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journals and magazines
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content(...)
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Summary:
Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content(...)
Title:
Cabinet 16: the sea, winter 2005
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular columns, essays, interviews, and special artist projects, Cabinet's hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal. Playful and serious, exuberant and committed, Cabinet's omnivorous appetite for understanding the world makes each of its issues a valuable sourcebook of ideas for a wide range of readers, from artists and designers to scientists and historians. In an age of increasing specialization, Cabinet looks to previous models of the well-rounded thinker to forge a new type of magazine for the intellectually curious reader of the future.
Cabinet 16: the sea, winter 2005
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular columns, essays, interviews, and special artist projects, Cabinet's hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal. Playful and serious, exuberant and committed, Cabinet's omnivorous appetite for understanding the world makes each of its issues a valuable sourcebook of ideas for a wide range of readers, from artists and designers to scientists and historians. In an age of increasing specialization, Cabinet looks to previous models of the well-rounded thinker to forge a new type of magazine for the intellectually curious reader of the future.
Form:
journals and magazines
journals and magazines
Publication:
January 2005, New York
January 2005, New York
Subject:
Magazines
Magazines
Form:
books
books
Title:
Cabinet 14: doubles,
Cabinet 14: doubles,
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content(...)
$11.00
(available to order)
Summary:
Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content(...)
Title:
Cabinet 14: doubles,
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$11.00
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Summary:
Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular columns, essays, interviews, and special artist projects, Cabinet's hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal. Playful and serious, exuberant and committed, Cabinet's omnivorous appetite for understanding the world makes each of its issues a valuable sourcebook of ideas for a wide range of readers, from artists and designers to scientists and historians. In an age of increasing specialization, Cabinet looks to previous models of the well-rounded thinker to forge a new type of magazine for the intellectually curious reader of the future.
Cabinet 14: doubles,
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Summary:
Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular columns, essays, interviews, and special artist projects, Cabinet's hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal. Playful and serious, exuberant and committed, Cabinet's omnivorous appetite for understanding the world makes each of its issues a valuable sourcebook of ideas for a wide range of readers, from artists and designers to scientists and historians. In an age of increasing specialization, Cabinet looks to previous models of the well-rounded thinker to forge a new type of magazine for the intellectually curious reader of the future.
Form:
books
books
Publication:
February 2004, New York
February 2004, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Cabinet 46: punishment
Cabinet 46: punishment
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From the rule of "an eye for an eye" in the Code of Hammurabi and the Old Testament to the rise of the reforming "penitentiary" in the nineteenth century, from Kant's notion of the right of retaliation to historical-philosophical explorations by Michel Foucault and John Rawls, the question of punishment has long been central to religious, political and philosophical(...)
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From the rule of "an eye for an eye" in the Code of Hammurabi and the Old Testament to the rise of the reforming "penitentiary" in the nineteenth century, from Kant's notion of the right of retaliation to historical-philosophical explorations by Michel Foucault and John Rawls, the question of punishment has long been central to religious, political and philosophical(...)
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Cabinet 46: punishment
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From the rule of "an eye for an eye" in the Code of Hammurabi and the Old Testament to the rise of the reforming "penitentiary" in the nineteenth century, from Kant's notion of the right of retaliation to historical-philosophical explorations by Michel Foucault and John Rawls, the question of punishment has long been central to religious, political and philosophical discourse. Cabinet issue 46, with a special section on Punishment, features Gregory Whitehead on the legacy of Philip Zimbardo's controversial "prison experiments" at Stanford University; Justin E.H. Smith on punishment and sacrifice; Johan Lindqvist on music and torture; and a multi-generational conversation about corporal punishment in the home. Elsewhere in the issue: an interview with Robert N. Proctor on how diamonds were made into the most precious of gems; George Prochnik on the history of tattoos; and Marius Kwint on the Cornell Brain Club.
Cabinet 46: punishment
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From the rule of "an eye for an eye" in the Code of Hammurabi and the Old Testament to the rise of the reforming "penitentiary" in the nineteenth century, from Kant's notion of the right of retaliation to historical-philosophical explorations by Michel Foucault and John Rawls, the question of punishment has long been central to religious, political and philosophical discourse. Cabinet issue 46, with a special section on Punishment, features Gregory Whitehead on the legacy of Philip Zimbardo's controversial "prison experiments" at Stanford University; Justin E.H. Smith on punishment and sacrifice; Johan Lindqvist on music and torture; and a multi-generational conversation about corporal punishment in the home. Elsewhere in the issue: an interview with Robert N. Proctor on how diamonds were made into the most precious of gems; George Prochnik on the history of tattoos; and Marius Kwint on the Cornell Brain Club.
Form:
books
books
Publication:
September 2012
September 2012
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Cabinet 47 : logistics
Cabinet 47 : logistics
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New issue in store / nouveauté en librairie
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New issue in store / nouveauté en librairie
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Cabinet 47 : logistics
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New issue in store / nouveauté en librairie
Cabinet 47 : logistics
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New issue in store / nouveauté en librairie
Form:
journals and magazines
journals and magazines
Publication:
January 2012
January 2012
Subject:
Magazines
Magazines
Form:
books
books
Title:
Cabinet 45: Games
Cabinet 45: Games
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In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D.(...)
