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Hunch 11 looks at representational labels from species (figure, logo, image, icon, diagram) to techniques (application, enlargement) to activities (practice, politics and work). As we've come to expect, Hunch delves deeply into the theories, meanings and practices of architecture and urbanism, providing a moveable feast of ideas.
Hunch 11: rethinking representation
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Hunch 11 looks at representational labels from species (figure, logo, image, icon, diagram) to techniques (application, enlargement) to activities (practice, politics and work). As we've come to expect, Hunch delves deeply into the theories, meanings and practices of architecture and urbanism, providing a moveable feast of ideas.
Magazines, Back Issues
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"Flat Out 1" yields unlikely connections between subjects as diverse as lists, numbers, chairs, and death. In “Dear Renato,” The Challenger writes a letter to Italian architect Renato Rizzi on the darkness of his Shakespeare Theater. The Genealogist, in “Get the Door, It’s Domino’s,” dives into the pizza company’s trophy awards for architects. The Mortician prepares New(...)
Flat Out : claims on architecture from an unlikely cast
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"Flat Out 1" yields unlikely connections between subjects as diverse as lists, numbers, chairs, and death. In “Dear Renato,” The Challenger writes a letter to Italian architect Renato Rizzi on the darkness of his Shakespeare Theater. The Genealogist, in “Get the Door, It’s Domino’s,” dives into the pizza company’s trophy awards for architects. The Mortician prepares New Brutalism for the afterlife, while The Graphic Essayist fills columns with new orders. In “Easier Done than Said” an editorial board member appears as The Cameo to make much ado about the reception of the inaugural Chicago Architectural Biennial. The cast for this issue features (in order of appearance) Pier Paolo Tamburelli, Jayne Kelley, Alexander Eisenschmidt, Sam Jacob, Robert Bruegmann, Paul Andersen, Jon Langford, Ellen Grimes, John McMorrough, Ania Jaworska, Zehra Ahmed, R. E. Somol, Penelope Dean, and Julia Di Castri. Character portraits are by Cody Hudson.
Magazines
Hunch 9 2005 : disciplines
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"Hunch 9" asserts a broad disciplinary claim regarding architectural publications generally: it is not the quantities of publications that are a problem, but rather their consistent failure to present lines of reasoning. This inadequacy will be addressed by disciplining the issue : by organizing projects, lectures, interviews and essays into a set of arguments about(...)
Hunch 9 2005 : disciplines
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"Hunch 9" asserts a broad disciplinary claim regarding architectural publications generally: it is not the quantities of publications that are a problem, but rather their consistent failure to present lines of reasoning. This inadequacy will be addressed by disciplining the issue : by organizing projects, lectures, interviews and essays into a set of arguments about 'disciplines'. 'Return' will discuss the current erosion of architecture's disciplinary distinctions; 'Resonate' will examine the perspectives of other disciplines such as music, money, planning and film; 'Reason' will trace theoretical precedents for architectural autonomy, expertise, and education; 'Realize' will make connections between theory and practices through Berlage research-production processes, construction technology, form and precedent; and 'Relay' will expose the various disciplinary transfers in and out of architectural practice. Texts for this issue include essays and lectures by Brian Eno, Jeff Kipnis, Bernard Cache, Lieven de Cauter, Mark Linder, Alejandro Zaera-Polo, Richard Sennett, Paul Morrell, Helene Furján, Peter Trummer, Ronald Wall, Rem Koolhaas, a master class by Greg Lynn, a studio with Salvador Perez Arroyo and an interview with R.E. Somol. Graphic design : Mick Morsink.
Magazines
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Flat Out 3 (Fall 2018) plots an escape from the incessant demands and feedback loops of the present, calling forward alternative futures via flat-earth conspiracy theories, productive working relationships, Bertolt Brecht's fascination with Chicago, and punching bags.
Flat Out 3 : claims on architecture from an unlikely cast
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Flat Out 3 (Fall 2018) plots an escape from the incessant demands and feedback loops of the present, calling forward alternative futures via flat-earth conspiracy theories, productive working relationships, Bertolt Brecht's fascination with Chicago, and punching bags.
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Architectural discourse today is characterized by an overlapping conversation between architects and academics, teachers and students, theorists and practitioners. Certain terms-"diagram, " "extreme form, " "autonomy, " and "the generic, " among others-capture the moment in architecture in definition and in operation. "Crib sheets" is a guide-a "crib"-to twenty-two of(...)
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June 2005, New York
Crib sheets : notes on thecontemporary architectural conversation
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Architectural discourse today is characterized by an overlapping conversation between architects and academics, teachers and students, theorists and practitioners. Certain terms-"diagram, " "extreme form, " "autonomy, " and "the generic, " among others-capture the moment in architecture in definition and in operation. "Crib sheets" is a guide-a "crib"-to twenty-two of those buzzwords, framing contemporary currents and trajectories. Each of the words is presented with a list of quotations, or sound bites, arranged in order of length and drawn from more than two hundred commentators, from Charles Baudelaire, Le Corbusier, and Buckminster Fuller to Frank Gehry, Paul Goldberger, and Rem Koolhaas. The structure attempts to evoke the present-day architectural conversation, capturing social milieus, current events, clusters of topics, and even background noise and eavesdropping.
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"Flat Out" 2 delves into disaster, ghost towns, domesticity, and exhibition reviews.The Cameo grasps at elusive visuals in “Get It, While You Can.” The Muckraker exposes a trifecta of blunders besieging Sydney’s urban future in “All Hollowed Out.” The Odd Couple, in “Books, Piles, and Wrinkled Sheets,” debate the significance of Kinfolk’s portraits of “slow living.” The(...)
Flat Out 2 : claims on architecture from an unlikely cast
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"Flat Out" 2 delves into disaster, ghost towns, domesticity, and exhibition reviews.The Cameo grasps at elusive visuals in “Get It, While You Can.” The Muckraker exposes a trifecta of blunders besieging Sydney’s urban future in “All Hollowed Out.” The Odd Couple, in “Books, Piles, and Wrinkled Sheets,” debate the significance of Kinfolk’s portraits of “slow living.” The Political Economist takes a close look at the ground game behind the Obama presidential library, while The Talent Agent pays homage to Iannis Xenakis’s House in Amorgos, and The Scorekeeper gives Toyo Ito’s Taichung Metropolitan Opera House four stars. The cast for this issue features (in order of appearance) Mark Linder, R. E. Somol, Jon Yoder, Ben Nicholson, José Aragüez, Renato Rizzi, Scott Colman, Ellen Grimes, Eric Gordon, Grant Gibson, Fabrizio Gallanti, Sophia Vyzoviti, Julia Capomaggi, and Penelope Dean. Character portraits are by Tom Bachtell.