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The term 'style' has fallen spectacularly out of fashion in architectural circles. Once a conceptual key to understanding architecture’s inner workings, today style seems to be associated with superficiality, formalism, and obsolete periodization. But how did style—once defined by German sociologist Georg Simmel as a place where one is 'no longer alone'—in architecture(...)
Style and solitude: The history of an architectural problem
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The term 'style' has fallen spectacularly out of fashion in architectural circles. Once a conceptual key to understanding architecture’s inner workings, today style seems to be associated with superficiality, formalism, and obsolete periodization. But how did style—once defined by German sociologist Georg Simmel as a place where one is 'no longer alone'—in architecture actually work? How was it used and what did it mean? In ''Style and solitude,'' Mari Hvattum seeks to understand the apparent death of style, returning to its birthplace in the late eighteenth century, and charting how it grew to influence modern architectural discourse and practice. As Hvattum explains, German thinkers of the eighteenth and nineteenth century offered competing ideas of what style was and how it should be applied in architecture. From Karl Friedrich Schinkel’s thoughtful eclecticism to King Maximilian II’s attempt to capture the zeitgeist in an architectural competition, style was at the center of fascinating experiments and furious disputes. Starting with Johann Joachim Winckelmann’s invention of the period style and ending a century later with Gottfried Semper’s generative theory of style, Hvattum explores critical debates that are still ongoing today.
Architectural Theory
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Using key texts by the German architect and theorist Gottfried Semper, Mari Hvattum offers a reinterpretation of historicism, which is here viewed both as a philosophical outlook and as an architectural problem. Hvattum focuses on Semper’s two major concerns: an understanding of the ontological significance of art and architecture, and the rendering of art and(...)
Gottfried Semper and the problem of historicism
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Using key texts by the German architect and theorist Gottfried Semper, Mari Hvattum offers a reinterpretation of historicism, which is here viewed both as a philosophical outlook and as an architectural problem. Hvattum focuses on Semper’s two major concerns: an understanding of the ontological significance of art and architecture, and the rendering of art and architecture as the objects of scientific investigation and prediction. Hvattum investigates the background and implications of these conflicting concerns. By examining the historicist fusion of Romanticism and Positivism, the book seeks to understand the nature as well as the limits of the modern dream of a "method of inventing". More than an intellectual biography, "Gottfried Semper and the Problem of Historicism" explores historicism and its implications for modern architectural discourse and practice.
Architectural Theory
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From the seventeenth century until today, the "modern" has served as a key category by which to understand an ever-changing present. Art and architecture have played a key role in this pursuit, as the means by which "the modern" was to manifest itself. The essays in this new anthology trace the modern project through its multifarious manifestation in order to understand(...)
Tracing modernity : manifestations of the modern in architecture and the city
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From the seventeenth century until today, the "modern" has served as a key category by which to understand an ever-changing present. Art and architecture have played a key role in this pursuit, as the means by which "the modern" was to manifest itself. The essays in this new anthology trace the modern project through its multifarious manifestation in order to understand contemporary culture in a deeper sense than discussions of "modernism" and "post modernism" usually offer. Drawing on architectural and urban history as well as philosophy and sociology, the book outlines the complex and conflicting roots of modernity by tracing its manifestations in architecture and the city.
Urban Theory
The printed and the built: architecture, print culture and public debate in the nineteenth century
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This publication explores the intricate relationship between architecture and printed media in the fast-changing nineteenth century. Publication history is a rapidly expanding scholarly field which has profoundly influenced architectural history in recent years. Yet, while groundbreaking work has been done on architecture and printing in the Renaissance, the(...)
The printed and the built: architecture, print culture and public debate in the nineteenth century
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This publication explores the intricate relationship between architecture and printed media in the fast-changing nineteenth century. Publication history is a rapidly expanding scholarly field which has profoundly influenced architectural history in recent years. Yet, while groundbreaking work has been done on architecture and printing in the Renaissance, the Enlightenment, and the twentieth century, the nineteenth century has received little attention. This is the omission that 'The Printed and the Built' seeks to address, thus filling a significant gap in the understanding of architecture's cultural history.
Architectural Theory
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Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once(...)
Modelling time: the permanent collection 1925-2014
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Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once hosted its biggest ever display in 1931. The collection testifies to a different modernism; not white and austere but colourful, diverse, and full of detail. Modelling Time gives an in-depth portrayal of the so-called ‘Permanent Collection’ of Norwegian scale models, photographs and drawings, tracing its international trajectory of exhibitions from Brussels in 1927 to its last appearance at the World’s Fair in New York in 1939. The book documents the collection’s heydays as part of a vivid international modernist culture, as well as its archival diaspora as it falls into oblivion after WWII. In an extensive, archive-based essay editors Lending and Hvattum give the full context of the collection, while Juliane Derry and Jorge Otero-Pailos look into the models’ materiality and issues of decay. Model scholars and architecture curators Barry Bergdoll, Carson Chan, Pippo Ciorra, Oliver Elser, Juliet Koss, Andres Lepik, Adam Lowe, Wallis Miller, Jorge Otero-Pailos, Léa-Catherine Szacka, and Victor Plathe Tschudi presents a variety of perspectives inspired by the Oslo collection.
Models