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Summary:
Curators of architecture exhibitions are often concerned with the problem of how to present objects that ultimately cannot be brought into the exhibition space. Such shows are often difficult for lay audiences to interpret little focus is placed on communication. However, there are also architecture exhibits that concentrate on communicating an experience, making it(...)
Displayed spaces: new means of architecture presentation through exhibitions
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Summary:
Curators of architecture exhibitions are often concerned with the problem of how to present objects that ultimately cannot be brought into the exhibition space. Such shows are often difficult for lay audiences to interpret little focus is placed on communication. However, there are also architecture exhibits that concentrate on communicating an experience, making it possible to build an intense relationship between the audience and the content on display. The result of a research project organized in 2013 by the faculty of Design and Art of the Free University of Bozen Bolzano, Displayed Spaces focuses on the question of how spaces might communicate architectural ideas in a redevelopment project and its accompanying exhibition proposed for the city of Bolzano, Italy.
Museology
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Summary:
The concept of unheimlich, translated into english with the term uncanny, contains in its semantic complexity the same sense of impotence and disorientation that we feel when, visiting a place for the first time, we find ourselves in front of elements that seem familiar to us. This feeling triggers in us contrasting reactions like calm and fear. Recalling dreamlike(...)
Das unheimliche: Giaime Meloni
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$56.95
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Summary:
The concept of unheimlich, translated into english with the term uncanny, contains in its semantic complexity the same sense of impotence and disorientation that we feel when, visiting a place for the first time, we find ourselves in front of elements that seem familiar to us. This feeling triggers in us contrasting reactions like calm and fear. Recalling dreamlike situations in which reality and fiction are intertwined, the project is inspired by the aesthetic concept, that Sigmund Freud explored in the 1919 essay 'Das unheimliche'. When the labyrinthine space of the children’s Colony in the former Eni village at Corte di Cadore is investigated through the lens of this concept, we question the restless familiarity of this place: 'Have I been here before?'.
Photography monographs