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Form:
books
books
Title:
Topography papers . 7
Topography papers . 7
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Price:
$44.00
(available to order)
Summary:
Typography Papers is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy consideration by type historian H. D. L. Vervliet of Claude Garamond: the designer whose new roman typefaces debuted in Paris in(...)
$44.00
(available to order)
Summary:
Typography Papers is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy consideration by type historian H. D. L. Vervliet of Claude Garamond: the designer whose new roman typefaces debuted in Paris in(...)
Subject:
Graphic Design and Typography
Graphic Design and Typography
Publication:
July 2007, London
July 2007, London
Title:
Topography papers . 7
Actions:
Price:
$44.00
(available to order)
Summary:
Typography Papers is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy consideration by type historian H. D. L. Vervliet of Claude Garamond: the designer whose new roman typefaces debuted in Paris in the 1530s and went on to dominate Western typography for the next two centuries. The late Justin Howes looks at the eighteenth-century belief in the necessity of perfection in type and printing. Eric Kindel discusses a nineteenth-century scheme for univeral letters. Sue Walker writes on twentieth-century typefaces designed for reading by young children. The issue concludes with Linda Reynolds's eyewitness account of pioneering work in legibility research in the 1970s and 1980s.
Topography papers . 7
Actions:
Price:
$44.00
(available to order)
Summary:
Typography Papers is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy consideration by type historian H. D. L. Vervliet of Claude Garamond: the designer whose new roman typefaces debuted in Paris in the 1530s and went on to dominate Western typography for the next two centuries. The late Justin Howes looks at the eighteenth-century belief in the necessity of perfection in type and printing. Eric Kindel discusses a nineteenth-century scheme for univeral letters. Sue Walker writes on twentieth-century typefaces designed for reading by young children. The issue concludes with Linda Reynolds's eyewitness account of pioneering work in legibility research in the 1970s and 1980s.
Form:
books
books
Publication:
July 2007, London
July 2007, London
Subject:
Graphic Design and Typography
Graphic Design and Typography
Form:
books
books
Actions:
Price:
$52.95
(available to order)
Summary:
In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications(...)
$52.95
(available to order)
Summary:
In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications(...)
Subject:
Graphic Design and Typography
Graphic Design and Typography
Publication:
September 2003, Baltimore
September 2003, Baltimore
Title:
Typographically speaking : the art of Matthew Carter
Actions:
Price:
$52.95
(available to order)
Summary:
In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications including Sports Illustrated, the Daily News, Wired, and the Washington Post, along with cultural institutions such as the Walker Arts Center and The Victoria – Albert Museum, have all commissioned Carter fonts. "Typographically speaking: the art of Matthew Carter" celebrates the work of this legendary type designer who entered the field in the days of hand-cut punches and hot-metal type, and has continued to innovate through the eras of photocomposition and digital design. Essays discuss the form of his work, his position and use of typographic history, and his technological innovation. All of his fonts are reproduced in full for reference, and illustrations place his designs in context.
Typographically speaking : the art of Matthew Carter
Actions:
Price:
$52.95
(available to order)
Summary:
In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications including Sports Illustrated, the Daily News, Wired, and the Washington Post, along with cultural institutions such as the Walker Arts Center and The Victoria – Albert Museum, have all commissioned Carter fonts. "Typographically speaking: the art of Matthew Carter" celebrates the work of this legendary type designer who entered the field in the days of hand-cut punches and hot-metal type, and has continued to innovate through the eras of photocomposition and digital design. Essays discuss the form of his work, his position and use of typographic history, and his technological innovation. All of his fonts are reproduced in full for reference, and illustrations place his designs in context.
Form:
books
books
Publication:
September 2003, Baltimore
September 2003, Baltimore
Subject:
Graphic Design and Typography
Graphic Design and Typography
Form:
books
books
Actions:
Price:
$51.95
(available to order)
Summary:
Revised and enlarged edition of Mosley's 1965 essay, now published to coincide with the exhibition "Primitive Types" at Sir John Soane's Museum
$51.95
(available to order)
Summary:
Revised and enlarged edition of Mosley's 1965 essay, now published to coincide with the exhibition "Primitive Types" at Sir John Soane's Museum
Title:
The nymph and the grot : the revival of the sanserif letter
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Price:
$51.95
(available to order)
Summary:
Revised and enlarged edition of Mosley's 1965 essay, now published to coincide with the exhibition "Primitive Types" at Sir John Soane's Museum
The nymph and the grot : the revival of the sanserif letter
Actions:
Price:
$51.95
(available to order)
Summary:
Revised and enlarged edition of Mosley's 1965 essay, now published to coincide with the exhibition "Primitive Types" at Sir John Soane's Museum
Form:
books
books
Publication:
January 2000, London
January 2000, London
Subject:
Graphic Design and Typography
Graphic Design and Typography
