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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
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September 2006, Ostfildern
September 2006, Ostfildern
Title:
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
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books
books
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September 2006, Ostfildern
September 2006, Ostfildern
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books
books
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$53.95
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With his astounding building cuts and intersects, Gordon Matta-Clark (1943-1978) opened up elegant geometries in the very structures that seem most substantial and most authoritative in urban existence, revealing the alienations of the urban fabric as convenient fictions and allowing life to flow into the most inhospitable and self-contained of buildings. One of his(...)
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With his astounding building cuts and intersects, Gordon Matta-Clark (1943-1978) opened up elegant geometries in the very structures that seem most substantial and most authoritative in urban existence, revealing the alienations of the urban fabric as convenient fictions and allowing life to flow into the most inhospitable and self-contained of buildings. One of his(...)
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November 2011
November 2011
Title:
Gordon Matta-Clark, moment to moment : space
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With his astounding building cuts and intersects, Gordon Matta-Clark (1943-1978) opened up elegant geometries in the very structures that seem most substantial and most authoritative in urban existence, revealing the alienations of the urban fabric as convenient fictions and allowing life to flow into the most inhospitable and self-contained of buildings. One of his favorite responses to a work came from a Parisian concierge: “I see the purpose for that hole - it is an experiment in bringing light and air into spaces that never had enough of either.” Throughout his all-too-brief career, Matta-Clark undertook civic aeration on many fronts, cofounding the now legendary Food Restaurant in 1971, buying up empty lots in Queens and evolving his theory of “anarchitecture” in films, photomontages and numerous writings and drawings. Anarchitecture redefined negative space in art as a political act, distinguishing itself from architecture by imagining a cure for its most pernicious effects. Gordon Matta-Clark : Moment to Moment offers a comprehensive overview of this courageous and liberating artist with a wealth of documentation and reproductions from across Matta-Clark's oeuvre, as well as critical commentary from Philip Ursprung, Angela Lammert, Hubertus von Amelunxen, Dan Graham and others.
Gordon Matta-Clark, moment to moment : space
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With his astounding building cuts and intersects, Gordon Matta-Clark (1943-1978) opened up elegant geometries in the very structures that seem most substantial and most authoritative in urban existence, revealing the alienations of the urban fabric as convenient fictions and allowing life to flow into the most inhospitable and self-contained of buildings. One of his favorite responses to a work came from a Parisian concierge: “I see the purpose for that hole - it is an experiment in bringing light and air into spaces that never had enough of either.” Throughout his all-too-brief career, Matta-Clark undertook civic aeration on many fronts, cofounding the now legendary Food Restaurant in 1971, buying up empty lots in Queens and evolving his theory of “anarchitecture” in films, photomontages and numerous writings and drawings. Anarchitecture redefined negative space in art as a political act, distinguishing itself from architecture by imagining a cure for its most pernicious effects. Gordon Matta-Clark : Moment to Moment offers a comprehensive overview of this courageous and liberating artist with a wealth of documentation and reproductions from across Matta-Clark's oeuvre, as well as critical commentary from Philip Ursprung, Angela Lammert, Hubertus von Amelunxen, Dan Graham and others.
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books
books
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November 2011
November 2011
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books
books
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$24.95
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In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed(...)
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In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed(...)
