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"The matter of time" documents Serra’s recent commission by the Guggenheim Museum Bilbao of seven monumental sculptures for the largest gallery of the museum. Together with Snake (1994–97), the work that Serra created for the museum’s grand opening, the sculptures create a permanent, site-specific installation of a scale and ambition unrivalled in modern(...)
$90.00
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Summary:
"The matter of time" documents Serra’s recent commission by the Guggenheim Museum Bilbao of seven monumental sculptures for the largest gallery of the museum. Together with Snake (1994–97), the work that Serra created for the museum’s grand opening, the sculptures create a permanent, site-specific installation of a scale and ambition unrivalled in modern(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
August 2005, Bilbao / Göttingen
August 2005, Bilbao / Göttingen
Title:
Richard Serra : the matter of time
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Summary:
"The matter of time" documents Serra’s recent commission by the Guggenheim Museum Bilbao of seven monumental sculptures for the largest gallery of the museum. Together with Snake (1994–97), the work that Serra created for the museum’s grand opening, the sculptures create a permanent, site-specific installation of a scale and ambition unrivalled in modern history. Through a revealing interview-essay by Hal Foster, and writings and statements by the artist about his recent series Torqued Ellipses and the present, unprecedented commission, the book discloses the last 25 years of this sculptor’s oeuvre and the evolution of his sculptural vocabulary as it relates to this installation. Other writings by Carmen Giménez and a chronology by Kate Nesin help contextualize Serra’s work.
Richard Serra : the matter of time
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Summary:
"The matter of time" documents Serra’s recent commission by the Guggenheim Museum Bilbao of seven monumental sculptures for the largest gallery of the museum. Together with Snake (1994–97), the work that Serra created for the museum’s grand opening, the sculptures create a permanent, site-specific installation of a scale and ambition unrivalled in modern history. Through a revealing interview-essay by Hal Foster, and writings and statements by the artist about his recent series Torqued Ellipses and the present, unprecedented commission, the book discloses the last 25 years of this sculptor’s oeuvre and the evolution of his sculptural vocabulary as it relates to this installation. Other writings by Carmen Giménez and a chronology by Kate Nesin help contextualize Serra’s work.
Form:
books
books
Publication:
August 2005, Bilbao / Göttingen
August 2005, Bilbao / Göttingen
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$48.00
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Summary:
"Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In "Fail better", Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to(...)
$48.00
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Summary:
"Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In "Fail better", Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to(...)
Title:
Fail better: Reckonings with artists and critics
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$48.00
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"Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In "Fail better", Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years. In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Fail better: Reckonings with artists and critics
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$48.00
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Summary:
"Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In "Fail better", Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years. In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Form:
books
books
Publication:
February 2025
February 2025
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$34.00
(available in store)
Summary:
In "Exit interview," the prominent art critics and historians Hal Foster and Benjamin Buchloh discuss their intellectual foundations and the projects they've worked on together, from October magazine to Art Since 1900. Through three engaging conversations, Foster engages Buchloh on his early influences and aspirations, his formative years in Berlin, London, and(...)
$34.00
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Summary:
In "Exit interview," the prominent art critics and historians Hal Foster and Benjamin Buchloh discuss their intellectual foundations and the projects they've worked on together, from October magazine to Art Since 1900. Through three engaging conversations, Foster engages Buchloh on his early influences and aspirations, his formative years in Berlin, London, and(...)
Title:
Exit interview: Benjamin Buchloh in conversation with Hal Foster
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In "Exit interview," the prominent art critics and historians Hal Foster and Benjamin Buchloh discuss their intellectual foundations and the projects they've worked on together, from October magazine to Art Since 1900. Through three engaging conversations, Foster engages Buchloh on his early influences and aspirations, his formative years in Berlin, London, and Dusseldorf, and his career in North America, while exploring the impact of other art historians and critics. Buchloh candidly addresses his successes, critical significance, and unexplored avenues in art history, providing a unique window into his motivations and experiences. With a powerful postface by Buchloh, "Exit interview" builds from biography and anecdote to important reflection on one's critical life as a whole.
Exit interview: Benjamin Buchloh in conversation with Hal Foster
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$34.00
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Summary:
In "Exit interview," the prominent art critics and historians Hal Foster and Benjamin Buchloh discuss their intellectual foundations and the projects they've worked on together, from October magazine to Art Since 1900. Through three engaging conversations, Foster engages Buchloh on his early influences and aspirations, his formative years in Berlin, London, and Dusseldorf, and his career in North America, while exploring the impact of other art historians and critics. Buchloh candidly addresses his successes, critical significance, and unexplored avenues in art history, providing a unique window into his motivations and experiences. With a powerful postface by Buchloh, "Exit interview" builds from biography and anecdote to important reflection on one's critical life as a whole.
Form:
books
books
Publication:
April 2024
April 2024
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Prosthetic gods
Prosthetic gods
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$45.95
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Summary:
How to imagine not only a new art or architecture but a new self of subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, E.T. Marinetti and Wyndham Lewis, Alfred Loos and Max Ernst.
