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Title:
Le Vieux-Montréal / Old Montreal

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$7.95
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Summary:
Guide architectural de la ville de Montréal.

Title:
Architecture : éthique et technologie / ethics and technology

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$85.00
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Textes de / texts by Alberto Perez-Gomez, Dalibor Vesely, Lukas K. Sosoe, Margaret A. Somerville, Peter Rose, Philippe Madec, Jean-Pierre Hardenne, Dan Hoffman, Jacques Rousseau, Robert Prost, Alain Findeli, Richard Henriquez, Lily Chi, Irena Latek.

Title:
Downfall: the architecture of excess

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$17.50
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Downfall: The Architecture of Excess is a novel set between Montreal, Venice, London and Mexico in a flux of political and economic intrigue, where architecture becomes one of the primary characters of the unfolding plot. It weaves together the sublime and comical lives of the three protagonists as they collide in one ominous building. In this tale about human ambition, Louise Pelletier, who practiced as an architect for over a decade before devoting herself to teaching, here takes a caustic look at the building industry and the primeval human quest to leave our mark on the world.

Title:
Architectural representation and the perspective hinge

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$82.50
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Writing from inside the discipline of architecture, rather than from the more common extrapolations from the history of painting and philosophy, Alberto Pérez-Gómez and Louise Pelletier focus on the implications of the tool of perspective (and the hegemony of vision) for architectural representation. Their primary thesis is that tools of representation have a direct influence on the conceptual development of projects and generation of forms, and that there are alternatives to the reductive working methods of most contemporary practice. The book examines textual evidence across a broad historical period, concentrating on the relationship between drawing and architectural space in the period from the seventh century to the twentieth century. The book discusses such issues as optical correction and the nature of architectural drawing in selected treatises, revealing the complexity and potential contradiction inherent in any linear history of representation. The authors' ultimate aim is to probe the possibilities of the constructed world as a poetic translation, rather than prosaic transcription, of its representations.

Title:
Piero en tête : sculptures de Geoffrey Smedley / Meditations on Piero: sculptures by Geoffrey Smedley

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$12.95
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Summary:
Dans un traité sur la perspective écrit vers la fin de sa vie, Piero della Francesca tente d’établir les proportions mathématiques « idéales » de la tête humaine. Après des années de méditation créative à partir de ces dessins, Smedley a décidé d’en traduire concrètement le mystère en leur donnant une forme physique. Travaillant à la manière d’un architecte, il en a extrait la structure de ses sculptures. Sa pièce principale, The Numbers, est une méticuleuse représentation de plus d’un mètre de haut de la tête idéale de Piero della Francesca. In a treatise on perspective written towards the end of his life, Piero della Francesca attempted to determine the mathematically "ideal" proportions of the human head, basing his drawings on a belief in the cosmological significance of certain numbers and their geometrical relationships. After many years of creative meditation on these drawings, Smedley decided to translate their mystery into physical form, working the way an architect works to extract from them the structure of his sculptures. His principal piece, The Numbers, is a meticulous, four-foot high realization of Piero’s ideal head.

Title:
Architectural representation and the perspective hinge

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Price:
$67.95
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Summary:
Writing from inside the discipline of architecture, rather than from the more common extrapolations from the history of painting and philosophy, Alberto Pérez-Gómez and Louise Pelletier focus on the implications of the tool of perspective (and the hegemony of vision) for architectural representation. Their primary thesis is that tools of representation have a direct influence on the conceptual development of projects and generation of forms, and that there are alternatives to the reductive working methods of most contemporary practice. The book examines textual evidence across a broad historical period, concentrating on the relationship between drawing and architectural space in the period from the seventh century to the twentieth century. The book discusses such issues as optical correction and the nature of architectural drawing in selected treatises, revealing the complexity and potential contradiction inherent in any linear history of representation. The authors' ultimate aim is to probe the possibilities of the constructed world as a poetic translation, rather than prosaic transcription, of its representations. First published in cloth in 1997.