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Summary:
In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D.(...)
Title:
Cabinet 45: Games
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In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D. Graham Burnett on games played by game theorists; Barbara Levine and Jessica Helfand on dexterity games; James Trainor on the lost world of “adventure” playgrounds; Dana Katz on Brian Eno and Peter Schmidt’s “Oblique Strategies”; an interview with Bertell Ollman, inventor of the board game “Class Struggle”; and Jeff Dolven on poems as games. Elsewhere in the issue: Helen Larsson on the history of applause; Wayne Koestenbaum’s legendary “Legend” column; Naomi Muller on eating the zoo animals in Berlin during World War II; Jeremy Crichton on “spite” houses; and much more.
Cabinet 45: Games
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Summary:
In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D. Graham Burnett on games played by game theorists; Barbara Levine and Jessica Helfand on dexterity games; James Trainor on the lost world of “adventure” playgrounds; Dana Katz on Brian Eno and Peter Schmidt’s “Oblique Strategies”; an interview with Bertell Ollman, inventor of the board game “Class Struggle”; and Jeff Dolven on poems as games. Elsewhere in the issue: Helen Larsson on the history of applause; Wayne Koestenbaum’s legendary “Legend” column; Naomi Muller on eating the zoo animals in Berlin during World War II; Jeremy Crichton on “spite” houses; and much more.
Form:
books
books
Publication:
June 2012
June 2012
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Cabinet 38: Islands
Cabinet 38: Islands
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Including: Maggie Nelson, Anthony Grafton, Annika Ström, George Pendle, Tom Vanderbilt, Mary Mattingly, and more.
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Including: Maggie Nelson, Anthony Grafton, Annika Ström, George Pendle, Tom Vanderbilt, Mary Mattingly, and more.
Title:
Cabinet 38: Islands
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Including: Maggie Nelson, Anthony Grafton, Annika Ström, George Pendle, Tom Vanderbilt, Mary Mattingly, and more.
Cabinet 38: Islands
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Including: Maggie Nelson, Anthony Grafton, Annika Ström, George Pendle, Tom Vanderbilt, Mary Mattingly, and more.
Form:
journals and magazines
journals and magazines
Publication:
September 2010
September 2010
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Cabinet 39: Learning
Cabinet 39: Learning
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Cabinet 39 features an interview with John Haynes, pioneer of the modern instruction manual; Jeff Dolven outlining the theater of pedagogy; Elaine Traub tracing the history of distance learning; Sina Najafi tracking the development of the A-F grading system; and an interview with Zoe Readhead, principal of Summerhill, the world's first "free school." Elsewhere in the(...)
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Summary:
Cabinet 39 features an interview with John Haynes, pioneer of the modern instruction manual; Jeff Dolven outlining the theater of pedagogy; Elaine Traub tracing the history of distance learning; Sina Najafi tracking the development of the A-F grading system; and an interview with Zoe Readhead, principal of Summerhill, the world's first "free school." Elsewhere in the(...)
Title:
Cabinet 39: Learning
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Summary:
Cabinet 39 features an interview with John Haynes, pioneer of the modern instruction manual; Jeff Dolven outlining the theater of pedagogy; Elaine Traub tracing the history of distance learning; Sina Najafi tracking the development of the A-F grading system; and an interview with Zoe Readhead, principal of Summerhill, the world's first "free school." Elsewhere in the issue: Michael Shipley on voice experts used by the police and security services; Emily Walters on boots and colonialism; Suzanne Scott on the history of suntanning; Kris Lee on Kierkegaard and the promotional blurb; and Katrin Arnardottir on the sex lives of Icelandic elves.
Cabinet 39: Learning
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Summary:
Cabinet 39 features an interview with John Haynes, pioneer of the modern instruction manual; Jeff Dolven outlining the theater of pedagogy; Elaine Traub tracing the history of distance learning; Sina Najafi tracking the development of the A-F grading system; and an interview with Zoe Readhead, principal of Summerhill, the world's first "free school." Elsewhere in the issue: Michael Shipley on voice experts used by the police and security services; Emily Walters on boots and colonialism; Suzanne Scott on the history of suntanning; Kris Lee on Kierkegaard and the promotional blurb; and Katrin Arnardottir on the sex lives of Icelandic elves.
Form:
journals and magazines
journals and magazines
Publication:
December 2010
December 2010
Subject:
Magazines
Magazines
Form:
books
books
Title:
Cabinet 37: Bubbles
Cabinet 37: Bubbles
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A child's plaything and an object of study for scientists; a space of protection but also of isolation: the “bubble” has a cultural significance far more substantial than its fleeting form suggests. Bubbles percolate through the hydrology studies of Leonardo da Vinci, the optical experiments of Newton and the architectural theories of Buckminster Fuller. Cabinet issue 37,(...)
