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Né d’une démarche originale, ce lexique visuel vous permettra de découvrir, de comprendre et d’apprécier les bâtiments qui nous entourent. Cette nouvelle édition est enrichie des dernières innovations architecturales. Des photographies couleur et des dessins annotés illustrent et détaillent chaque type d’édifice, leurs structures, leurs matériaux et leurs détails(...)
January 2023
Lire l'architecture : lexique visuel 2e éd.
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Né d’une démarche originale, ce lexique visuel vous permettra de découvrir, de comprendre et d’apprécier les bâtiments qui nous entourent. Cette nouvelle édition est enrichie des dernières innovations architecturales. Des photographies couleur et des dessins annotés illustrent et détaillent chaque type d’édifice, leurs structures, leurs matériaux et leurs détails architecturaux. Tous les grands types et styles de bâtiments sont abordés : des cathédrales aux gratte-ciel, de l’Antiquité à l’époque contemporaine. Un glossaire des termes architecturaux essentiels vient compléter l’ouvrage.
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This book casts a detailed look at the wide range of buildings constructed in Britain between 1945 and 1979. Although their bold architectural aspirations reflected the forward-looking social ethos of the postwar era, many of these structures have since been either demolished or altered beyond recognition. In this volume, photographs taken at the time of the buildings’(...)
Lost futures: the disappearing architecture of post-war Britain
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This book casts a detailed look at the wide range of buildings constructed in Britain between 1945 and 1979. Although their bold architectural aspirations reflected the forward-looking social ethos of the postwar era, many of these structures have since been either demolished or altered beyond recognition. In this volume, photographs taken at the time of the buildings’ completion are accompanied by expert research examining their design and creation, the ideals they embodied and the reasons for their eventual destruction.
Brutalism
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Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane(...)
AD Multispace: Architecture at the dawn of the metaverse
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Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane whilst racing against thousands of others who also use the Strava app; when we are watching a TV show while live tweeting; or, perhaps most literally, when wandering around the local park looking for creatures that only appear on a smartphone screen. A fundamental question of this AD is why the phenomena that multispace describes are of concern to architects. The answer is that multispace points to a situation that is at root an architectural one. Offering both a collective and highly personalised experience, static and dynamically customisable, and above all at the same time public and private, multispace lies at the centre of a set of tensions, concerns and preoccupations at the core of our conception of architecture as theory and practice. It is the messy space between, with rough and uneven edges that are constantly shifting.
Magazines
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This innovative and unique book is a visual guide to the buildings that surround us, naming all the visible architectural features so that, unlike other architectural dictionaries, the reader doesn't have to know the name before looking it up.
February 2012
Reading architecture: a visual lexicon
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This innovative and unique book is a visual guide to the buildings that surround us, naming all the visible architectural features so that, unlike other architectural dictionaries, the reader doesn't have to know the name before looking it up.
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Hawksmoor wasn’t always appreciated, however: for decades after his death, he was seen as at best a second-rate talent. From the Shadows tells the story of the resurrection of his reputation, showing how over the years his work was ignored, abused, and altered—and, finally, recovered and celebrated. It is a story of the triumph of talent and of the power of appreciative(...)
From the shadows: the architecture and afterlife of Nicholas Hawksmoor
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Hawksmoor wasn’t always appreciated, however: for decades after his death, he was seen as at best a second-rate talent. From the Shadows tells the story of the resurrection of his reputation, showing how over the years his work was ignored, abused, and altered—and, finally, recovered and celebrated. It is a story of the triumph of talent and of the power of appreciative admirers like T. S. Eliot, James Stirling, Robert Venturi, and Peter Ackroyd, all of whom played a role in the twentieth-century recovery of Hawksmoor’s reputation.
Architectural Theory
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Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the(...)
Architectural styles: a visual guide
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Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the classical age to the present day.
