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Conceived by photographer Naoya Hatakeyama, this tribute to Toyo Ito’s design for the Taichung Opera House in Taiwan offers an eye-opening look at an extraordinary building, its urban context, and daily use. Completed in 2014, the curving structure with its cut-out voids and sectioned facade has proved to be a magnet, not just for audiences but also for people who come to(...)
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Conceived by photographer Naoya Hatakeyama, this tribute to Toyo Ito’s design for the Taichung Opera House in Taiwan offers an eye-opening look at an extraordinary building, its urban context, and daily use. Completed in 2014, the curving structure with its cut-out voids and sectioned facade has proved to be a magnet, not just for audiences but also for people who come to(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
February 2024
February 2024
Title:
Toyo Ito: Taichung Opera House
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Conceived by photographer Naoya Hatakeyama, this tribute to Toyo Ito’s design for the Taichung Opera House in Taiwan offers an eye-opening look at an extraordinary building, its urban context, and daily use. Completed in 2014, the curving structure with its cut-out voids and sectioned facade has proved to be a magnet, not just for audiences but also for people who come to enjoy its rooftop landscape, water elements, and cave-like interior spaces. Besides the many photographs by Hatakeyama, the publication includes an illuminating dialogue between Ito and architectural historian Terunobu Fujimori.
Toyo Ito: Taichung Opera House
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Conceived by photographer Naoya Hatakeyama, this tribute to Toyo Ito’s design for the Taichung Opera House in Taiwan offers an eye-opening look at an extraordinary building, its urban context, and daily use. Completed in 2014, the curving structure with its cut-out voids and sectioned facade has proved to be a magnet, not just for audiences but also for people who come to enjoy its rooftop landscape, water elements, and cave-like interior spaces. Besides the many photographs by Hatakeyama, the publication includes an illuminating dialogue between Ito and architectural historian Terunobu Fujimori.
Form:
books
books
Publication:
February 2024
February 2024
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$45.00
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This work contains Hatakeyama's series of photographs of English streets and landscapes seen through a glass plate covered with drops of water.
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This work contains Hatakeyama's series of photographs of English streets and landscapes seen through a glass plate covered with drops of water.
Title:
Naoya Hatakeyama : slow glass
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This work contains Hatakeyama's series of photographs of English streets and landscapes seen through a glass plate covered with drops of water.
Naoya Hatakeyama : slow glass
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This work contains Hatakeyama's series of photographs of English streets and landscapes seen through a glass plate covered with drops of water.
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books
books
Publication:
September 2002, York
September 2002, York
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$78.00
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OUT OF PRINT
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OUT OF PRINT
Title:
Naoya Hatakeyama : underground, cimmerian darkness and stygian gloom
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OUT OF PRINT
Naoya Hatakeyama : underground, cimmerian darkness and stygian gloom
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OUT OF PRINT
Form:
books
books
Publication:
May 2001, Tokyo
May 2001, Tokyo
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$99.95
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Summary:
Naoya Hatakeyama réalise ici un hommage sensible au patrimoine industriel et interroge la pratique photographique comme métaphore du processus de mémoire. Associant rigueur technique et poésie, l'œuvre de ce photographe né au Japon en 1958 incarne un renouveau du regard sur le paysage. Photographier ou fixer la disparition d'une histoire sociale, économique, culturelle,(...)
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Naoya Hatakeyama réalise ici un hommage sensible au patrimoine industriel et interroge la pratique photographique comme métaphore du processus de mémoire. Associant rigueur technique et poésie, l'œuvre de ce photographe né au Japon en 1958 incarne un renouveau du regard sur le paysage. Photographier ou fixer la disparition d'une histoire sociale, économique, culturelle,(...)
Subject:
Photography monographs
Photography monographs
Publication:
October 2006, Paris
October 2006, Paris
Title:
La Houillère de Westphalie I / II Ahlen
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Naoya Hatakeyama réalise ici un hommage sensible au patrimoine industriel et interroge la pratique photographique comme métaphore du processus de mémoire. Associant rigueur technique et poésie, l'œuvre de ce photographe né au Japon en 1958 incarne un renouveau du regard sur le paysage. Photographier ou fixer la disparition d'une histoire sociale, économique, culturelle, humaine ? En écho aux travaux qu'il a déjà menés autour des cimenteries et des carrières au Japon, cette série est consacrée à Ahlen, en Allemagne, où se sont achevés, en 2000, cent ans d'histoire minière avec la fermeture de la houillère de Westphalie.
