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REAL LIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists' projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REAL LIFE featured artists and art(...)
Real life magazine selected writings and projects 1979-1994
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$34.00
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Summary:
REAL LIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists' projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REAL LIFE featured artists and art historians writing on art, media and popular culture interspersed with pictorial contributions. The development of the magazine through its 15 year history, traces the influences, development and transitions of artists through the 80s.
Printed Matter
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Joan Jonas approaches video as a drawing tool, a mirror, and a framing device. Since 1968, she has used video and performance to explore ways of seeing, the rhythms of ritual, and the archetypal authority of objects and gestures. With her influential 1976 work, I Want to Live in the Country (And Other Romances) Jonas nimbly structures an elliptical narrative that(...)
Joan Jonas: I want to live in the country (and other romances)
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Summary:
Joan Jonas approaches video as a drawing tool, a mirror, and a framing device. Since 1968, she has used video and performance to explore ways of seeing, the rhythms of ritual, and the archetypal authority of objects and gestures. With her influential 1976 work, I Want to Live in the Country (And Other Romances) Jonas nimbly structures an elliptical narrative that unmistakably establishes her voice and visual lexicon. I Want to Live in the Country features two locations—the untamed landscape of Nova Scotia and a television studio in New York City—as it examines themes of loss, displacement, time, and memory through still life compositions and Super-8 footage. Jonas creates a meditation of frames within frames, monitors within monitors, overlaid with poetic musings—a murmured story of the unconscious. Joan Jonas, Professor of Visual Arts at MIT, is known for her pioneering video and performance art.
Art Theory
Sympathetic seeing : Esther McCoy and the heart of American modernist architecture and design
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Reyner Banham once said of the great architecture historian Esther McCoy (1904-1989) that "no-one can write about architecture in California without acknowledging her as the mother of us all.""Sympathetic Seeing: Esther McCoy and the Heart of American Modernist Architecture and Design" is the first major catalogue to survey this distinguished figure's life and work.(...)
Sympathetic seeing : Esther McCoy and the heart of American modernist architecture and design
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$40.00
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Reyner Banham once said of the great architecture historian Esther McCoy (1904-1989) that "no-one can write about architecture in California without acknowledging her as the mother of us all.""Sympathetic Seeing: Esther McCoy and the Heart of American Modernist Architecture and Design" is the first major catalogue to survey this distinguished figure's life and work. Highlighting the extraordinary range and significance of her presence in the field, this volume affirms McCoy's place as a key figure in American architectural history.
Architectural Theory