Luigi Ghirri
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This catalogue accompanies Luigi Ghirri’s solo exhibition “Works from the 1970s” at Taka Ishii Gallery and is centered around photographs created during the 1970s, arguably Ghirri’s most important creative period. By redefining photography as a concept and as an act, Ghirri’s work has played an important role in expanding the possibilities of visual art. The photographs(...)
Luigi Ghirri
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$86.00
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Summary:
This catalogue accompanies Luigi Ghirri’s solo exhibition “Works from the 1970s” at Taka Ishii Gallery and is centered around photographs created during the 1970s, arguably Ghirri’s most important creative period. By redefining photography as a concept and as an act, Ghirri’s work has played an important role in expanding the possibilities of visual art. The photographs chosen for the catalogue, created and published by Taka Ishii Gallery and Case Publishing, capture and represent Ghirri’s views at the outer and inner world, the relationship between reality and metaphysical duality and the distance between reality and representation expressed in Ghirri’s works.
Photography monographs
Italia in Miniatura
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Between the late 1970s and mid-1980s, Luigi Ghirri made a series of photographs meditating on the landscape of his native Italy, all within the grounds of a single theme park in Rimini, Emilia-Romagna. The popular tourist destination Italia in Miniatura presents scale models of Italy’s major natural and architectural landmarks, brought together in surreal proximity.(...)
Italia in Miniatura
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Between the late 1970s and mid-1980s, Luigi Ghirri made a series of photographs meditating on the landscape of his native Italy, all within the grounds of a single theme park in Rimini, Emilia-Romagna. The popular tourist destination Italia in Miniatura presents scale models of Italy’s major natural and architectural landmarks, brought together in surreal proximity. Ghirri photographed this fabricated world with a characteristic sensitivity for visual coincidence and irony, illusion and reality, ambiguity and artifice. Reflecting on photography’s own processes of shrinking and representing, these images are among Ghirri’s most distinctive, playful, and conceptually compelling. This new book presents the entirety of Ghirri’s In Scala series, expanded with numerous previously unseen images, and places them in conversation with work by the park’s founder and designer, Ivo Rambaldi. Rambaldi’s maps, sketches, collages, and reference images, made on exhaustive research trips across Italy, offer an analogous exploration of the possibilities and paradoxes of miniaturisation. Their frank functionality resonates with Ghirri’s embrace of the perspective and tools of the ama-teur. From the dialogue between these meticulous works of representation and fabrication we discover the possibility that, in Ghirri’s words, "Perhaps it’s in this very space, one of total fiction, that truth is concealed." This publication is brought together by curators Ilaria Campioli, Joan Fontcuberta, and Matteo Guidi, and includes new essays by the curators and by author Simon Garfield. It is completed by a series of images by photographer and theorist Joan Fontcuberta in response to Ghirri’s and Rambaldi’s encounters with the park.
Photography monographs
Viaggio in Italia
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"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the(...)
Photography Collections
November 2024
Viaggio in Italia
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"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the everyday Italian landscape. This shift replaced the cliché of Italy as a uniquely wonderful place with an "anti-heroic, anti-mythical, everyday and non-rhetorical" image, as noted by Gabriele Basilico. Twenty photographers, many of whom gained international recognition, participated: Olivo Barbieri, Gabriele Basilico, Gianantonio Battistella, Vincenzo Castella, Andrea Cavazzuti, Giovanni Chiaramonte, Mario Cresci, Vittore Fossati, Carlo Garzia, Guido Guidi, Luigi Ghirri, Shelley Hill, Mimmo Jodice, Gianni Leone, Claude Nori, Umberto Sartorello, Mario Tinelli, Ernesto Tuliozi, Fulvio Ventura, and Cuchi White. The volume includes an essay by Arturo Carlo Quintavalle and a paper by Gianni Celati.
Photography Collections
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Based on the exhibition "The Idea of Building" held at Matthew Marks Gallery, New York in October 2020 and now published in an edition of only 500 copies by Pre-Echo Press, this book features some of the Luigi Ghirri’s most iconic photographs alongside previously unseen works selected by the artist Matt Connors from the Archivio Luigi Ghirri in Reggio Emilia. "To me, as a(...)
Luigi Ghirri: the idea of building
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Based on the exhibition "The Idea of Building" held at Matthew Marks Gallery, New York in October 2020 and now published in an edition of only 500 copies by Pre-Echo Press, this book features some of the Luigi Ghirri’s most iconic photographs alongside previously unseen works selected by the artist Matt Connors from the Archivio Luigi Ghirri in Reggio Emilia. "To me, as a painter, the photographs of Luigi Ghirri are built rather than composed, things rather than images. The Italian phrase for taking a photo, fare una foto, literally means 'to make a photo,' and this feels like some kind of key. Trained as a land surveyor and a draftsman, Ghirri perceived the world — and all of reality — as a terrain, an assembly of signs, symbols, and images, including other photographs. Taking all of this as his raw material, he re-assembled and re-deployed it, reading the physical world but also writing it."