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A child's plaything and an object of study for scientists; a space of protection but also of isolation: the “bubble” has a cultural significance far more substantial than its fleeting form suggests. Bubbles percolate through the hydrology studies of Leonardo da Vinci, the optical experiments of Newton and the architectural theories of Buckminster Fuller. Cabinet issue 37,(...)
Title:
Cabinet 37: Bubbles
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A child's plaything and an object of study for scientists; a space of protection but also of isolation: the “bubble” has a cultural significance far more substantial than its fleeting form suggests. Bubbles percolate through the hydrology studies of Leonardo da Vinci, the optical experiments of Newton and the architectural theories of Buckminster Fuller. Cabinet issue 37, with its special section on “Bubbles,” features an interview with Richard Julin, the world's foremost authority on champagne; Susan Schuppli on Michael Jackson's orphaned chimpanzee Bubbles; Eben Klemm on the culinary applications of fizz; and Simon Schaffer on rationality and the physics of bubbles. Elsewhere in the issue: Paul Maliszewski on the color green; an interview with “nasalnaut” George Aldrich, the NASA employee whose nose has to approve every item sent into space; Adam Jasper on the cat paintings of schizophrenic artist Louis Wain; Jocko Weyland on the history of U.S. highway dividers; and an interview with Catalin Avramescu on the intellectual history of cannibalism.
Cabinet 37: Bubbles
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A child's plaything and an object of study for scientists; a space of protection but also of isolation: the “bubble” has a cultural significance far more substantial than its fleeting form suggests. Bubbles percolate through the hydrology studies of Leonardo da Vinci, the optical experiments of Newton and the architectural theories of Buckminster Fuller. Cabinet issue 37, with its special section on “Bubbles,” features an interview with Richard Julin, the world's foremost authority on champagne; Susan Schuppli on Michael Jackson's orphaned chimpanzee Bubbles; Eben Klemm on the culinary applications of fizz; and Simon Schaffer on rationality and the physics of bubbles. Elsewhere in the issue: Paul Maliszewski on the color green; an interview with “nasalnaut” George Aldrich, the NASA employee whose nose has to approve every item sent into space; Adam Jasper on the cat paintings of schizophrenic artist Louis Wain; Jocko Weyland on the history of U.S. highway dividers; and an interview with Catalin Avramescu on the intellectual history of cannibalism.
Form:
books
books
Publication:
May 2010
May 2010
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Cabinet 56: sports
Cabinet 56: sports
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Summary:
Dernier numéro disponible en librairie! The new issue is in store!
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Dernier numéro disponible en librairie! The new issue is in store!
Title:
Cabinet 56: sports
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Dernier numéro disponible en librairie! The new issue is in store!
Cabinet 56: sports
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Summary:
Dernier numéro disponible en librairie! The new issue is in store!
Form:
journals and magazines
journals and magazines
Publication:
February 2015
February 2015
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Cabinet 57: catastrophe
Cabinet 57: catastrophe
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Cabinet 57, with a special section on "Catastrophe," includes an interview with Anson Rabinbach on European intellectual responses to the catastrophes of two world wars; Matthew Spellman on St. Anthony the Hermit and the notion of retreating from a world marked by disaster; and Jonathan Hayes on the nineteenth-century roots of the ecological movement. Elsewhere in the(...)
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Cabinet 57, with a special section on "Catastrophe," includes an interview with Anson Rabinbach on European intellectual responses to the catastrophes of two world wars; Matthew Spellman on St. Anthony the Hermit and the notion of retreating from a world marked by disaster; and Jonathan Hayes on the nineteenth-century roots of the ecological movement. Elsewhere in the(...)
Title:
Cabinet 57: catastrophe
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Cabinet 57, with a special section on "Catastrophe," includes an interview with Anson Rabinbach on European intellectual responses to the catastrophes of two world wars; Matthew Spellman on St. Anthony the Hermit and the notion of retreating from a world marked by disaster; and Jonathan Hayes on the nineteenth-century roots of the ecological movement. Elsewhere in the issue: Charlie Hale on the decline and (noncomedic) fall of Buster Keaton; Adam Morris on the history of the flume ride and its relationship to logging practices in the US; and more.
Cabinet 57: catastrophe
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$15.00
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Summary:
Cabinet 57, with a special section on "Catastrophe," includes an interview with Anson Rabinbach on European intellectual responses to the catastrophes of two world wars; Matthew Spellman on St. Anthony the Hermit and the notion of retreating from a world marked by disaster; and Jonathan Hayes on the nineteenth-century roots of the ecological movement. Elsewhere in the issue: Charlie Hale on the decline and (noncomedic) fall of Buster Keaton; Adam Morris on the history of the flume ride and its relationship to logging practices in the US; and more.
Form:
journals and magazines
journals and magazines
Publication:
February 2015
February 2015
Subject:
Magazines
Magazines
