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Summary:
Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or “spirit of the age,” an attitude toward architectural form that is embedded in a belief in progressive time. 'Lateness' explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect(...)
Lateness
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$38.95
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Summary:
Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or “spirit of the age,” an attitude toward architectural form that is embedded in a belief in progressive time. 'Lateness' explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be “of the times”—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven’s final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment.
Architectural Theory
Palladio virtuel
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Working from an architect’s perspective, Eisenman, with Matt Roman, shows the evolution of Palladio’s villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape. This conclusion stands in stark contrast to studies that emphasize principles of ideal symmetry and proportion in Palladio’s(...)
Palladio virtuel
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$79.95
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Summary:
Working from an architect’s perspective, Eisenman, with Matt Roman, shows the evolution of Palladio’s villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape. This conclusion stands in stark contrast to studies that emphasize principles of ideal symmetry and proportion in Palladio’s work. Featuring more than 300 new analytic drawings and models, this book is an important addition to the corpus of Palladian studies and a testament to Palladio’s lasting place in contemporary architectural thought.
Architecture Monographs