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Title:
Ellsworth Kelly

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$101.50
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Summary:
Accompanying the large-scale traveling exhibition "Ellsworth Kelly at 100", this volume celebrates the groundbreaking career of the beloved American abstractionist. This publication highlights key aspects of his multifaceted art?from his lifelong drawing practice through his later explorations of layered canvas panels. Kelly frequently revisited shapes and motifs observed throughout his career, exploring form, color, line and space through painting, sculpture, collage, drawing and photography. The fully illustrated publication highlights works from major public and private collections alongside key works from Glenstone's collection, including seminal early pieces such as "Painting for a White Wall" (1952) and "Painting in Three Panels" (1956), as well as examples from the iconic Chatham and Spectrum series. Also featured is "Yellow Curve" (1990), a monumental floor painting installation that spans nearly 1,000 square feet, on view for the first time in more than 30 years since it was conceived for an exhibition at Portikus am Main in Frankfurt. Essays by Jean-Pierre Criqui, Alex Da Corte, Suzanne Hudson, Corey Keller and others explore and expand upon Kelly’s canon. With three gatefolds and a tip-on cover image, the book also includes unpublished archival materials from the artist’s studio and the Glenstone archives.

Title:
Ellsworth Kelly: Plant drawings

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$62.00
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Summary:
First published in 2017 and quickly going out of print, Ellsworth Kelly: Plant Drawings features more than 30 drawings made by Kelly between 1949 and 2008. Despite the immediacy of their execution and their representational content, the most striking surprise of Kelly’s plant drawings is how much they share with his abstract paintings and sculptures.

Title:
Ellsworh Kelly: Windows

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$63.00
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Summary:
The window as motif in the drawings and paintings of Ellsworth Kelly This monograph was copublished by Cahiers d’Art and Centre Pompidou on the occasion of the 2019 exhibition Ellsworth Kelly: Windows, which brought together, for the first time, the six Windows made by Ellsworth Kelly (1923–2015) in France between 1949 and 1950. Kelly’s years in France were a period of perpetual invention, and are fundamental to an understanding of his work. As he wrote in 1969, “After constructing Window with two canvases and a wood frame, I realized that ... painting as I had known it was finished for me.” This signal moment is evoked through more than 80 works, paintings, drawings, sketches and photographs, along with two beautiful essays by Yve-Alain Bois and Jean-Pierre Criqui.