45 Results
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journals and magazines
journals and magazines
Title:
Texte Zur Kunst 116 : evil
Texte Zur Kunst 116 : evil
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"EVIL," the theme of this latest issue of TEXTE ZUR KUNST is often understood as simply the opposite of “good,” and as pure immorality, evil is everywhere today, and somehow also nowhere. It is the “other” par excellence; something we ourselves never are, but by which one always measures one’s own distance. “Evil is over there, not here, not with me.” Given its ubiquity(...)
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Summary:
"EVIL," the theme of this latest issue of TEXTE ZUR KUNST is often understood as simply the opposite of “good,” and as pure immorality, evil is everywhere today, and somehow also nowhere. It is the “other” par excellence; something we ourselves never are, but by which one always measures one’s own distance. “Evil is over there, not here, not with me.” Given its ubiquity(...)
Title:
Texte Zur Kunst 116 : evil
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$30.00
(available in store)
Summary:
"EVIL," the theme of this latest issue of TEXTE ZUR KUNST is often understood as simply the opposite of “good,” and as pure immorality, evil is everywhere today, and somehow also nowhere. It is the “other” par excellence; something we ourselves never are, but by which one always measures one’s own distance. “Evil is over there, not here, not with me.” Given its ubiquity today, we offer texts that investigate what this thing we call “evil” is, as it so often functions as the polar opposite of that which people hold to be just and right. Indeed, who could argue that point, and yet. In this issue, we look specifically at evil’s manifestations in the art world, and in film, politics, and theory, always with an eye toward evil as something potentially playful and ironic.
Texte Zur Kunst 116 : evil
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$30.00
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Summary:
"EVIL," the theme of this latest issue of TEXTE ZUR KUNST is often understood as simply the opposite of “good,” and as pure immorality, evil is everywhere today, and somehow also nowhere. It is the “other” par excellence; something we ourselves never are, but by which one always measures one’s own distance. “Evil is over there, not here, not with me.” Given its ubiquity today, we offer texts that investigate what this thing we call “evil” is, as it so often functions as the polar opposite of that which people hold to be just and right. Indeed, who could argue that point, and yet. In this issue, we look specifically at evil’s manifestations in the art world, and in film, politics, and theory, always with an eye toward evil as something potentially playful and ironic.
Form:
journals and magazines
journals and magazines
Publication:
December 2019
December 2019
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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The latest issue is now available at the bookstore!
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The latest issue is now available at the bookstore!
Title:
Texte Zur Kunst 117 : property
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The latest issue is now available at the bookstore!
Texte Zur Kunst 117 : property
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The latest issue is now available at the bookstore!
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journals and magazines
journals and magazines
Publication:
March 2020
March 2020
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$30.00
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issue 106 available
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issue 106 available
Title:
Texte zur Kunst 106: The new left
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issue 106 available
Texte zur Kunst 106: The new left
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issue 106 available
Form:
journals and magazines
journals and magazines
Publication:
June 2017
June 2017
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$30.00
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Summary:
In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to(...)
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Summary:
In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to(...)
Title:
Texte zur Kunst 109: Art without rules?
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In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to assert their influence? And would we demand anything less of art than the promise of disobedience, rule breaking both in terms of formal restrictions and normative regulation? Articles by Katharina Hausladen, Josephine Pryde, Christoph Menke, Lucy McKenzie, Hal Foster, Coco Fusco, and Clemens Apprich.
Texte zur Kunst 109: Art without rules?
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Summary:
In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to assert their influence? And would we demand anything less of art than the promise of disobedience, rule breaking both in terms of formal restrictions and normative regulation? Articles by Katharina Hausladen, Josephine Pryde, Christoph Menke, Lucy McKenzie, Hal Foster, Coco Fusco, and Clemens Apprich.
Form:
journals and magazines
journals and magazines
Publication:
March 2018
March 2018
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Texte zur Kunst 102: Fashion
Texte zur Kunst 102: Fashion
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Summary:
Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of(...)
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Summary:
Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of(...)
Title:
Texte zur Kunst 102: Fashion
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$30.00
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Summary:
Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of institutional critique) as they push back against the pressures of a hyper-accelerated fashion market. In this issue, TzK examines, also, how the industry’s current volume is a product of its late-'00s promise of online democratization; the changing function of such long-held value designations as “luxury,” “discount,” and “underground,” and the role of “real”-er bodies in a climate wherein models are preferably “nodels” or “othered” bodies, hyper-individualised to stand out in the stream.
