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Form:
books
books
Price:
$72.95
(available to order)
Summary:
Scholars have long known that Chaucer read and was influenced by Dante, but they have debated the effect Dante had on Chaucer's poetry. In this book, the author demonstrates that Chaucer's reaction to The Divine Comedy shaped the most fondamental aspects of his poetic art - the way he handles time within his stories, his attitudes toward language and authority, and above(...)
$72.95
(available to order)
Summary:
Scholars have long known that Chaucer read and was influenced by Dante, but they have debated the effect Dante had on Chaucer's poetry. In this book, the author demonstrates that Chaucer's reaction to The Divine Comedy shaped the most fondamental aspects of his poetic art - the way he handles time within his stories, his attitudes toward language and authority, and above(...)
Subject:
Critical Theory
Critical Theory
Publication:
January 1900, Stanford
January 1900, Stanford
Title:
The poetry of allusion: Virgil and Ovid in Dante's 'Commedia'
Actions:
Price:
$72.95
(available to order)
Summary:
Scholars have long known that Chaucer read and was influenced by Dante, but they have debated the effect Dante had on Chaucer's poetry. In this book, the author demonstrates that Chaucer's reaction to The Divine Comedy shaped the most fondamental aspects of his poetic art - the way he handles time within his stories, his attitudes toward language and authority, and above all, his presentation of the credibility of his fictional worlds, which she terms 'narrative authentication.'
The poetry of allusion: Virgil and Ovid in Dante's 'Commedia'
Actions:
Price:
$72.95
(available to order)
Summary:
Scholars have long known that Chaucer read and was influenced by Dante, but they have debated the effect Dante had on Chaucer's poetry. In this book, the author demonstrates that Chaucer's reaction to The Divine Comedy shaped the most fondamental aspects of his poetic art - the way he handles time within his stories, his attitudes toward language and authority, and above all, his presentation of the credibility of his fictional worlds, which she terms 'narrative authentication.'
Form:
books
books
Publication:
January 1900, Stanford
January 1900, Stanford
Subject:
Critical Theory
Critical Theory