La Houillère de Westphalie I / II Ahlen
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Naoya Hatakeyama réalise ici un hommage sensible au patrimoine industriel et interroge la pratique photographique comme métaphore du processus de mémoire. Associant rigueur technique et poésie, l'œuvre de ce photographe né au Japon en 1958 incarne un renouveau du regard sur le paysage. Photographier ou fixer la disparition d'une histoire sociale, économique, culturelle, humaine ? En écho aux travaux qu'il a déjà menés autour des cimenteries et des carrières au Japon, cette série est consacrée à Ahlen, en Allemagne, où se sont achevés, en 2000, cent ans d'histoire minière avec la fermeture de la houillère de Westphalie.
Form:
books
books
Publication:
October 2006, Paris
October 2006, Paris
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Rikuzentakata
Rikuzentakata
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Le 11 mars 2011, un puissant tsunami a frappé le Nord-Est du Japon en détruisant pratiquement tout sur son passage. Naoya Hatakeyama, photographe, est touché personnellement par ce drame qui efface sa ville natale, Rikuzentakata, et les repères de sa mémoire. 'Rikuzentakata' est le récit intime de Naoya Hatakeyama qui observe la naissance d’un monde inconnu dans le bruit(...)
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Le 11 mars 2011, un puissant tsunami a frappé le Nord-Est du Japon en détruisant pratiquement tout sur son passage. Naoya Hatakeyama, photographe, est touché personnellement par ce drame qui efface sa ville natale, Rikuzentakata, et les repères de sa mémoire. 'Rikuzentakata' est le récit intime de Naoya Hatakeyama qui observe la naissance d’un monde inconnu dans le bruit(...)
Title:
Rikuzentakata
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Le 11 mars 2011, un puissant tsunami a frappé le Nord-Est du Japon en détruisant pratiquement tout sur son passage. Naoya Hatakeyama, photographe, est touché personnellement par ce drame qui efface sa ville natale, Rikuzentakata, et les repères de sa mémoire. 'Rikuzentakata' est le récit intime de Naoya Hatakeyama qui observe la naissance d’un monde inconnu dans le bruit des engins de construction. Face à cette transformation qui le concerne tant, textes et photographies de Naoya Hatakeyama se rejoignent pour esquisser un chemin possible, un avenir envisagé.
Rikuzentakata
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Le 11 mars 2011, un puissant tsunami a frappé le Nord-Est du Japon en détruisant pratiquement tout sur son passage. Naoya Hatakeyama, photographe, est touché personnellement par ce drame qui efface sa ville natale, Rikuzentakata, et les repères de sa mémoire. 'Rikuzentakata' est le récit intime de Naoya Hatakeyama qui observe la naissance d’un monde inconnu dans le bruit des engins de construction. Face à cette transformation qui le concerne tant, textes et photographies de Naoya Hatakeyama se rejoignent pour esquisser un chemin possible, un avenir envisagé.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Photography monographs
Photography monographs
Form:
books
books
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Summary:
Naoya Hatakeyama écrit son journal de bord, en route vers le Nord du Japon, vers sa ville natale, après l’annonce du tsunami qui a submergé la côte le 11 Mars 2011. Il se souvient des moments paisibles, avant de découvrir l’étendue du désastre. Kesengawa', construit sur les images avant et après la catastrophe, est à la fois un documentaire intime et une ouverture(...)
$65.95
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Summary:
Naoya Hatakeyama écrit son journal de bord, en route vers le Nord du Japon, vers sa ville natale, après l’annonce du tsunami qui a submergé la côte le 11 Mars 2011. Il se souvient des moments paisibles, avant de découvrir l’étendue du désastre. Kesengawa', construit sur les images avant et après la catastrophe, est à la fois un documentaire intime et une ouverture(...)
Title:
Naoya Hatakeyama : Kesengawa, towards the Kesen river
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Naoya Hatakeyama écrit son journal de bord, en route vers le Nord du Japon, vers sa ville natale, après l’annonce du tsunami qui a submergé la côte le 11 Mars 2011. Il se souvient des moments paisibles, avant de découvrir l’étendue du désastre. Kesengawa', construit sur les images avant et après la catastrophe, est à la fois un documentaire intime et une ouverture philosophique sur la mémoire survivante.
Naoya Hatakeyama : Kesengawa, towards the Kesen river
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Summary:
Naoya Hatakeyama écrit son journal de bord, en route vers le Nord du Japon, vers sa ville natale, après l’annonce du tsunami qui a submergé la côte le 11 Mars 2011. Il se souvient des moments paisibles, avant de découvrir l’étendue du désastre. Kesengawa', construit sur les images avant et après la catastrophe, est à la fois un documentaire intime et une ouverture philosophique sur la mémoire survivante.
Form:
books
books
Publication:
November 2013
November 2013
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Naoya Hatakeyama : Terrils
Naoya Hatakeyama : Terrils
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L’origine du mot 'Terril' est assez mystérieuse et divise les historiens.Sa force sonore figure bien la terre extraite, élevée. Comme des blocs de mémoire, leurs silhouettes scandent le paysage du bassin minier Nord-Pas-de-Calais.Artiste sensible aux transformations géographiques et industrielles, Naoya Hatakeyama a sillonné en 2009 ces grands espaces à fleur de ciel. Le(...)
