$40.00
(available to order)
Summary:
The Nose, one of Nikolai Gogol's most important and influential tales, is now available in this volume illustrated with photographs by British artist Rick Buckley. Taking on a life of its own, the nose of a St Petersburg official leaves its rightful place to cause havoc in the city. The novel ends with the author seemingly addressing the reader directly, refusing to(...)
The nose
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Price:
$40.00
(available to order)
Summary:
The Nose, one of Nikolai Gogol's most important and influential tales, is now available in this volume illustrated with photographs by British artist Rick Buckley. Taking on a life of its own, the nose of a St Petersburg official leaves its rightful place to cause havoc in the city. The novel ends with the author seemingly addressing the reader directly, refusing to resolve the story he has narrated. Written between 1835 and 1836, and a key precursor to absurdist and Magical Realist strains in 20th-century fiction, this fantastic tale is extended in Buckley's photographs, which document a Gogol-inspired street intervention for which he fixed plaster noses on to buildings all over London.
Architecture and the imaginary
The overcoat
$50.00
(available to order)
Summary:
This edition of Nikolai Gogol's The Overcoat (a short story originally published in 1842) includes newly commissioned artwork from Sarah Dobai. This influential story - in which a lowly government clerk's life is briefly transformed by the extravagant purchase of a new coat - has been adapted into a variety of stage and film interpretations. Artist, filmmaker and(...)
The overcoat
Actions:
Price:
$50.00
(available to order)
Summary:
This edition of Nikolai Gogol's The Overcoat (a short story originally published in 1842) includes newly commissioned artwork from Sarah Dobai. This influential story - in which a lowly government clerk's life is briefly transformed by the extravagant purchase of a new coat - has been adapted into a variety of stage and film interpretations. Artist, filmmaker and photographer Sarah Dobai responds to the story's preoccupation with material desire and illusion; the text is printed alongside her photographs of shop windows in London and Paris, showing ready-made still lifes of merchandise and mannequins in window displays.
Architecture and the imaginary