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CCA Publications
CCA Publications
Publication:
March 2005, Montréal
March 2005, Montréal
Title:
Dieter Appelt / Forth Bridge cinema. metric space = espace métrique
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In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed it in light of his long-standing preoccupation with the analysis of architectural constructs in spatial and temporal terms, producing 312 black-and-white 35mm film stills as well as sound recordings. Eight large-scale photographic panels will be presented at the CCA, each comprising a montage of 39 of the film stills edited so as to propose a series of horizontal and vertical readings of the bridge. A selection of albums and photographs from the CCA’s Forth Bridge archives will also be presented accompanied by drawings from Appelt. The beautifully produced publication includes essays by Dieter Appel, Hubertus von Amelunxen, and Louise Désy, as well as a forword by Phyllis Lambert. Au début de sa carrière, dans les années 1970, Appelt avait vu pour la première fois ce spectaculaire pont cantilever en acier, une merveille de l’ingénierie du XIXe siècle, encore en service aujourd’hui, qui s’étend sur 8 000 pieds. Fasciné par son aspect cinétique et cinématique, Appelt a profité de cette invitation pour livrer une réflexion sur les œuvres de la collection du CCA et offrir ainsi une relecture du pont. Fidèle à son intérêt de longue date pour l’analyse spatiale et temporelle des constructions architecturales, il l’a recadré et a produit 312 photos de film 35 mm noir et blanc ainsi que des enregistrements sonores. Huit panneaux photographiques grand format seront exposés au CCA, chacun comportant un montage de 39 photos de films agencées de façon à proposer une série de lectures horizontales et verticales du pont. On pourra aussi voir une sélection d’albums et de photographies des archives du Forth Bridge du CCA, accompagnés de dessins d’Appelt. La publication contient des essais de Dieter Appelt, Hubertus von Amelunxen, et Louise Désy ainsi qu'une préface de Phyllis Lambert.
Dieter Appelt / Forth Bridge cinema. metric space = espace métrique
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In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed it in light of his long-standing preoccupation with the analysis of architectural constructs in spatial and temporal terms, producing 312 black-and-white 35mm film stills as well as sound recordings. Eight large-scale photographic panels will be presented at the CCA, each comprising a montage of 39 of the film stills edited so as to propose a series of horizontal and vertical readings of the bridge. A selection of albums and photographs from the CCA’s Forth Bridge archives will also be presented accompanied by drawings from Appelt. The beautifully produced publication includes essays by Dieter Appel, Hubertus von Amelunxen, and Louise Désy, as well as a forword by Phyllis Lambert. Au début de sa carrière, dans les années 1970, Appelt avait vu pour la première fois ce spectaculaire pont cantilever en acier, une merveille de l’ingénierie du XIXe siècle, encore en service aujourd’hui, qui s’étend sur 8 000 pieds. Fasciné par son aspect cinétique et cinématique, Appelt a profité de cette invitation pour livrer une réflexion sur les œuvres de la collection du CCA et offrir ainsi une relecture du pont. Fidèle à son intérêt de longue date pour l’analyse spatiale et temporelle des constructions architecturales, il l’a recadré et a produit 312 photos de film 35 mm noir et blanc ainsi que des enregistrements sonores. Huit panneaux photographiques grand format seront exposés au CCA, chacun comportant un montage de 39 photos de films agencées de façon à proposer une série de lectures horizontales et verticales du pont. On pourra aussi voir une sélection d’albums et de photographies des archives du Forth Bridge du CCA, accompagnés de dessins d’Appelt. La publication contient des essais de Dieter Appelt, Hubertus von Amelunxen, et Louise Désy ainsi qu'une préface de Phyllis Lambert.
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books
books
Publication:
March 2005, Montréal
March 2005, Montréal
Subject:
CCA Publications
CCA Publications
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books
books
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$32.95
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Summary:
Catalogue for an exhibition of Dieter Appelt's works that was held from 18 March to 22 May 2004 at the Galerie Guy Bärtschi in Geneva.
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Catalogue for an exhibition of Dieter Appelt's works that was held from 18 March to 22 May 2004 at the Galerie Guy Bärtschi in Geneva.
Title:
Dieter Appelt : transferring a state of stasis - for Dieter Appelt
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Catalogue for an exhibition of Dieter Appelt's works that was held from 18 March to 22 May 2004 at the Galerie Guy Bärtschi in Geneva.
Dieter Appelt : transferring a state of stasis - for Dieter Appelt
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Catalogue for an exhibition of Dieter Appelt's works that was held from 18 March to 22 May 2004 at the Galerie Guy Bärtschi in Geneva.
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books
books
Publication:
January 1900, Geneva
January 1900, Geneva
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Tangent e : Alain Paiement
Tangent e : Alain Paiement
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Le rapport particulier entre la photographie et l'architecture, entre la photographie et l'espace, le point de contact priviligié où une droite touche un volume, font l'objet de cette nouvelle série d'expositions et de publications qui met en place des conversations visuelles entre des artistes contemporains et un ensemble de photographies choisies parmi la vaste(...)
