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Summary:
In May 1968, thousands of workers and students took to the streets of Paris, provoking an unprecedented wave of strikes, walkouts and demonstrations. The confrontations between police and protesters led to a general strike of eleven million workers that brought the country to a virtual standstill and nearly toppled Charles de Gaulle's government. The faculty and student(...)
Beauty is in the street: a visual record of the May '68 uprising
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Summary:
In May 1968, thousands of workers and students took to the streets of Paris, provoking an unprecedented wave of strikes, walkouts and demonstrations. The confrontations between police and protesters led to a general strike of eleven million workers that brought the country to a virtual standstill and nearly toppled Charles de Gaulle's government. The faculty and student body of the Ecole des Beaux Arts were among the strikers, and a number of the students met spontaneously in the college's lithographic department to produce the first poster of the revolt. From this initiative was born the Atelier Populaire, a collective of print shops that produced hundreds of posters to encourage the protestors and to report on police brutality. These posters included many of the often Situationist-inspired mottos for which May '68 is remembered today, such as “Be young and shut up” and “return to normal” (accompanied by a picture of a herd of sheep). Beauty Is in the Street reproduces more than 200 of these posters in full color, which have since become landmarks in political art and graphic design.
Printed Matter
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Summary:
The six issues of The Situationist Times published between 1962–1967 are an extraordinary marriage of political polemic and visual art. The first two issues were coedited by Noël Arnaud, editor of the solitary issue of Surrealiste Revolutionnaire. The second issue saw the first experiments with typography and multiple-colored paper stocks. Issue three was the first(...)
The Situationist Times: facsimile box set
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$180.00
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Summary:
The six issues of The Situationist Times published between 1962–1967 are an extraordinary marriage of political polemic and visual art. The first two issues were coedited by Noël Arnaud, editor of the solitary issue of Surrealiste Revolutionnaire. The second issue saw the first experiments with typography and multiple-colored paper stocks. Issue three was the first produced with de Jong solely at the helm. Her editorial style produced a range of contributors, from architects (Aldo Van Eyck, David Georges Emmerich) to an art historian (Hans Jaffe) to astrophysicists (Jayant Narlikar, Fred Hoyle) to a composer (Peter Schat). As the publication went on, the emphasis became more visual (issue three had “situlogical” patterns, issue four had labyrinths, issue five featured topology). The set also includes a seventh volume with commentary, essays, photography and ephemera.
Art Theory