$45.95
(available to order)
Summary:
How to imagine not only a new art or architecture but a new self of subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, E.T. Marinetti and Wyndham Lewis, Alfred Loos and Max Ernst.
Title:
Prosthetic gods
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Summary:
How to imagine not only a new art or architecture but a new self of subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, E.T. Marinetti and Wyndham Lewis, Alfred Loos and Max Ernst.
Prosthetic gods
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$45.95
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Summary:
How to imagine not only a new art or architecture but a new self of subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, E.T. Marinetti and Wyndham Lewis, Alfred Loos and Max Ernst.
Form:
books
books
Publication:
November 2004, Cambridge
November 2004, Cambridge
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Prosthetic gods
Prosthetic gods
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$24.95
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Summary:
How to imagine not only a new art or architecture but a new self or subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and(...)
$24.95
(available to order)
Summary:
How to imagine not only a new art or architecture but a new self or subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and(...)
Title:
Prosthetic gods
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Price:
$24.95
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Summary:
How to imagine not only a new art or architecture but a new self or subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and tribal or futuristic and technological. In this way, Foster argues, two forms came to dominate modernist art above all others: the primitive and the machine. Foster begins with the primitivist fantasies of Gauguin and Picasso, which he examines through the Freudian lens of the primal scene. He then turns to the purist obsessions of the Viennese architect Loos, who abhorred all things primitive. Next Foster considers the technophilic subjects propounded by the futurist Marinetti and the vorticist Lewis. These "new egos" are further contrasted with the "bachelor machines" proposed by the dadaist Ernst. Foster also explores extrapolations from the art of the mentally ill in the aesthetic models of Ernst, Paul Klee, and Jean Dubuffet, as well as manipulations of the female body in the surrealist photography of Brassai, Man Ray, and Hans Bellmer. Finally, he examines the impulse to dissolve the conventions of art altogether in the drip paintings of Jackson Pollock, the scatter pieces of Robert Morris, and the earthworks of Robert Smithson, and traces the evocation of lost objects of desire in sculptural work from Marcel Duchamp and Alberto Giacometti to Robert Gober. Although its title is drawn from Freud, "Prosthetic gods" does not impose psychoanalytic theory on modernist art; rather, it sets the two into critical relation and scans the greater historical field that they share.
Prosthetic gods
Actions:
Price:
$24.95
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Summary:
How to imagine not only a new art or architecture but a new self or subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and tribal or futuristic and technological. In this way, Foster argues, two forms came to dominate modernist art above all others: the primitive and the machine. Foster begins with the primitivist fantasies of Gauguin and Picasso, which he examines through the Freudian lens of the primal scene. He then turns to the purist obsessions of the Viennese architect Loos, who abhorred all things primitive. Next Foster considers the technophilic subjects propounded by the futurist Marinetti and the vorticist Lewis. These "new egos" are further contrasted with the "bachelor machines" proposed by the dadaist Ernst. Foster also explores extrapolations from the art of the mentally ill in the aesthetic models of Ernst, Paul Klee, and Jean Dubuffet, as well as manipulations of the female body in the surrealist photography of Brassai, Man Ray, and Hans Bellmer. Finally, he examines the impulse to dissolve the conventions of art altogether in the drip paintings of Jackson Pollock, the scatter pieces of Robert Morris, and the earthworks of Robert Smithson, and traces the evocation of lost objects of desire in sculptural work from Marcel Duchamp and Alberto Giacometti to Robert Gober. Although its title is drawn from Freud, "Prosthetic gods" does not impose psychoanalytic theory on modernist art; rather, it sets the two into critical relation and scans the greater historical field that they share.
Form:
books
books
Publication:
April 2006, Cambridge (MA), London
April 2006, Cambridge (MA), London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$35.00
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Summary:
"The anti-aesthetic" is reissued now in a new paperback edition. For the past twenty years, Hal Foster has pushed the boundaries of cultural criticism, establishing a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. Contributors : Jean Baudrillar, Douglas Crimp, Kenneth Frampton, Jürgen Habermas, Fredric(...)
$35.00
(available in store)
Summary:
"The anti-aesthetic" is reissued now in a new paperback edition. For the past twenty years, Hal Foster has pushed the boundaries of cultural criticism, establishing a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. Contributors : Jean Baudrillar, Douglas Crimp, Kenneth Frampton, Jürgen Habermas, Fredric(...)
Title:
The anti-aesthetic: essays on postmodern culture
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$35.00
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Summary:
"The anti-aesthetic" is reissued now in a new paperback edition. For the past twenty years, Hal Foster has pushed the boundaries of cultural criticism, establishing a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. Contributors : Jean Baudrillar, Douglas Crimp, Kenneth Frampton, Jürgen Habermas, Fredric Jameson, Rosalind Krauss, Craig Owens, Edward Said, and Gregory Ulmer. With a new afterword by Hal Foster.
