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Catalogue. Oeuvres de Christophe Bouguedieu, Yves Trémorin, Joachim Mogarra, Pierre-Étienne Morelle, Dans le champ des étoiles, Brassaï.
Theory of Photography
January 2006
Images au centre 05 : photographie, vidéo & patrimoine
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Catalogue. Oeuvres de Christophe Bouguedieu, Yves Trémorin, Joachim Mogarra, Pierre-Étienne Morelle, Dans le champ des étoiles, Brassaï.
Theory of Photography
$90.00
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The Museum of Modern Art has one of the greatest collections of 20th-century photography in the world. As one of three volumes dedicated to a new history of photography published by the Museum, this publication comprises a comprehensive catalogue of the collection post-1960s and brings much-needed new critical perspective to the most prominent artists working with the(...)
Photography at MoMA: 1960 to now
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The Museum of Modern Art has one of the greatest collections of 20th-century photography in the world. As one of three volumes dedicated to a new history of photography published by the Museum, this publication comprises a comprehensive catalogue of the collection post-1960s and brings much-needed new critical perspective to the most prominent artists working with the photographic medium of the late 20th and early 21st centuries. At a moment when photography is undergoing fast-paced changes and artists are seeking to redefine its boundaries in new and exciting ways, Photography at MoMA serves as a resource for understanding the expanded field of contemporary photography today.
Photography Collections
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Le 7 janvier 1839, le physicien François Arago, lors d'une séance de l'Académie des sciences de Paris, présente un nouveau procédé permettant de reproduire de manière mécanique et chimique, sans intervention manuelle, les images qui se forment dans la chambre obscure : le daguerréotype, marquant ainsi la naissance officielle de la photographie. Image unique, sur plaque(...)
Theory of Photography
May 2003, Paris
Le daguerréotype français : un objet photographique
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Le 7 janvier 1839, le physicien François Arago, lors d'une séance de l'Académie des sciences de Paris, présente un nouveau procédé permettant de reproduire de manière mécanique et chimique, sans intervention manuelle, les images qui se forment dans la chambre obscure : le daguerréotype, marquant ainsi la naissance officielle de la photographie. Image unique, sur plaque de cuivre recouverte d'argent, aux reflets changeants, polie, et souvent réfléchissante comme un miroir, l'invention de Daguerre devait définitivement modifier le regard posé sur le monde et ses représentations, artistiques comme scientifiques. C'est bien cet un art nouveau au milieu d'une vieille civilisation », selon les propres termes du savant Gay-Lussac en 1839, que l'exposition et cet ouvrage entendent faire découvrir en s'attachant à la production française, dans toute sa diversité.
Theory of Photography
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L'auteur vous invite à explorer les limites et les avancées des cinquante premières années en photographie et montre aussi comment certains des plus grands photographes de l'époque entendentla faire reconnaître comme un art.
L'image révélée : l'invention de la photographie
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L'auteur vous invite à explorer les limites et les avancées des cinquante premières années en photographie et montre aussi comment certains des plus grands photographes de l'époque entendentla faire reconnaître comme un art.
Theory of Photography
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Après quatre décennies d'expérimentation qui ont ouvert le nouvel art de la photographie à tous les registres de la représentation, survivent en 1880 une révolution technique : le gélatino-bromure d'argent permet de passer de la photographie posée à la photographie instantanée. Des balbutiements des premiers appareils poortables dans les années 1880 à la mythification de(...)
La photographie : l'époque moderne, 1880-1960
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Après quatre décennies d'expérimentation qui ont ouvert le nouvel art de la photographie à tous les registres de la représentation, survivent en 1880 une révolution technique : le gélatino-bromure d'argent permet de passer de la photographie posée à la photographie instantanée. Des balbutiements des premiers appareils poortables dans les années 1880 à la mythification de «l'instant décisif» de Cartier-Bresson dans les années 1950, Quentin Bajac en explore les grandes tendances.
Theory of Photography
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Between 2007 and 2009, Chancel made several visits to the United Arab Emirates, and found a country overwhelming in its architectural giganticism and astounding in its determination to domesticate a hostile environment. The resultant feeling of artifice is ubiquitous: the desert grows green, seawater is desalinated and new islands rise out of the sea. Moving from one(...)
Philippe Chancel: desert spirit
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Between 2007 and 2009, Chancel made several visits to the United Arab Emirates, and found a country overwhelming in its architectural giganticism and astounding in its determination to domesticate a hostile environment. The resultant feeling of artifice is ubiquitous: the desert grows green, seawater is desalinated and new islands rise out of the sea. Moving from one air-conditioned space to another, from apartment to limousine, from limousine to shopping mall, from shopping mall to theme park, Chancel found irresistible pictures to take at every turn. Under his gaze, the United Arab Emirates is laid bare as the realization of the consumer society ideal, in which humans exist in a wholly manmade domain. With his characteristic frontal, distanced framing, devoid of judgment and emotion, Chancel portrays a country that is at once baffling and fascinating.
Photography monographs
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The history of photography has been told many times, but never before through the incomparable collection of photographs at The Museum of Modern Art. As the second volume in a set of three books that together present a new and comprehensive history of photography through works from MoMA’s collection, this publication charts the medium during the height of the modernist(...)
Photography Collections
November 2016
Photography at MoMA: 1920 to 1960
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The history of photography has been told many times, but never before through the incomparable collection of photographs at The Museum of Modern Art. As the second volume in a set of three books that together present a new and comprehensive history of photography through works from MoMA’s collection, this publication charts the medium during the height of the modernist period, from 1920 to 1960.
Photography Collections
$65.00
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This survey explores 60 photographs from the collection of The Museum of Modern Art, all acquired with the support of Robert B. Menschel and meticulously selected for the book by the museum’s chief curator of photography, Quentin Bajac. Ranging from the contemporary artist Andreas Gursky to William Henry Fox Talbot, one of the medium’s founding figures, these works(...)
Photography Collections
August 2016
The shape of things: Photographs from Robert B. Menschel, Museum of Modern Art
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This survey explores 60 photographs from the collection of The Museum of Modern Art, all acquired with the support of Robert B. Menschel and meticulously selected for the book by the museum’s chief curator of photography, Quentin Bajac. Ranging from the contemporary artist Andreas Gursky to William Henry Fox Talbot, one of the medium’s founding figures, these works collectively tell the story of photography from its beginnings, but upend and newly illuminate that story through their arrangement in reverse chronological order.
Photography Collections
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The pictures included in this envelope is Andrea Ferrari’s first major publication. The project was shortlisted for the European Publishers Award and later for the Kassel Dummy Award in 2013.The work is a visual investigation of a series of objects, photographs and memorabilia found in the house of an unknown Milanese chemist.
The pictures included in this envelope
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The pictures included in this envelope is Andrea Ferrari’s first major publication. The project was shortlisted for the European Publishers Award and later for the Kassel Dummy Award in 2013.The work is a visual investigation of a series of objects, photographs and memorabilia found in the house of an unknown Milanese chemist.
Photography monographs