2 Results
Form:
books
books
Title:
Walker Evans
Walker Evans
Actions:
Price:
$97.50
(available to order)
Summary:
Although his work has received many awards, been collected by museums, and been exhibited on several continents, Evans's total corpus is only now being fully examined. This important book revises our appreciation of Evans by presenting(...)
$97.50
(available to order)
Summary:
Although his work has received many awards, been collected by museums, and been exhibited on several continents, Evans's total corpus is only now being fully examined. This important book revises our appreciation of Evans by presenting(...)
Subject:
Photography monographs
Photography monographs
Publication:
February 2000, New York
February 2000, New York
Title:
Walker Evans
Actions:
Price:
$97.50
(available to order)
Summary:
Although his work has received many awards, been collected by museums, and been exhibited on several continents, Evans's total corpus is only now being fully examined. This important book revises our appreciation of Evans by presenting previously unknown material in an accessible context. Essays by Maria Morris Hambourg, Jeff L. Rosenheim, Doug Eklund, and Mia Fineman offer novel insights into the sources and legacy of Evans's work. This beautiful volume accompanies the travelling exhibition organised by the Metropolitan Museum of Art in New York.
Walker Evans
Actions:
Price:
$97.50
(available to order)
Summary:
Although his work has received many awards, been collected by museums, and been exhibited on several continents, Evans's total corpus is only now being fully examined. This important book revises our appreciation of Evans by presenting previously unknown material in an accessible context. Essays by Maria Morris Hambourg, Jeff L. Rosenheim, Doug Eklund, and Mia Fineman offer novel insights into the sources and legacy of Evans's work. This beautiful volume accompanies the travelling exhibition organised by the Metropolitan Museum of Art in New York.
Form:
books
books
Publication:
February 2000, New York
February 2000, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Actions:
Price:
$66.50
(available to order)
Summary:
By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation,(...)
$66.50
(available to order)
Summary:
By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation,(...)
Title:
Faking it: manipulated photography before photoshop
Actions:
Price:
$66.50
(available to order)
Summary:
By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation, including Henry Peach Robinson, Edward Steichen, and John Heartfield, are treated as conspicuous anomalies. Among the techniques discussed on these pages--abundantly illustrated with works from an international array of public and private collections--are multiple exposure, combination printing, photomontage, composite portraiture, over-painting, hand coloring, and retouching.
Faking it: manipulated photography before photoshop
Actions:
Price:
$66.50
(available to order)
Summary:
By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation, including Henry Peach Robinson, Edward Steichen, and John Heartfield, are treated as conspicuous anomalies. Among the techniques discussed on these pages--abundantly illustrated with works from an international array of public and private collections--are multiple exposure, combination printing, photomontage, composite portraiture, over-painting, hand coloring, and retouching.
Form:
books
books
Publication:
October 2012
October 2012
Subject:
Theory of Photography
Theory of Photography
