Space is politics
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Summary:
In "Space is politics", architect and urban planner Hans Teerds shows that space is not merely a prerequisite for political activity – it is political in itself. The design of public spaces such as streets, squares, and parks influences who meets, who participates, and who is excluded. These spaces are not mere backdrops, but central places of democratic practice.(...)
Space is politics
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$39.95
(available to order)
Summary:
In "Space is politics", architect and urban planner Hans Teerds shows that space is not merely a prerequisite for political activity – it is political in itself. The design of public spaces such as streets, squares, and parks influences who meets, who participates, and who is excluded. These spaces are not mere backdrops, but central places of democratic practice. Architecture is never neutral. It marks access, defines boundaries, and shapes the conditions of public life. Teerds calls for such spaces to be reclaimed from investors and experts in social dialogues, returning them to the political public sphere. A manifesto for those who understand architecture as a political task.
Urban Theory
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Architects contemplate Hannah Arendt’s spatial-political thinking. Hannah Arendt once stated that spatial thinking is political thinking. The latest issue of OASE gathers contributions from architects—George Baird, Patrick Bouchain, Pier Vittorio Aureli, Mary Duggan—who examine their work from Arendt’s perspective.
Oase 106: table settings - reflections on architecture with Hannah Arendt
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Summary:
Architects contemplate Hannah Arendt’s spatial-political thinking. Hannah Arendt once stated that spatial thinking is political thinking. The latest issue of OASE gathers contributions from architects—George Baird, Patrick Bouchain, Pier Vittorio Aureli, Mary Duggan—who examine their work from Arendt’s perspective.
Magazines
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OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century,(...)
OASE 90: What is good architecture?
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OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century, models for architecture evaluation such as modernism and postmodernism have been modified by supermodernism and retromodernism, and more recently by sustainability. Nevertheless, it is impossible to work with architecture – in design, theory or history – without making assumptions about criteria for quality. This issue uncovers and makes explicit the assumptions underlying these models, by posing the simple question ‘What is good architecture?’ in different ways and have it answered by people whose ‘main occupation’ is architecture. This issue of OASE can be like a banquet at which each guest selects something entirely different from the menu in a well-reasoned and forthright way – and so keeps the architecture party going.
Magazines