designed a modernist monument, the encyclopedic volume The Bauhaus (1969), and the controversial first edition of Learning from Las Vegas (1972). She used an offset press as an artistic tool, worked with a large-format Polaroid camera, and had an early vision of e-books. Cooper began her four-decade career at MIT by designing printed flyers for the Office of Publications; her final projects were digital. This illustrated volume documents Cooper’s career in abundant detail, with prints, sketches, book covers, posters, mechanicals, student projects, and photographs, from her work in design, teaching, and research at MIT.
Muriel Cooper
Actions:
Price:
$76.50
(available to order)
Summary:
Muriel Cooper (1925–1994) was the pioneering designer who created the MIT Press colophon (or logo)—seven bars that represent the lowercase letters “mitp” as abstracted books on a shelf. She designed a modernist monument, the encyclopedic volume The Bauhaus (1969), and the controversial first edition of Learning from Las Vegas (1972). She used an offset press as an artistic tool, worked with a large-format Polaroid camera, and had an early vision of e-books. Cooper began her four-decade career at MIT by designing printed flyers for the Office of Publications; her final projects were digital. This illustrated volume documents Cooper’s career in abundant detail, with prints, sketches, book covers, posters, mechanicals, student projects, and photographs, from her work in design, teaching, and research at MIT.
Form:
books
books
Publication:
September 2017
September 2017
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
Actions:
Price:
$2.00
(available to order)
Summary:
Muriel Cooper designed the MIT Press logo and became the first Design Director of MIT Press in 1967, remaining through 1974. The Visual Language Workshop was founded in 1976, as a "unique interdisciplinary graphics laboratory, to explore verbal and visual communication as information and as art on both personal and public levels".
$2.00
(available to order)
Summary:
Muriel Cooper designed the MIT Press logo and became the first Design Director of MIT Press in 1967, remaining through 1974. The Visual Language Workshop was founded in 1976, as a "unique interdisciplinary graphics laboratory, to explore verbal and visual communication as information and as art on both personal and public levels".
Title:
This stands as a sketch for the future: Muriel Cooper and the Visible Language Workshop
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$2.00
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Summary:
Muriel Cooper designed the MIT Press logo and became the first Design Director of MIT Press in 1967, remaining through 1974. The Visual Language Workshop was founded in 1976, as a "unique interdisciplinary graphics laboratory, to explore verbal and visual communication as information and as art on both personal and public levels".
This stands as a sketch for the future: Muriel Cooper and the Visible Language Workshop
Actions:
Price:
$2.00
(available to order)
Summary:
Muriel Cooper designed the MIT Press logo and became the first Design Director of MIT Press in 1967, remaining through 1974. The Visual Language Workshop was founded in 1976, as a "unique interdisciplinary graphics laboratory, to explore verbal and visual communication as information and as art on both personal and public levels".
Form:
books
books
Publication:
June 2008, New York
June 2008, New York
Subject:
Graphic Design and Typography
Graphic Design and Typography
Form:
books
books
Actions:
Price:
$34.95
(available to order)
Summary:
Through a series of in-depth historical case studies and assignments that progressively build in complexity, 'A New Program for Graphic Design' serves as a practical guide both for designers and for undergraduate students coming from a range of other disciplines. Synthesizing the pragmatic with the experimental, and drawing on the work of Max Bill, Beatrice Warde, Muriel(...)
$34.95
(available to order)
Summary:
Through a series of in-depth historical case studies and assignments that progressively build in complexity, 'A New Program for Graphic Design' serves as a practical guide both for designers and for undergraduate students coming from a range of other disciplines. Synthesizing the pragmatic with the experimental, and drawing on the work of Max Bill, Beatrice Warde, Muriel(...)
Title:
A new program for graphic design
Actions:
Price:
$34.95
(available to order)
Summary:
Through a series of in-depth historical case studies and assignments that progressively build in complexity, 'A New Program for Graphic Design' serves as a practical guide both for designers and for undergraduate students coming from a range of other disciplines. Synthesizing the pragmatic with the experimental, and drawing on the work of Max Bill, Beatrice Warde, Muriel Cooper and Stewart Brand (among many others),, it builds upon mid- to late-20th-century pedagogical models to convey contemporary design principles in an understandable form for students of all levels — treating graphic design as a liberal art that informs the dissemination of knowledge across all disciplines.
A new program for graphic design
Actions:
Price:
$34.95
(available to order)
Summary:
Through a series of in-depth historical case studies and assignments that progressively build in complexity, 'A New Program for Graphic Design' serves as a practical guide both for designers and for undergraduate students coming from a range of other disciplines. Synthesizing the pragmatic with the experimental, and drawing on the work of Max Bill, Beatrice Warde, Muriel Cooper and Stewart Brand (among many others),, it builds upon mid- to late-20th-century pedagogical models to convey contemporary design principles in an understandable form for students of all levels — treating graphic design as a liberal art that informs the dissemination of knowledge across all disciplines.
Form:
books
books
Publication:
September 2019
September 2019
Subject:
Graphic Design and Typography
Graphic Design and Typography