History since 1900, Reference Books
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This book takes its subtitle from Postmodernist icon Robert Venturi's spirited response to Mies van der Rohe's dictum that ‘less is more'. One of the 20th century's most controversial styles, Postmodernism began in the 1970s, reached a fever pitch of eclectic non-conformity in the 1980s and 90s, and after nearly 40 years is now enjoying a newfound popularity. 'Postmodern(...)
Postmodern architecture: less is a bore
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This book takes its subtitle from Postmodernist icon Robert Venturi's spirited response to Mies van der Rohe's dictum that ‘less is more'. One of the 20th century's most controversial styles, Postmodernism began in the 1970s, reached a fever pitch of eclectic non-conformity in the 1980s and 90s, and after nearly 40 years is now enjoying a newfound popularity. 'Postmodern Architecture' showcases examples of the movement in a rainbow of hues and forms from around the globe.
Post-modernism
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This book is split into six chapters that proceed more or less chronologically. It begins by exploring the origins of the museum both as a cultural phenomenon and as a particular type of space. Central to this, as the first chapter explores, was the ‘princely collection’, that is, collections of painting and sculpture assembled by royalty and the nobility across Europe(...)
The Museum : from its origins to the 21st century
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This book is split into six chapters that proceed more or less chronologically. It begins by exploring the origins of the museum both as a cultural phenomenon and as a particular type of space. Central to this, as the first chapter explores, was the ‘princely collection’, that is, collections of painting and sculpture assembled by royalty and the nobility across Europe that began during the Renaissance and continued during the seventeenth and eighteenth centuries. Although varying both in extent and artistic focus, the motivations driving the establishing of these early collections generally derived from their creators’ desires to fashion learned and enlightened images of themselves and their courts. With some exceptions, admission to these collections was limited to the social elite and those that they were trying to impress. The idea that collections should be open to a wider social group began to emerge during the eighteenth century with the advent of the wunderkammer, or cabinet of curiosities. These contained not just works of art, but all manner of objects, from natural history specimens to religious or cult artefacts, and everything in between.
Museums and Universal Exhibitions
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Guide visuel permettant de décrypter l'architecture de tout bâtiment, cet ouvrage tout en photos, en dessins techniques et en couleurs recense non seulement les différents types de bâtiments (du temple classique aux constructions les plus récentes) mais aussi leurs structures (des colonnes et piliers aux armatures métalliques) ou encore leurs différents éléments (murs et(...)
Lire l'architecture: lexique visuel
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Guide visuel permettant de décrypter l'architecture de tout bâtiment, cet ouvrage tout en photos, en dessins techniques et en couleurs recense non seulement les différents types de bâtiments (du temple classique aux constructions les plus récentes) mais aussi leurs structures (des colonnes et piliers aux armatures métalliques) ou encore leurs différents éléments (murs et surfaces, portes et fenêtres, toitures et escaliers).
Dictionaries
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Si vous vous êtes déjà demandé comment reconnaître au premier coup d'oeil le style d'un bâtiment ou ce qui distingue le gothique rayonnant du gothique flamboyant, ce guide visuel est fait pour vous. Avec près de 300 photos, il dresse un panorama des grandes périodes de l'architecture et de leurs styles. Chacun d'eux est défini en fonction de spécificités communes(...)
April 2024
Les styles en architecture : guide visuel
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Si vous vous êtes déjà demandé comment reconnaître au premier coup d'oeil le style d'un bâtiment ou ce qui distingue le gothique rayonnant du gothique flamboyant, ce guide visuel est fait pour vous. Avec près de 300 photos, il dresse un panorama des grandes périodes de l'architecture et de leurs styles. Chacun d'eux est défini en fonction de spécificités communes (formelles, géographiques, culturelles ou idéologiques) puis identifié grâce à six caractéristiques clés (un certain type de fenêtre ou de moulure décorative, un choix spécifique de matériaux...), toutes illustrées par un édifice emblématique.