3 Results
Form:
books
books
Price:
$60.00
(available to order)
Summary:
From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
$60.00
(available to order)
Summary:
From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
Subject:
Photography Periods and Styles
Photography Periods and Styles
Publication:
March 2013
March 2013
Title:
Color rush: american color photography from Stieglitz to Sherman
Actions:
Price:
$60.00
(available to order)
Summary:
From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
Color rush: american color photography from Stieglitz to Sherman
Actions:
Price:
$60.00
(available to order)
Summary:
From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
Form:
books
books
Publication:
March 2013
March 2013
Subject:
Photography Periods and Styles
Photography Periods and Styles
Form:
books
books
Title:
The photographer's cookbook
The photographer's cookbook
Actions:
Price:
$37.50
(available to order)
Summary:
In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that(...)
$37.50
(available to order)
Summary:
In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that(...)
Title:
The photographer's cookbook
Actions:
Price:
$37.50
(available to order)
Summary:
In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that photographers’ talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams’ Big Sugar Cookies, Ansel Adams’ Poached Eggs in Beer, Richard Avedon’s Royal Pot Roast, Imogen Cunningham’s Borscht, William Eggleston’s Cheese Grits Casserole, Stephen Shore’s Key Lime Pie Supreme and Ed Ruscha’s Cactus Omelette, to name a few. The book was never published, and the materials have remained in George Eastman Museum’s collection ever since. Now, nearly 40 years later, this extensive and distinctive archive of untouched recipes and photographs is published in 'The Photographer’s Cookbook' for the first time. The book provides a time capsule of contemporary photographers of the 1970s many before they made a name for themselves as well as a fascinating look at how they depicted food, family and home, taking readers behind the camera and into the hearts and stomachs of some of photography’s most important practitioners.
The photographer's cookbook
Actions:
Price:
$37.50
(available to order)
Summary:
In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that photographers’ talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams’ Big Sugar Cookies, Ansel Adams’ Poached Eggs in Beer, Richard Avedon’s Royal Pot Roast, Imogen Cunningham’s Borscht, William Eggleston’s Cheese Grits Casserole, Stephen Shore’s Key Lime Pie Supreme and Ed Ruscha’s Cactus Omelette, to name a few. The book was never published, and the materials have remained in George Eastman Museum’s collection ever since. Now, nearly 40 years later, this extensive and distinctive archive of untouched recipes and photographs is published in 'The Photographer’s Cookbook' for the first time. The book provides a time capsule of contemporary photographers of the 1970s many before they made a name for themselves as well as a fascinating look at how they depicted food, family and home, taking readers behind the camera and into the hearts and stomachs of some of photography’s most important practitioners.
Form:
books
books
Publication:
June 2016
June 2016
Subject:
Food
Food
Form:
books
books
Price:
$65.00
(available to order)
Summary:
This in-depth look at six postwar photographers, alongwith a selection of their predecessors and contemporaries, captures a unique and pivotal moment in American photographic history. World War II and its aftermath ushered in a new era of artistic expression. Abstract Expressionism, film noir, Beat poetry, and the New Journalism are often considered responses to war's(...)
$65.00
(available to order)
Summary:
This in-depth look at six postwar photographers, alongwith a selection of their predecessors and contemporaries, captures a unique and pivotal moment in American photographic history. World War II and its aftermath ushered in a new era of artistic expression. Abstract Expressionism, film noir, Beat poetry, and the New Journalism are often considered responses to war's(...)
Title:
Street seen: the psychological gesture in American photography, 1940-1959
Actions:
Price:
$65.00
(available to order)
Summary:
This in-depth look at six postwar photographers, alongwith a selection of their predecessors and contemporaries, captures a unique and pivotal moment in American photographic history. World War II and its aftermath ushered in a new era of artistic expression. Abstract Expressionism, film noir, Beat poetry, and the New Journalism are often considered responses to war's shocking realities. Creative photographers responded to the same situation with images that broke the rules of conventional photographic technique. This publication, a companion volume to an exhibition, highlights six photographers who were prominent during and immediately following the war. Lisette Model's unflinching look at the urban environment; Louis Faurer's portraits of eccentrics in Times Square; Ted Croner's haunting night images; Saul Leiter's evocative glimpses of daily life; William Klein's graphic, confrontational style; and Robert Frank's documentation of American ideals gone awry-these and other beautifully reproduced photographs communicate the emotional resonance of everyday life in postwar America.
Street seen: the psychological gesture in American photography, 1940-1959
Actions:
Price:
$65.00
(available to order)
Summary:
This in-depth look at six postwar photographers, alongwith a selection of their predecessors and contemporaries, captures a unique and pivotal moment in American photographic history. World War II and its aftermath ushered in a new era of artistic expression. Abstract Expressionism, film noir, Beat poetry, and the New Journalism are often considered responses to war's shocking realities. Creative photographers responded to the same situation with images that broke the rules of conventional photographic technique. This publication, a companion volume to an exhibition, highlights six photographers who were prominent during and immediately following the war. Lisette Model's unflinching look at the urban environment; Louis Faurer's portraits of eccentrics in Times Square; Ted Croner's haunting night images; Saul Leiter's evocative glimpses of daily life; William Klein's graphic, confrontational style; and Robert Frank's documentation of American ideals gone awry-these and other beautifully reproduced photographs communicate the emotional resonance of everyday life in postwar America.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Theory of Photography
Theory of Photography
