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Summary:
Can real architecture grow in our own backyard? Can architects grow by working there? In Deventer, the Netherlands, a routine real estate deal and demolition became the site of innovation and new intelligence in urban design. Not all of the endings were happy ones. This is the story of how architecture dissolves into the blurry middle ground between individual art(...)
Deventer
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$29.95
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Summary:
Can real architecture grow in our own backyard? Can architects grow by working there? In Deventer, the Netherlands, a routine real estate deal and demolition became the site of innovation and new intelligence in urban design. Not all of the endings were happy ones. This is the story of how architecture dissolves into the blurry middle ground between individual art practice and urban planning, and how the profession’s discourse falls apart.
Architecture since 1900, Europe
books
Arcade 20.3 spring 2002
$7.95
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Summary:
A hodge-podge: fiction, photos, poetry, catalogs, historical facts, a cartoon—the narrowly objective hard by the expansively subjective. The plurality of genres pleased me. Any account of our territory bereft of, say, facts, poetry, projections, wild speculation, polemics, or sketchy memory, would seem to me to be fatally compromised. As the Office for Soft Architecture(...)
Arcade 20.3 spring 2002
Actions:
Price:
$7.95
(available to order)
Summary:
A hodge-podge: fiction, photos, poetry, catalogs, historical facts, a cartoon—the narrowly objective hard by the expansively subjective. The plurality of genres pleased me. Any account of our territory bereft of, say, facts, poetry, projections, wild speculation, polemics, or sketchy memory, would seem to me to be fatally compromised. As the Office for Soft Architecture puts it in their Fourth Walk: “[We] painted the place in the polis of the sour heat and the pulse beneath our coats, the specific entry of our exhalations and words into the atmosphere…Our method was patience. We would slowly absorb each image until we were what we had deliberately chosen to become. Of course then we ourselves were the documents; we acquired a fragility. Hello my Delicate we would repeat when we met by chance in the streets under the rows of posters Hello my Delicate.” Matthew Stadler is a novelist and essayist whose writing about design has appeared in Nest magazine, Wiederhal, Frieze, The Guardian, and The Seattle Times. He is the editor of Clear Cut Press, a new publishing and distribution company based in Astoria, OR. editor@clearcutpress.com. Tae Won Yu is an artist working in Olympia, Washington. His previous projects include designs for Built To Spill, photographs for Nest magazine, and illlustrations for The Stranger.
books
March 2002, Seattle
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