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Sillonnant la danse et la joie militante lesbienne, la critique d'art, l'amour et l'amitié, JJ réunit des articles de l'écrivaine et critique d'art et de danse américaine Jill Johnston, figure du féminisme radical des années 1970, pour la première fois traduits en français, ainsi que des textes, poèmes ou dessins de Pauline L. Boulba, Aminata Labor, Nina Kennel et Rosanna Puyol.
JJ : Tartine-moi et autres textes
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Sillonnant la danse et la joie militante lesbienne, la critique d'art, l'amour et l'amitié, JJ réunit des articles de l'écrivaine et critique d'art et de danse américaine Jill Johnston, figure du féminisme radical des années 1970, pour la première fois traduits en français, ainsi que des textes, poèmes ou dessins de Pauline L. Boulba, Aminata Labor, Nina Kennel et Rosanna Puyol.
Art Theory
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Jill Johnston- cultural critic, auto/biographer, and lesbian icon- began her career at the Village Voice as a critic of dance and performance, writing about Merce Cunningham, Martha Graham, the activities at Judson Church, Allan Kaprow and Happenings, Fluxus, and the downtown New York art scene. The column eventually became more personal than critical, allowing her to(...)
The disintegration of a critic
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Jill Johnston- cultural critic, auto/biographer, and lesbian icon- began her career at the Village Voice as a critic of dance and performance, writing about Merce Cunningham, Martha Graham, the activities at Judson Church, Allan Kaprow and Happenings, Fluxus, and the downtown New York art scene. The column eventually became more personal than critical, allowing her to discuss her life, her sexuality, and her politics. This book brings together thirty texts Johnston wrote for the Voice between 1960 and 1974, beginning with her early dance coverage and continuing though the time when, as she put it, "the column moved from the theatre of dance and happenings toward the theatre of my life." As Johnston abandoned an objective critical standpoint, her column interwove forms and formats, and political, literary, art-historical, and critical perspectives, taking turns and loops, reflecting its time and contexts- with the one constant being Johnston's unmistakable, witty, intimate voice. As a person and as a writer she pioneered a model that not only challenged notions of writerly appropriateness but also performed and created a new lesbian identity.
Art Theory
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Ken Okiishi and Nick Mauss are two of the brighter figures on the international circuit these days: their names pop up solo and collaboratively everywhere from New York's Daniel Reich Gallery to the Frieze Art Fair. This volume presents Mauss' fragmentary, airy drawings and collages and Okiishi's pop-inflected video work.
Contemporary Art Monographs
February 2008, Stuttgart
Nick Mauss & Ken Okiishi: a fair to meddling story
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Ken Okiishi and Nick Mauss are two of the brighter figures on the international circuit these days: their names pop up solo and collaboratively everywhere from New York's Daniel Reich Gallery to the Frieze Art Fair. This volume presents Mauss' fragmentary, airy drawings and collages and Okiishi's pop-inflected video work.
Contemporary Art Monographs