Photography monographs
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This volume offers a brilliant account of Luigi Ghirri’s relationship with Puglia — a distinctive region at the heel of Italy, which was pivotal in establishing Ghirri’s career and continued to inspire him throughout it. A first visit in 1982 introduced Ghirri to Puglia’s whitewashed streets, luminescent nights, doorways, funfairs, and beaches, as well as a group of(...)
Luigi Ghirri: Puglia. Tra albe e tramonti
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This volume offers a brilliant account of Luigi Ghirri’s relationship with Puglia — a distinctive region at the heel of Italy, which was pivotal in establishing Ghirri’s career and continued to inspire him throughout it. A first visit in 1982 introduced Ghirri to Puglia’s whitewashed streets, luminescent nights, doorways, funfairs, and beaches, as well as a group of friends and collaborators. Over the following decade, he returned to the area almost every year, deepening his understanding of its subtle terrain. These photographs, almost all of which are little-known and previously unpublished, capture the textures and rhythms of daily life, delighting in tactile detail, visual coincidence, and the ebb and flow of time on an intimate scale.
Photography monographs
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Through the course of the 1970s and 1980s, Luigi Ghirri pursued his extraordinary project, open-ended and mercurial, marked by empathy for the changing everyday spaces of his time. Over the course of his short career, Ghirri would produce a vast body of photographs without parallel in the Europe of his time and numerous writings which would have an indelible impact on the(...)
Luigi Ghirri: the map and the territory
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Through the course of the 1970s and 1980s, Luigi Ghirri pursued his extraordinary project, open-ended and mercurial, marked by empathy for the changing everyday spaces of his time. Over the course of his short career, Ghirri would produce a vast body of photographs without parallel in the Europe of his time and numerous writings which would have an indelible impact on the history of photography. The focus of the project is on Ghirri’s quietly compelling project to create a new kind of geography, located in his fascination with representations of the world, in the form of reproductions, pictures, posters, models and maps.
Photography monographs
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Luigi Ghirri aborde sérieusement la photographie en 1970. Utilisant d'emblée la pellicule couleur, exclusivement, il travaille à Modène et dans les environs de cette cité italienne. Durant toute la décennie, il crée un vaste répertoire d'images à partir duquel il élabore une réflexion originale sur le langage photographique et parcourt un certain nombre d'itinéraires(...)
Cartes et territoires : photographies des années 1970. Luigi Ghirri
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Luigi Ghirri aborde sérieusement la photographie en 1970. Utilisant d'emblée la pellicule couleur, exclusivement, il travaille à Modène et dans les environs de cette cité italienne. Durant toute la décennie, il crée un vaste répertoire d'images à partir duquel il élabore une réflexion originale sur le langage photographique et parcourt un certain nombre d'itinéraires poétiques à travers la culture et la géographie de l'Italie moderne. Dressant un panorama de l'oeuvre de Ghirri à partir des années 1970, le présent ouvrage regroupe quatorze séries différentes : les maisons et jardins de banlieue, les images publicitaires modernes, l'univers imaginaire des parcs d'attractions, les détails cartographiques d'un atlas.
Photography monographs
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From 1970 Luigi Ghirri roamed around the houses, streets, squares and suburbs in his adoptive town of Modena and built a body of early work which contains within it signposts to many of the directions his practice would subsequently take. He began to map out projects and themes -- some specifically grouped around a subject, others gathered around a more poetic organising(...)
Luigi Ghirri: Colazione sull'Erba
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From 1970 Luigi Ghirri roamed around the houses, streets, squares and suburbs in his adoptive town of Modena and built a body of early work which contains within it signposts to many of the directions his practice would subsequently take. He began to map out projects and themes -- some specifically grouped around a subject, others gathered around a more poetic organising principle. One of the latter was ''Colazione sull'Erba'' (Breakfast on the Grass) in which he bought together photographs made between 1972 and 1974 on the outskirts of Modena. His focus was the juncture of nature and artifice in the man-made environment; the symmetries of cypress trees, well-kept lawns, the personalising touch of plants in pots, palm trees and cacti with their promise of somewhere else.
Photography monographs
Luigi Ghirri : Kodachrome
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This new edition of Kodachrome (1978) is published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri’s original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on(...)
Luigi Ghirri : Kodachrome
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This new edition of Kodachrome (1978) is published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri’s original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on the historical impact of Kodachrome, alongside French and German translations of the original texts from the book (which were published in English and Italian).
Photography monographs
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Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own(...)
Luigi Ghirri: the complete essays, 1973-1991
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Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own practice to explore the history of photography as he considers the work of Walker Evans, William Eggleston, Robert Adams and John Gossage, weaving in references to musicians, writers and painters alike. As themes and ideas overlap, the compilation of texts create a sort of dialectic chamber of curiosities that includes Gulliver, Van Gogh’s yellow house, Cézanne, Morandi’s studio, Mallarmé, the fireworks above Trani Cathedral, neo-realist films, lots of music, Francis Bacon, McLuhan’s global village, Pessoa, poetry. Together, the essays offer an unintentional yet comprehensive treatise on the history and theory of photography, and above all, they constitute a special form of autobiography.
Theory of Photography