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Imagining Resistance: Visual Culture and Activism in Canada offers strategies for reading alternative culture in Canada from the 1940s through to the present. Alongside, authors consider case studies as diverse as the anti-war work done by John Lennon and Yoko Ono in Montreal and Toronto, recent exhibitions of activist art in Canadian institutions, radical films,(...)
$39.99
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Summary:
Imagining Resistance: Visual Culture and Activism in Canada offers strategies for reading alternative culture in Canada from the 1940s through to the present. Alongside, authors consider case studies as diverse as the anti-war work done by John Lennon and Yoko Ono in Montreal and Toronto, recent exhibitions of activist art in Canadian institutions, radical films,(...)
Title:
Imagining resistance: Visual culture and activism in Canada
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$39.99
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Summary:
Imagining Resistance: Visual Culture and Activism in Canada offers strategies for reading alternative culture in Canada from the 1940s through to the present. Alongside, authors consider case studies as diverse as the anti-war work done by John Lennon and Yoko Ono in Montreal and Toronto, recent exhibitions of activist art in Canadian institutions, radical films, performance art, protests against the Olympics, interventions into anti-immigrant sentiment in Montreal, and work by Iroquois photographer Jeff Thomas. Taken together, the writings in Imagining Resistance touch on the local, the global, the national, and post-national to imagine a very different landscape of cultural practice in Canada.
Imagining resistance: Visual culture and activism in Canada
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$39.99
(available to order)
Summary:
Imagining Resistance: Visual Culture and Activism in Canada offers strategies for reading alternative culture in Canada from the 1940s through to the present. Alongside, authors consider case studies as diverse as the anti-war work done by John Lennon and Yoko Ono in Montreal and Toronto, recent exhibitions of activist art in Canadian institutions, radical films, performance art, protests against the Olympics, interventions into anti-immigrant sentiment in Montreal, and work by Iroquois photographer Jeff Thomas. Taken together, the writings in Imagining Resistance touch on the local, the global, the national, and post-national to imagine a very different landscape of cultural practice in Canada.
Form:
books
books
Publication:
December 2010
December 2010
Subject:
Canadian art
Canadian art
Form:
books
books
Price:
$32.00
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Summary:
Catalogue. Exhibition at Agnes Etherington Art Centre, Queen University, Kingston, Canada, from january to april 2010. Digital information-gathering systems increasingly affect our lives, tracking our movement and consumer preferences. Such sorting daemons subtly reinforce existing streams of influence and create new ones. This publication presents the work of sixteen(...)
$32.00
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Summary:
Catalogue. Exhibition at Agnes Etherington Art Centre, Queen University, Kingston, Canada, from january to april 2010. Digital information-gathering systems increasingly affect our lives, tracking our movement and consumer preferences. Such sorting daemons subtly reinforce existing streams of influence and create new ones. This publication presents the work of sixteen(...)
Title:
Sorting daemons, art, surveillance regimes and social control
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$32.00
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Catalogue. Exhibition at Agnes Etherington Art Centre, Queen University, Kingston, Canada, from january to april 2010. Digital information-gathering systems increasingly affect our lives, tracking our movement and consumer preferences. Such sorting daemons subtly reinforce existing streams of influence and create new ones. This publication presents the work of sixteen artists who address the social, psychological, political and aesthetic dimensions of surveillance systems. Writings on the artists and their works are accompanied by critical essays on the culture of surveillance, social sorting, data-aesthetics and our evolving understandings of and participation in surveillance regimes. Participating artists include Antonia Hirsch, Tran T. Kim-Trang, Germaine Koh and Ian Verchere, Michael Lewis, Walid Raad, David Rokeby and Cheryl Sourkes.
Sorting daemons, art, surveillance regimes and social control
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Price:
$32.00
(available to order)
Summary:
Catalogue. Exhibition at Agnes Etherington Art Centre, Queen University, Kingston, Canada, from january to april 2010. Digital information-gathering systems increasingly affect our lives, tracking our movement and consumer preferences. Such sorting daemons subtly reinforce existing streams of influence and create new ones. This publication presents the work of sixteen artists who address the social, psychological, political and aesthetic dimensions of surveillance systems. Writings on the artists and their works are accompanied by critical essays on the culture of surveillance, social sorting, data-aesthetics and our evolving understandings of and participation in surveillance regimes. Participating artists include Antonia Hirsch, Tran T. Kim-Trang, Germaine Koh and Ian Verchere, Michael Lewis, Walid Raad, David Rokeby and Cheryl Sourkes.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Art Theory
Art Theory
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books
books
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Summary:
At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender,(...)
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Summary:
At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender,(...)
Publication:
October 2014
October 2014
Title:
Negotiations in a vacant lot: studying the visual in Canada
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$39.95
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Summary:
At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders.
Negotiations in a vacant lot: studying the visual in Canada
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Price:
$39.95
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Summary:
At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders.
Form:
books
books
Publication:
October 2014
October 2014
Form:
books
books
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$39.95
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Summary:
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests(...)
$39.95
(available in store)
Summary:
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests(...)
Title:
Tear gas epiphanies: protest, culture, museums
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Summary:
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests at museums are understudied, they are far from anomalous. "Tear Gas Epiphanies" traces the as-yet-untold story of political action at museums in Canada from the early twentieth century to the present. The book looks at how museums do or do not archive protest ephemera, examining a range of responses to actions taking place at their thresholds, from active encouragement to belligerent dismissal. Drawing together extensive primary-source research and analysis, Robertson questions widespread perceptions of museums, strongly arguing for a reconsideration of their role in contemporary society that takes into account political conflict and protest as key ingredients in museum life.
Tear gas epiphanies: protest, culture, museums
Actions:
Price:
$39.95
(available in store)
Summary:
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests at museums are understudied, they are far from anomalous. "Tear Gas Epiphanies" traces the as-yet-untold story of political action at museums in Canada from the early twentieth century to the present. The book looks at how museums do or do not archive protest ephemera, examining a range of responses to actions taking place at their thresholds, from active encouragement to belligerent dismissal. Drawing together extensive primary-source research and analysis, Robertson questions widespread perceptions of museums, strongly arguing for a reconsideration of their role in contemporary society that takes into account political conflict and protest as key ingredients in museum life.
Form:
books
books
Publication:
June 2019
June 2019
Subject:
Museology
Museology