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L’origine du mot 'Terril' est assez mystérieuse et divise les historiens.Sa force sonore figure bien la terre extraite, élevée. Comme des blocs de mémoire, leurs silhouettes scandent le paysage du bassin minier Nord-Pas-de-Calais.Artiste sensible aux transformations géographiques et industrielles, Naoya Hatakeyama a sillonné en 2009 ces grands espaces à fleur de ciel. Le(...)
Title:
Naoya Hatakeyama : Terrils
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L’origine du mot 'Terril' est assez mystérieuse et divise les historiens.Sa force sonore figure bien la terre extraite, élevée. Comme des blocs de mémoire, leurs silhouettes scandent le paysage du bassin minier Nord-Pas-de-Calais.Artiste sensible aux transformations géographiques et industrielles, Naoya Hatakeyama a sillonné en 2009 ces grands espaces à fleur de ciel. Le terril, souvent ignoré ou contourné, reprend la place centrale dans les paysages transmis par Naoya Hatakeyama. Dressé sur le plat pays, il agit comme un appel, un sursaut imaginaire.
Naoya Hatakeyama : Terrils
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L’origine du mot 'Terril' est assez mystérieuse et divise les historiens.Sa force sonore figure bien la terre extraite, élevée. Comme des blocs de mémoire, leurs silhouettes scandent le paysage du bassin minier Nord-Pas-de-Calais.Artiste sensible aux transformations géographiques et industrielles, Naoya Hatakeyama a sillonné en 2009 ces grands espaces à fleur de ciel. Le terril, souvent ignoré ou contourné, reprend la place centrale dans les paysages transmis par Naoya Hatakeyama. Dressé sur le plat pays, il agit comme un appel, un sursaut imaginaire.
Form:
books
books
Publication:
November 2011
November 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$79.00
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Summary:
For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it(...)
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Summary:
For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it(...)
Title:
Naoya Hatakeyama : excavating the future city
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For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it is quarried via explosive blasts and subsequently incorporated into the construction of new buildings.These photographs hauntingly embody the death and rebirth of the city, manifesting a deeply personal connection to the ongoing intersection of geology, architecture, and time.
Naoya Hatakeyama : excavating the future city
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Summary:
For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it is quarried via explosive blasts and subsequently incorporated into the construction of new buildings.These photographs hauntingly embody the death and rebirth of the city, manifesting a deeply personal connection to the ongoing intersection of geology, architecture, and time.
Form:
books
books
Publication:
April 2018
April 2018
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Scales Naoya Hatakeyama
Scales Naoya Hatakeyama
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What if someone looked at an actual building and said, “That model is very large”? Scales is the result of a commission by the Canadian Centre for Architecture (CCA), Montréal, given to Naoya Hatakeyama to create a work in response to photographs of architectural models in the Collection. The commission was issued in the context of the Tangent project curated for the CCA(...)
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Summary:
What if someone looked at an actual building and said, “That model is very large”? Scales is the result of a commission by the Canadian Centre for Architecture (CCA), Montréal, given to Naoya Hatakeyama to create a work in response to photographs of architectural models in the Collection. The commission was issued in the context of the Tangent project curated for the CCA(...)
Title:
Scales Naoya Hatakeyama
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What if someone looked at an actual building and said, “That model is very large”? Scales is the result of a commission by the Canadian Centre for Architecture (CCA), Montréal, given to Naoya Hatakeyama to create a work in response to photographs of architectural models in the Collection. The commission was issued in the context of the Tangent project curated for the CCA by Hubertus von Amelunxen. Tangent is a project constructed to bring contemporary artists into dialogue with the CCA's extraordinary collection. As described by von Amelunxen, the camera's eye, once it is trained on an architectural subject, acts as a tangent that touches a volume, a tangent that in turn undergoes a new tangential translation as it meets the gaze of a contemporary artist.
Scales Naoya Hatakeyama
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$49.95
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What if someone looked at an actual building and said, “That model is very large”? Scales is the result of a commission by the Canadian Centre for Architecture (CCA), Montréal, given to Naoya Hatakeyama to create a work in response to photographs of architectural models in the Collection. The commission was issued in the context of the Tangent project curated for the CCA by Hubertus von Amelunxen. Tangent is a project constructed to bring contemporary artists into dialogue with the CCA's extraordinary collection. As described by von Amelunxen, the camera's eye, once it is trained on an architectural subject, acts as a tangent that touches a volume, a tangent that in turn undergoes a new tangential translation as it meets the gaze of a contemporary artist.
Form:
books
books
Publication:
September 2007, Montréal
September 2007, Montréal
Subject:
CCA Publications
CCA Publications