The anti-aesthetic: essays on postmodern culture
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$35.00
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Summary:
"The anti-aesthetic" is reissued now in a new paperback edition. For the past twenty years, Hal Foster has pushed the boundaries of cultural criticism, establishing a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. Contributors : Jean Baudrillar, Douglas Crimp, Kenneth Frampton, Jürgen Habermas, Fredric Jameson, Rosalind Krauss, Craig Owens, Edward Said, and Gregory Ulmer. With a new afterword by Hal Foster.
Form:
books
books
Publication:
April 2002
April 2002
Subject:
Critical Theory
Critical Theory
Form:
books
books
Title:
The art-architecture complex
The art-architecture complex
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$33.50
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Summary:
Hal Foster argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard(...)
$33.50
(available to order)
Summary:
Hal Foster argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard(...)
Title:
The art-architecture complex
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$33.50
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Summary:
Hal Foster argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra. At the same time Foster points to a “global style” of architecture, as practiced by Norman Foster, Richard Rogers and Renzo Piano, that is analogous to the “international style” of Le Corbusier, Gropius and Mies—a global style that, more than any art, conveys the look of modernity today, both its dreams and its delusions. In these ways Foster demonstrates that “the art-architecture complex” is a key indicator of broader social and economic trajectories and in urgent need of analysis and debate.
The art-architecture complex
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$33.50
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Summary:
Hal Foster argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra. At the same time Foster points to a “global style” of architecture, as practiced by Norman Foster, Richard Rogers and Renzo Piano, that is analogous to the “international style” of Le Corbusier, Gropius and Mies—a global style that, more than any art, conveys the look of modernity today, both its dreams and its delusions. In these ways Foster demonstrates that “the art-architecture complex” is a key indicator of broader social and economic trajectories and in urgent need of analysis and debate.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$24.95
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Summary:
In these diatribes on the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities, Hal Foster surveys our new political economy of design. This publication explores the historical relations of modern art and modern museum, the conceptual vicissitudes of art history and visual studies, the recent travails(...)
$24.95
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Summary:
In these diatribes on the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities, Hal Foster surveys our new political economy of design. This publication explores the historical relations of modern art and modern museum, the conceptual vicissitudes of art history and visual studies, the recent travails(...)
Title:
Design and crime: (and other diatribes)
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$24.95
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Summary:
In these diatribes on the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities, Hal Foster surveys our new political economy of design. This publication explores the historical relations of modern art and modern museum, the conceptual vicissitudes of art history and visual studies, the recent travails of art criticism, and the double aftermath of modernism and postmodernism in an attempt to illuminate the conditions for critical culture in the present.
Design and crime: (and other diatribes)
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$24.95
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Summary:
In these diatribes on the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities, Hal Foster surveys our new political economy of design. This publication explores the historical relations of modern art and modern museum, the conceptual vicissitudes of art history and visual studies, the recent travails of art criticism, and the double aftermath of modernism and postmodernism in an attempt to illuminate the conditions for critical culture in the present.
Form:
books
books
Publication:
January 2011
January 2011
Subject:
Design Theory
Design Theory
Form:
books
books
Title:
Thomas Demand: the dailies
Thomas Demand: the dailies
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$50.00
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Summary:
Working within the parameters of his established technique, Thomas Demand created carefully formed paper and card sculptures, a parallel world which is photographed and then destroyed. The Dailies offers only traces – signs of consumption, or the spectres of things left behind. His creations are based on things he saw and photographs he took while travelling and walking(...)
$50.00
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Summary:
Working within the parameters of his established technique, Thomas Demand created carefully formed paper and card sculptures, a parallel world which is photographed and then destroyed. The Dailies offers only traces – signs of consumption, or the spectres of things left behind. His creations are based on things he saw and photographs he took while travelling and walking(...)
Title:
Thomas Demand: the dailies
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$50.00
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Summary:
Working within the parameters of his established technique, Thomas Demand created carefully formed paper and card sculptures, a parallel world which is photographed and then destroyed. The Dailies offers only traces – signs of consumption, or the spectres of things left behind. His creations are based on things he saw and photographs he took while travelling and walking the street. They show a world that is familiar but out of reach, like the dancing coloured pins on a clothesline, suspended somewhere between the overfamiliar and the hallucinatory – as if a chance apparition, glimpsed momentarily, before it vanishes into its habitat.
Thomas Demand: the dailies
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$50.00
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Summary:
Working within the parameters of his established technique, Thomas Demand created carefully formed paper and card sculptures, a parallel world which is photographed and then destroyed. The Dailies offers only traces – signs of consumption, or the spectres of things left behind. His creations are based on things he saw and photographs he took while travelling and walking the street. They show a world that is familiar but out of reach, like the dancing coloured pins on a clothesline, suspended somewhere between the overfamiliar and the hallucinatory – as if a chance apparition, glimpsed momentarily, before it vanishes into its habitat.
Form:
books
books
Publication:
September 2015
September 2015
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$32.00
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Summary:
Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
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Summary:
Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
Title:
Bad news days: art, criticism, emergency
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$32.00
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Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
Bad news days: art, criticism, emergency
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$32.00
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Summary:
Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
Form:
books
books
Publication:
October 2015
October 2015
Subject:
Art Theory
Art Theory
