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books
books
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The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in(...)
$17.00
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Summary:
The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in(...)
Title:
Liam Gillick. Woven/Intersected/Revised
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The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in conference rooms, corridors, and offices, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist’s essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.
Liam Gillick. Woven/Intersected/Revised
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$17.00
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Summary:
The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in conference rooms, corridors, and offices, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist’s essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.
Form:
books
books
Publication:
March 2008, Lugano
March 2008, Lugano
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Factories in the snow
Factories in the snow
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$52.00
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This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and(...)
$52.00
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Summary:
This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and(...)
Title:
Factories in the snow
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$52.00
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Summary:
This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.
Factories in the snow
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$52.00
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Summary:
This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.
Form:
books
books
Publication:
October 2007, Zurich
October 2007, Zurich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$22.00
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Summary:
Liam Gillick has consistently used text as a site of artistic, theoretical and political intervention in his work. This book brings together a selection of his published critical writings, focusing on his role among a group of artists who emerged in the 1990s.
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Liam Gillick has consistently used text as a site of artistic, theoretical and political intervention in his work. This book brings together a selection of his published critical writings, focusing on his role among a group of artists who emerged in the 1990s.
Title:
Proxemics: Selected Writings (1988-2006)
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Liam Gillick has consistently used text as a site of artistic, theoretical and political intervention in his work. This book brings together a selection of his published critical writings, focusing on his role among a group of artists who emerged in the 1990s.
Proxemics: Selected Writings (1988-2006)
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Liam Gillick has consistently used text as a site of artistic, theoretical and political intervention in his work. This book brings together a selection of his published critical writings, focusing on his role among a group of artists who emerged in the 1990s.
Form:
books
books
Publication:
October 2007, Zurich
October 2007, Zurich
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$26.95
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Summary:
Literally No Place was published to coincide with Liam Gillick's exhibition, The Wood Day at Whitechapel Art Gallery, London, May 2002.
$26.95
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Literally No Place was published to coincide with Liam Gillick's exhibition, The Wood Day at Whitechapel Art Gallery, London, May 2002.
Title:
Literally no place communes, bars, and greenrooms: Liam Gillick book works
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Literally No Place was published to coincide with Liam Gillick's exhibition, The Wood Day at Whitechapel Art Gallery, London, May 2002.
Literally no place communes, bars, and greenrooms: Liam Gillick book works
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Literally No Place was published to coincide with Liam Gillick's exhibition, The Wood Day at Whitechapel Art Gallery, London, May 2002.
Form:
books
books
Publication:
January 2002, London
January 2002, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Liam Gillick
Liam Gillick
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$110.00
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Summary:
This catalog serves as a comprehensive mid-career retrospective, compiled by the artist himself. With his muscular combination of words, forms and ideas, the works are both narrative and non-narrative. Gillick has created over 2000 multi-dimensional works exploring ideas about capitalism, social organizations, social volatility and the myriad possibilities of instability.(...)
$110.00
(available in store)
Summary:
This catalog serves as a comprehensive mid-career retrospective, compiled by the artist himself. With his muscular combination of words, forms and ideas, the works are both narrative and non-narrative. Gillick has created over 2000 multi-dimensional works exploring ideas about capitalism, social organizations, social volatility and the myriad possibilities of instability.(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
September 2010
September 2010
Title:
Liam Gillick
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$110.00
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Summary:
This catalog serves as a comprehensive mid-career retrospective, compiled by the artist himself. With his muscular combination of words, forms and ideas, the works are both narrative and non-narrative. Gillick has created over 2000 multi-dimensional works exploring ideas about capitalism, social organizations, social volatility and the myriad possibilities of instability. The artist's quest has continually been something of a causal chain that investigates concepts such as utopia, parallelism, space and time, using them all as a search for utopia.
Liam Gillick
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$110.00
(available in store)
Summary:
This catalog serves as a comprehensive mid-career retrospective, compiled by the artist himself. With his muscular combination of words, forms and ideas, the works are both narrative and non-narrative. Gillick has created over 2000 multi-dimensional works exploring ideas about capitalism, social organizations, social volatility and the myriad possibilities of instability. The artist's quest has continually been something of a causal chain that investigates concepts such as utopia, parallelism, space and time, using them all as a search for utopia.