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Summary:
Le rapport particulier entre la photographie et l'architecture, entre la photographie et l'espace, le point de contact priviligié où une droite touche un volume, font l'objet de cette nouvelle série d'expositions et de publications qui met en place des conversations visuelles entre des artistes contemporains et un ensemble de photographies choisies parmi la vaste(...)
Subject:
CCA Publications
CCA Publications
Publication:
April 2003, Montréal
April 2003, Montréal
Title:
Tangent e : Alain Paiement
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$24.95
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Le rapport particulier entre la photographie et l'architecture, entre la photographie et l'espace, le point de contact priviligié où une droite touche un volume, font l'objet de cette nouvelle série d'expositions et de publications qui met en place des conversations visuelles entre des artistes contemporains et un ensemble de photographies choisies parmi la vaste collection du CCA. "Tangente" est inaugurée par le travail d'Alain Paiement. Dans le cadre d’un entretien entre Hubertus von Amelunxen et Alain Paiement, le livre présente les nouvelles œuvres d’Alain Paiement ainsi que les photographies choisies par l’artiste dans la collection du CCA. The special relationship between photography and architecture, between photography and space, the specific encounter when the tangent touches the circle is explored in this new series of exhibitions and publications in which contemporary artists are invited to enter into visual conversations with a body of photographs selected from the extensive collection of the CCA. "Tangent" is inaugured with the work of Alain Paiement. The book takes the form of a conversation between Hubertus von Amelunxen and Alain Paiement, and presents the new works by Paiement as well as the photographs he himself chose from the CCA collection.
Tangent e : Alain Paiement
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Le rapport particulier entre la photographie et l'architecture, entre la photographie et l'espace, le point de contact priviligié où une droite touche un volume, font l'objet de cette nouvelle série d'expositions et de publications qui met en place des conversations visuelles entre des artistes contemporains et un ensemble de photographies choisies parmi la vaste collection du CCA. "Tangente" est inaugurée par le travail d'Alain Paiement. Dans le cadre d’un entretien entre Hubertus von Amelunxen et Alain Paiement, le livre présente les nouvelles œuvres d’Alain Paiement ainsi que les photographies choisies par l’artiste dans la collection du CCA. The special relationship between photography and architecture, between photography and space, the specific encounter when the tangent touches the circle is explored in this new series of exhibitions and publications in which contemporary artists are invited to enter into visual conversations with a body of photographs selected from the extensive collection of the CCA. "Tangent" is inaugured with the work of Alain Paiement. The book takes the form of a conversation between Hubertus von Amelunxen and Alain Paiement, and presents the new works by Paiement as well as the photographs he himself chose from the CCA collection.
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books
books
Publication:
April 2003, Montréal
April 2003, Montréal
Subject:
CCA Publications
CCA Publications
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books
books
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$77.00
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A pioneer of techniques, a gifted teacher, and early architectural photographer, Le Gray was also the founder of artistic photography. His seascapes and cloud studies, today among the markets most valuable prints, earned him overnight fame and admiration by the Impressionists.
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A pioneer of techniques, a gifted teacher, and early architectural photographer, Le Gray was also the founder of artistic photography. His seascapes and cloud studies, today among the markets most valuable prints, earned him overnight fame and admiration by the Impressionists.
Title:
Gustave le Gray: Seascapes / Seestücke
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A pioneer of techniques, a gifted teacher, and early architectural photographer, Le Gray was also the founder of artistic photography. His seascapes and cloud studies, today among the markets most valuable prints, earned him overnight fame and admiration by the Impressionists.
Gustave le Gray: Seascapes / Seestücke
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$77.00
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A pioneer of techniques, a gifted teacher, and early architectural photographer, Le Gray was also the founder of artistic photography. His seascapes and cloud studies, today among the markets most valuable prints, earned him overnight fame and admiration by the Impressionists.
Form:
books
books
Publication:
October 2015
October 2015
Subject:
Photography monographs
Photography monographs
