3 Results
Form:
books
books
Price:
$85.00
(available to order)
Summary:
This book is published to accompany the first major American retrospective of Rodchenko's work, at The Museum of Modern Art, New York, in the summer of 1998.
$85.00
(available to order)
Summary:
This book is published to accompany the first major American retrospective of Rodchenko's work, at The Museum of Modern Art, New York, in the summer of 1998.
Subject:
Photography monographs
Photography monographs
Publication:
October 1998, New York
October 1998, New York
Title:
Aleksandr Rodchenko : painting, drawing, collage, design, photography
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Price:
$85.00
(available to order)
Summary:
This book is published to accompany the first major American retrospective of Rodchenko's work, at The Museum of Modern Art, New York, in the summer of 1998.
Aleksandr Rodchenko : painting, drawing, collage, design, photography
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Price:
$85.00
(available to order)
Summary:
This book is published to accompany the first major American retrospective of Rodchenko's work, at The Museum of Modern Art, New York, in the summer of 1998.
Form:
books
books
Publication:
October 1998, New York
October 1998, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
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Price:
$34.00
(available to order)
Summary:
Along with Russian constructivism and surrealism, Dada stands as one of the three most significant movements of the historical avant-garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art(...)
$34.00
(available to order)
Summary:
Along with Russian constructivism and surrealism, Dada stands as one of the three most significant movements of the historical avant-garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art(...)
Title:
Dada: Zurich,Berlin, Hannover, Cologne, New York, Paris
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$34.00
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Summary:
Along with Russian constructivism and surrealism, Dada stands as one of the three most significant movements of the historical avant-garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art objects as well as its interest in performance, sound poetry, and manifestos fundamentally shaped the terms of modern art practice and created an abiding legacy for postwar art. Yet, while the word Dada has common currency, few know much about Dada art itself. In contrast to other key avant-garde movements, there has never been a major American exhibition that explores Dada specifically in broad view. Dada--the catalogue to the exhibition on view in 2006 at the National Gallery of Art in Washington and The Museum of Modern Art in New York presents the hybrid forms of Dada art through an examination of city centers where Dada emerged: Zurich, Berlin, Cologne, Hannover, New York, and Paris. Covered here are works by some 40 artists made in the period from circa 1916, when the Cabaret Voltaire was founded in Zurich, to 1926, by which time most of the Dada groups had dispersed or significantly transformed. The city sections bring together painting, sculpture, photography, collage, photomontage, prints and graphic work. Relying on dynamic design and vivid documentary images, Dada takes us through these six cities via topical essays and extensive plate sections; an illustrated chronology of the movement; witty chronicles of events in each city center; a selected bibliography; and biographies of each artist--accompanied by Dada-era photographs.
Dada: Zurich,Berlin, Hannover, Cologne, New York, Paris
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Price:
$34.00
(available to order)
Summary:
Along with Russian constructivism and surrealism, Dada stands as one of the three most significant movements of the historical avant-garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art objects as well as its interest in performance, sound poetry, and manifestos fundamentally shaped the terms of modern art practice and created an abiding legacy for postwar art. Yet, while the word Dada has common currency, few know much about Dada art itself. In contrast to other key avant-garde movements, there has never been a major American exhibition that explores Dada specifically in broad view. Dada--the catalogue to the exhibition on view in 2006 at the National Gallery of Art in Washington and The Museum of Modern Art in New York presents the hybrid forms of Dada art through an examination of city centers where Dada emerged: Zurich, Berlin, Cologne, Hannover, New York, and Paris. Covered here are works by some 40 artists made in the period from circa 1916, when the Cabaret Voltaire was founded in Zurich, to 1926, by which time most of the Dada groups had dispersed or significantly transformed. The city sections bring together painting, sculpture, photography, collage, photomontage, prints and graphic work. Relying on dynamic design and vivid documentary images, Dada takes us through these six cities via topical essays and extensive plate sections; an illustrated chronology of the movement; witty chronicles of events in each city center; a selected bibliography; and biographies of each artist--accompanied by Dada-era photographs.
Form:
books
books
Publication:
March 2008, Washington
March 2008, Washington
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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Price:
$50.95
(available to order)
Summary:
Covering the first decades of the Soviet Union, from the Civil War to the end of Stalin's Second Five-Year Plan in the 1930s, the graphic works in this volume provide a remarkable overview of design during one of this century's most politically turbulent and artistically active periods. This book is the catalogue to an exhibition at Columbia University's Miriam(...)
$50.95
(available to order)
Summary:
Covering the first decades of the Soviet Union, from the Civil War to the end of Stalin's Second Five-Year Plan in the 1930s, the graphic works in this volume provide a remarkable overview of design during one of this century's most politically turbulent and artistically active periods. This book is the catalogue to an exhibition at Columbia University's Miriam(...)
Title:
Building the collective : Soviet graphic design 1917-1937
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$50.95
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Summary:
Covering the first decades of the Soviet Union, from the Civil War to the end of Stalin's Second Five-Year Plan in the 1930s, the graphic works in this volume provide a remarkable overview of design during one of this century's most politically turbulent and artistically active periods. This book is the catalogue to an exhibition at Columbia University's Miriam and Ira D. Wallach Art Gallery.
Building the collective : Soviet graphic design 1917-1937
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Price:
$50.95
(available to order)
Summary:
Covering the first decades of the Soviet Union, from the Civil War to the end of Stalin's Second Five-Year Plan in the 1930s, the graphic works in this volume provide a remarkable overview of design during one of this century's most politically turbulent and artistically active periods. This book is the catalogue to an exhibition at Columbia University's Miriam and Ira D. Wallach Art Gallery.
Form:
books
books
Publication:
April 1996, New York
April 1996, New York
Subject:
Graphic Design and Typography
Graphic Design and Typography
