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More a book than a magazine, Mousse #83—The Artist’s Artist is a special, collectible issue conceived as a small anthology of seven comprehensive monographs dedicated to influential, yet at times underrepresented, artists who spearheaded the languages that are defining our age—the so-called artists’ artists. Julie Becker, Dara Birnbaum, Andrea Branzi, Vaginal Davis, Lala(...)
Mousse 83
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More a book than a magazine, Mousse #83—The Artist’s Artist is a special, collectible issue conceived as a small anthology of seven comprehensive monographs dedicated to influential, yet at times underrepresented, artists who spearheaded the languages that are defining our age—the so-called artists’ artists. Julie Becker, Dara Birnbaum, Andrea Branzi, Vaginal Davis, Lala Rukh, Rosemary Mayer, and Jean-Frédéric Schnyder help us to celebrate the perpetually ambitious objective of providing layers of understanding regarding artists’ practices and their implications in the present. In a moment when the editorial landscape is witnessing a precipitous turn away from firm engagement with art’s primary matters, we have registered a growing concern among those who inspire us and to whom we want to pay homage, to which we respond by returning to committed writing and engagement, a foundation of contemporary culture’s production and reception.
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Mousse magazine, issue #63, April - May 2018. In this issue: Rahel Aima, Antonia Alampi, Emmanuelle André, Martin Arnold, Siri Aurdal, Meriem Bennani, Andrew Berardini, Fernanda Brenner, Adam Carr, Barbara Casavecchia, Maurin Dietrich, Ben Eastham, Eva Fabbris, Aaron Gilbert, Omar Kholeif, Alvin Li, Diego Marcon, Rita Mc Bride, Laura Mclean-Ferris, Tiona Nekkia Mcclodden,(...)
Mousse 63
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Mousse magazine, issue #63, April - May 2018. In this issue: Rahel Aima, Antonia Alampi, Emmanuelle André, Martin Arnold, Siri Aurdal, Meriem Bennani, Andrew Berardini, Fernanda Brenner, Adam Carr, Barbara Casavecchia, Maurin Dietrich, Ben Eastham, Eva Fabbris, Aaron Gilbert, Omar Kholeif, Alvin Li, Diego Marcon, Rita Mc Bride, Laura Mclean-Ferris, Tiona Nekkia Mcclodden, Kathy Noble, Simphiwe Ndzube, Precious Okoyomon, Lydia Ourahmane, Alexandra Pirici, Julia Phillips, Asad Raza, Julia Scher, Jenny Schlenzka, Ross Simonini, Mitch Speed, Michael Stevenson, Diamond Stingily, Hans Ulrich Obrist, Erika Verzutti, Lu Yang.
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IN THE AVANT-FOYER: ON DECADENCE AND DE-FACEMENT by Sabrina Tarasoff MARC CAMILLE CHAIMOWICZ At the Tip of my Fingers by Eva Fabbris THE RECOGNITIONS by Than Hussein Clark and Charlie Billingham THE IMPERMANENT COLLECTION by Jennifer Allen and Giaco Schiesser THE IMPORTANCE OF BEING AN INFLUENCE by Jens Hoffmann, Sanya Kantarovsky, Ryan Gander, Jac Leirner, Camille(...)
Mousse 52
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IN THE AVANT-FOYER: ON DECADENCE AND DE-FACEMENT by Sabrina Tarasoff MARC CAMILLE CHAIMOWICZ At the Tip of my Fingers by Eva Fabbris THE RECOGNITIONS by Than Hussein Clark and Charlie Billingham THE IMPERMANENT COLLECTION by Jennifer Allen and Giaco Schiesser THE IMPORTANCE OF BEING AN INFLUENCE by Jens Hoffmann, Sanya Kantarovsky, Ryan Gander, Jac Leirner, Camille Henrot, Cheyney Thompson, Rayyane Tabet, Liz Magor SUNSET DÉCOR by Magalí Arriola LOTHAR BAUMGARTEN : The Political Discourse of the Time by Jesús Fuenmayor THE PUBLIC LIFE OF THE IMAGINATION by João Ribas ROBERT GROSVENOR Hypervolume in Hyperspace by Hans Ulrich Obrist FORGET ABOUT THE MIDDLE CLASS by Chus Martínez CEAL FLOYER The Pros and the Cons by Christian Jankowski NEVINE MAHMOUD Playtime by Andrew Berardini HENNING FEHR AND PHILIPP RÜHR No Script by Niels Olsen and Fredi Fischli [A TAXONOMY OF NON-SENSE] by Domenick Ammirati JESSI REAVES An Ideological Revision of Furniture Design by Josephine Graf LUCAS ARRUDA A Utopian Balance between Light and Shadow by Kiki Mazzucchelli ANA VAZ Discovering the World by Filipa Ramos LIS RHODDES AND AURA SATZ Seeing is Never Believing by Agniesszka Gratza A STUDY IN PETULANCE by Michael Turner
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This issue of Mousse explores the ways in which concerns surrounding exhibition display and elements derived from exhibition architecture have been appropriated by contemporary artworks and art practices, and how artistic modes and attitudes have played a significant role in shaping the lexicon of exhibition design. We asked a diverse pool of guest contributors — artists,(...)
Mousse 61
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This issue of Mousse explores the ways in which concerns surrounding exhibition display and elements derived from exhibition architecture have been appropriated by contemporary artworks and art practices, and how artistic modes and attitudes have played a significant role in shaping the lexicon of exhibition design. We asked a diverse pool of guest contributors — artists, curators, writers, art and architecture critics — to select illuminating cases of cross-pollination, and to compile extended captions for their chosen images. Many more images are interspersed in the issue, and captioned in groups every few pages. The ordering is not chronological, nor by any means hierarchic. Mousse 61 is a partial mood board for this analysis of a significant and special relationship.
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Mousse 32 February - March
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In this issue… Stan Douglas has a fascinating method for producing his series: identification. For “Midcentury Studio”, Douglas dons the garb of a Canadian news photographer and war veteran. In a conversation with Monika Szewczyk, the artist discusses this work and the recent “Disco Angola”. Elisabeth Lebovici converses with Barbara Hammer to retrace the(...)
Mousse 32 February - March
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In this issue… Stan Douglas has a fascinating method for producing his series: identification. For “Midcentury Studio”, Douglas dons the garb of a Canadian news photographer and war veteran. In a conversation with Monika Szewczyk, the artist discusses this work and the recent “Disco Angola”. Elisabeth Lebovici converses with Barbara Hammer to retrace the artist’s career and delve into two recent works, one on Claude Cahun and Marcel Moore, the other on Maya Deren, touching on themes of gender, role and discrimination. In Buffalo, in March 1984, Susan Krane and Bruce Jenkins interviewed Hollis Frampton, shortly before his death. The tapes, which Jenkins has retrieved from his archives 28 years later, offer an extraordinary conversation/performance of the American artist in LOST & FOUND. And much more...
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