Texte zur Kunst 102: Fashion
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Summary:
Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of institutional critique) as they push back against the pressures of a hyper-accelerated fashion market. In this issue, TzK examines, also, how the industry’s current volume is a product of its late-'00s promise of online democratization; the changing function of such long-held value designations as “luxury,” “discount,” and “underground,” and the role of “real”-er bodies in a climate wherein models are preferably “nodels” or “othered” bodies, hyper-individualised to stand out in the stream.
Form:
journals and magazines
journals and magazines
Publication:
July 2016
July 2016
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$30.00
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Summary:
The latest issue is now available at the bookstore!
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Summary:
The latest issue is now available at the bookstore!
Title:
Texte zur Kunst 113 : discrimination
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The latest issue is now available at the bookstore!
Texte zur Kunst 113 : discrimination
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Summary:
The latest issue is now available at the bookstore!
Form:
journals and magazines
journals and magazines
Publication:
March 2019
March 2019
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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Summary:
Texte zur Kunst : the sea
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Texte zur Kunst : the sea
Title:
Texte zur Kunst 114 : the sea
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Texte zur Kunst : the sea
Texte zur Kunst 114 : the sea
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Summary:
Texte zur Kunst : the sea
Form:
journals and magazines
journals and magazines
Publication:
June 2019
June 2019
Subject:
Magazines
Magazines
Form:
books
books
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The latest issue is now in store!
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The latest issue is now in store!
Title:
Texte zur Kunst 111 : Amerika
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The latest issue is now in store!
Texte zur Kunst 111 : Amerika
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Summary:
The latest issue is now in store!
Form:
books
books
Publication:
September 2018
September 2018
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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Summary:
The latest issue is now available at the bookstore!
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The latest issue is now available at the bookstore!
Title:
Texte zur Kunst 112 : noise/silence
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The latest issue is now available at the bookstore!
Texte zur Kunst 112 : noise/silence
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Summary:
The latest issue is now available at the bookstore!
Form:
journals and magazines
journals and magazines
Publication:
December 2018
December 2018
Subject:
Magazines
Magazines
Form:
books
books
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Price:
$35.00
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Summary:
Our 100th issue is dedicated to the question of the “canon.” We take up this theme with an interest in reflecting on the journal’s own role in the field of contemporary art — one that, when first initiated in 1990, was markedly counter-canonical, vigorously contesting certain methods of critique while supporting others. And yet, we pause here to acknowledge that after 25(...)
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Summary:
Our 100th issue is dedicated to the question of the “canon.” We take up this theme with an interest in reflecting on the journal’s own role in the field of contemporary art — one that, when first initiated in 1990, was markedly counter-canonical, vigorously contesting certain methods of critique while supporting others. And yet, we pause here to acknowledge that after 25(...)
Title:
Texte zur Kunst 100: the canon
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Summary:
Our 100th issue is dedicated to the question of the “canon.” We take up this theme with an interest in reflecting on the journal’s own role in the field of contemporary art — one that, when first initiated in 1990, was markedly counter-canonical, vigorously contesting certain methods of critique while supporting others. And yet, we pause here to acknowledge that after 25 years, we have also doubtlessly played a crucial part in shaping a particular discourse, even normativizing it to some degree. Could it even be said that TzK has established a canon in its own right? With this issue, we now take stock of what TzK’s relationship to the canon might be, and moreover, what the notion of canonicity in 2015 might now represent.
Texte zur Kunst 100: the canon
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$35.00
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Summary:
Our 100th issue is dedicated to the question of the “canon.” We take up this theme with an interest in reflecting on the journal’s own role in the field of contemporary art — one that, when first initiated in 1990, was markedly counter-canonical, vigorously contesting certain methods of critique while supporting others. And yet, we pause here to acknowledge that after 25 years, we have also doubtlessly played a crucial part in shaping a particular discourse, even normativizing it to some degree. Could it even be said that TzK has established a canon in its own right? With this issue, we now take stock of what TzK’s relationship to the canon might be, and moreover, what the notion of canonicity in 2015 might now represent.
Form:
books
books
Publication:
December 2015
December 2015
Subject:
Magazines
Magazines