Form:
books
books
Publication:
September 2010
September 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Liam Gillick: all books
Liam Gillick: all books
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$39.95
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Summary:
Collected here for the first time are Liam Gillick’s major fictional texts: ‘McNamara Papers’, Ibuka’, ‘Discussion Island/Big Conference Centre’, ‘The Winter School’, with Erasmus is Late and Literally No Place. Within each history and the utopias and alternative visions of society envisioned by writers, filmmakers, philosophers, and scientists are presented and(...)
$39.95
(available to order)
Summary:
Collected here for the first time are Liam Gillick’s major fictional texts: ‘McNamara Papers’, Ibuka’, ‘Discussion Island/Big Conference Centre’, ‘The Winter School’, with Erasmus is Late and Literally No Place. Within each history and the utopias and alternative visions of society envisioned by writers, filmmakers, philosophers, and scientists are presented and(...)
Title:
Liam Gillick: all books
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$39.95
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Summary:
Collected here for the first time are Liam Gillick’s major fictional texts: ‘McNamara Papers’, Ibuka’, ‘Discussion Island/Big Conference Centre’, ‘The Winter School’, with Erasmus is Late and Literally No Place. Within each history and the utopias and alternative visions of society envisioned by writers, filmmakers, philosophers, and scientists are presented and speculated on, often through the fictionalised voices of secondary historical characters. Traversing genres of fiction and critical discourse, ideas are explored in a nonlinear, open-ended discursive format, in which the textual structure mirrors the structuring of the presented ideas. In each text Gillick’s concern is to explore complex, paradoxical historical moments and the ideologies that shaped, reflecting on how the redundant utopian elements of the past continue to structure contemporary society and remain impulses within speculations of our post-utopian future.
Liam Gillick: all books
Actions:
Price:
$39.95
(available to order)
Summary:
Collected here for the first time are Liam Gillick’s major fictional texts: ‘McNamara Papers’, Ibuka’, ‘Discussion Island/Big Conference Centre’, ‘The Winter School’, with Erasmus is Late and Literally No Place. Within each history and the utopias and alternative visions of society envisioned by writers, filmmakers, philosophers, and scientists are presented and speculated on, often through the fictionalised voices of secondary historical characters. Traversing genres of fiction and critical discourse, ideas are explored in a nonlinear, open-ended discursive format, in which the textual structure mirrors the structuring of the presented ideas. In each text Gillick’s concern is to explore complex, paradoxical historical moments and the ideologies that shaped, reflecting on how the redundant utopian elements of the past continue to structure contemporary society and remain impulses within speculations of our post-utopian future.
Form:
books
books
Publication:
October 2009
October 2009
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$35.00
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Summary:
Liam Gillick has written a holistic genealogy of contemporary art that addresses art’s engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or special cases, Gillick takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to(...)
$35.00
(available to order)
Summary:
Liam Gillick has written a holistic genealogy of contemporary art that addresses art’s engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or special cases, Gillick takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to(...)
Title:
Industry and intelligence: contemporary art since 1820
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$35.00
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Summary:
Liam Gillick has written a holistic genealogy of contemporary art that addresses art’s engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or special cases, Gillick takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of the contemporary artist to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works.
Industry and intelligence: contemporary art since 1820
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$35.00
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Summary:
Liam Gillick has written a holistic genealogy of contemporary art that addresses art’s engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or special cases, Gillick takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of the contemporary artist to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works.
Form:
books
books
Publication:
March 2016
March 2016
Subject:
Art Theory
Art Theory
Form:
books
books
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$46.00
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Summary:
Center for Contemporary Art, CCA, Kitakyushu Some graphic and flat work, a Woody Allen filmography, and an introduction 'Literally No Place'.
$46.00
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Summary:
Center for Contemporary Art, CCA, Kitakyushu Some graphic and flat work, a Woody Allen filmography, and an introduction 'Literally No Place'.
Title:
Liam Gillick: the book of the 3rd of June
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Center for Contemporary Art, CCA, Kitakyushu Some graphic and flat work, a Woody Allen filmography, and an introduction 'Literally No Place'.
Liam Gillick: the book of the 3rd of June
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$46.00
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Summary:
Center for Contemporary Art, CCA, Kitakyushu Some graphic and flat work, a Woody Allen filmography, and an introduction 'Literally No Place'.
Form:
books
books
Publication:
October 2000, Kitakyushu
October 2000, Kitakyushu
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
