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After the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany’s past.(...)
Michael Schmidt: Ein heit (u-ni-ty)
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After the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany’s past. About half of the works are Schmidt’s own photographs; the remainder are photographs he made from other photographs culled from newspapers, magazines, propaganda pamphlets, and other such sources. The meanings of historical monuments and political symbols, of particular gestures and facial expressions and styles of clothing, are left open to interpretation. Each viewer is challenged to judge whether a given image represents East or West Germany, a villain or a victim, a moment in 1935, 1965, or 1995. This project merges two artistic traditions, treating photography both as a medium for describing personal experience and as a vast, impersonal resource created by the mass media. The book explores the emotional weight of history, the power of ideological symbols, and the relationship of the individual to the body politic.
Photography monographs
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Many of the images that have came to sum up the twentieth century, the most turbulent in human history, belong to the realist tradition of photography. At once objective and polemical, disengaged and yet concerned, the documentary photograph has not merely recorded, but also shaped the way we see our world. Over 200 photographs are reproduced in this(...)
Cruel and tender : the real in the twentieth-century photography
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Many of the images that have came to sum up the twentieth century, the most turbulent in human history, belong to the realist tradition of photography. At once objective and polemical, disengaged and yet concerned, the documentary photograph has not merely recorded, but also shaped the way we see our world. Over 200 photographs are reproduced in this book,together with essays and biographies of the photographers featured.
Theory of Photography
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"German photo artist Thomas Ruff is a master of conceptual serial photography. He made a name for himself in the early eighties with oversized, superrealistic color portraits of his artist friends and as a pioneer of the Diasec process used to mount photographic images onto acrylic glass, thereby obviating frames, liberating photography from the print gallery and paving(...)
Thomas Ruff : works 1979-2011
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"German photo artist Thomas Ruff is a master of conceptual serial photography. He made a name for himself in the early eighties with oversized, superrealistic color portraits of his artist friends and as a pioneer of the Diasec process used to mount photographic images onto acrylic glass, thereby obviating frames, liberating photography from the print gallery and paving the way to the "grand gallery" museum walls for large-format photos. This collection presents selected works from Thomas Ruff's large-format series, beginning with his small Interiors, the large Portraits, his Architectural Photos, the Starry Skies, his abstract Substrata, the Nudes, which make use of pornographic material taken from the internet, and finally his latest creation: Stellar Landscapes. The book features essays by Thomas Weski and Okwui Enwezor and appears in conjunction with an extensive Thomas Ruff retrospective exhibition at the Haus der Kunst in Munich."
Photography monographs
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At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: "I couldn't imagine doing anything more than making a perfect fake Cartier-Bresson." Eventually Eggleston developed his own style which later shaped his seminal(...)
William Eggleston: From Black and White to Colour
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At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: "I couldn't imagine doing anything more than making a perfect fake Cartier-Bresson." Eventually Eggleston developed his own style which later shaped his seminal work in color-an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles and ghostly figures lost in space.
Photography monographs
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For five years the renowned Neue Nationalgalerie in Berlin was closed to the public for renovation. Nevertheless, the acclaimed German photographer Michael Wesely (born 1963), best known for his long-exposure technique and publications such as ''Open Shutter'' and ''Time Works,'' was permitted to bring four ''guests'' inside the iconic building. Wesely’s four cameras,(...)
Photography monographs
July 2021
Michael Wesely: Neue Nationalgalerie 160401-201209
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For five years the renowned Neue Nationalgalerie in Berlin was closed to the public for renovation. Nevertheless, the acclaimed German photographer Michael Wesely (born 1963), best known for his long-exposure technique and publications such as ''Open Shutter'' and ''Time Works,'' was permitted to bring four ''guests'' inside the iconic building. Wesely’s four cameras, each one pointing in a different direction, were installed on the ceiling. Every day they took between 600 and 1,100 pictures with an exposure time of two minutes each. Edited into sequences of bewitching montages, this fascinating compendium allows readers to envision the building’s metamorphosis while undergoing renovations. The long exposure time is an aesthetic coup, for ephemeral, restless, rapid movements contrast with the still, timeless quality of the architecture, presenting a sophisticated interplay of identity and change.
Photography monographs
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Laurenz Berges' latest series of color photographs remains true to his style and themes. Focusing on details of abandoned apartments, vacated houses, and neglected yards, he seeks out zones of urban ambiguity and transforms them into poetic yet strictly documentary photographs.
Laurenz Berges : Fruhauf Danach
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Laurenz Berges' latest series of color photographs remains true to his style and themes. Focusing on details of abandoned apartments, vacated houses, and neglected yards, he seeks out zones of urban ambiguity and transforms them into poetic yet strictly documentary photographs.
Photography monographs
Martin Parr: bad weather
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Published in a landscape paperback format by A. Zwemmer Ltd in 1982, Bad Weather was the debut monograph of one of Britain's most world-renowned and prolific photographers. Armed with his famous wry humor and a water-proof camera, Martin Parr (born 1952) captured the social landscape and national character of the UK during downpours, drizzles, snow storms and other(...)
Martin Parr: bad weather
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Published in a landscape paperback format by A. Zwemmer Ltd in 1982, Bad Weather was the debut monograph of one of Britain's most world-renowned and prolific photographers. Armed with his famous wry humor and a water-proof camera, Martin Parr (born 1952) captured the social landscape and national character of the UK during downpours, drizzles, snow storms and other challenging varieties of the weather for which Britain is so famed, in gentle, charming, black-and-white photographs. Bad Weather has been out of print for 30 years and is now one of Parr's most sought-after books.
Photography monographs
Thomas Struth
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This volume is a compilation of representative photographs from each series of works in Struth’s oeuvre: street photographs from the 1970s and ‘80s; empathetic portraits (particularly of families); large-format “museum photographs”; nature studies; jungle photographs (New Pictures from Paradise); and, from the latest series, images from the world of science.
Thomas Struth
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This volume is a compilation of representative photographs from each series of works in Struth’s oeuvre: street photographs from the 1970s and ‘80s; empathetic portraits (particularly of families); large-format “museum photographs”; nature studies; jungle photographs (New Pictures from Paradise); and, from the latest series, images from the world of science.
Photography monographs