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journals and magazines
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The latest issue is now available at the bookstore.
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The latest issue is now available at the bookstore.
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Texte zur kunst 125 : Genres and gestures of dissent
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The latest issue is now available at the bookstore.
Texte zur kunst 125 : Genres and gestures of dissent
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The latest issue is now available at the bookstore.
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journals and magazines
journals and magazines
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March 2022
March 2022
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Magazines
Magazines
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journals and magazines
journals and magazines
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Texte zur Kunst 102: Fashion
Texte zur Kunst 102: Fashion
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Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of(...)
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Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of(...)
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Texte zur Kunst 102: Fashion
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Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of institutional critique) as they push back against the pressures of a hyper-accelerated fashion market. In this issue, TzK examines, also, how the industry’s current volume is a product of its late-'00s promise of online democratization; the changing function of such long-held value designations as “luxury,” “discount,” and “underground,” and the role of “real”-er bodies in a climate wherein models are preferably “nodels” or “othered” bodies, hyper-individualised to stand out in the stream.
Texte zur Kunst 102: Fashion
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Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of institutional critique) as they push back against the pressures of a hyper-accelerated fashion market. In this issue, TzK examines, also, how the industry’s current volume is a product of its late-'00s promise of online democratization; the changing function of such long-held value designations as “luxury,” “discount,” and “underground,” and the role of “real”-er bodies in a climate wherein models are preferably “nodels” or “othered” bodies, hyper-individualised to stand out in the stream.
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journals and magazines
journals and magazines
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July 2016
July 2016
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Magazines
Magazines
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journals and magazines
journals and magazines
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In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to(...)
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In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to(...)
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Texte zur Kunst 109: Art without rules?
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In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to assert their influence? And would we demand anything less of art than the promise of disobedience, rule breaking both in terms of formal restrictions and normative regulation? Articles by Katharina Hausladen, Josephine Pryde, Christoph Menke, Lucy McKenzie, Hal Foster, Coco Fusco, and Clemens Apprich.
Texte zur Kunst 109: Art without rules?
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In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to assert their influence? And would we demand anything less of art than the promise of disobedience, rule breaking both in terms of formal restrictions and normative regulation? Articles by Katharina Hausladen, Josephine Pryde, Christoph Menke, Lucy McKenzie, Hal Foster, Coco Fusco, and Clemens Apprich.
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journals and magazines
journals and magazines
Publication:
March 2018
March 2018
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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The latest issue is now available at the bookstore!
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The latest issue is now available at the bookstore!
Title:
Texte zur Kunst 113 : discrimination
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The latest issue is now available at the bookstore!
Texte zur Kunst 113 : discrimination
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The latest issue is now available at the bookstore!
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journals and magazines
journals and magazines
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March 2019
March 2019
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Magazines
Magazines
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journals and magazines
journals and magazines
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Texte zur Kunst : the sea
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Texte zur Kunst : the sea
Title:
Texte zur Kunst 114 : the sea
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Texte zur Kunst : the sea
Texte zur Kunst 114 : the sea
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Texte zur Kunst : the sea
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journals and magazines
journals and magazines
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June 2019
June 2019
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Magazines
Magazines
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books
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The latest issue is now in store!
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The latest issue is now in store!
Title:
Texte zur Kunst 111 : Amerika
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The latest issue is now in store!
Texte zur Kunst 111 : Amerika
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The latest issue is now in store!
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books
books
Publication:
September 2018
September 2018
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Magazines
Magazines
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journals and magazines
journals and magazines
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The latest issue is now available at the bookstore!
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The latest issue is now available at the bookstore!
Title:
Texte zur Kunst 112 : noise/silence
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The latest issue is now available at the bookstore!
Texte zur Kunst 112 : noise/silence
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The latest issue is now available at the bookstore!
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journals and magazines
journals and magazines
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December 2018
December 2018
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Magazines
Magazines
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books
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Our 100th issue is dedicated to the question of the “canon.” We take up this theme with an interest in reflecting on the journal’s own role in the field of contemporary art — one that, when first initiated in 1990, was markedly counter-canonical, vigorously contesting certain methods of critique while supporting others. And yet, we pause here to acknowledge that after 25(...)
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Summary:
Our 100th issue is dedicated to the question of the “canon.” We take up this theme with an interest in reflecting on the journal’s own role in the field of contemporary art — one that, when first initiated in 1990, was markedly counter-canonical, vigorously contesting certain methods of critique while supporting others. And yet, we pause here to acknowledge that after 25(...)
Title:
Texte zur Kunst 100: the canon
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Our 100th issue is dedicated to the question of the “canon.” We take up this theme with an interest in reflecting on the journal’s own role in the field of contemporary art — one that, when first initiated in 1990, was markedly counter-canonical, vigorously contesting certain methods of critique while supporting others. And yet, we pause here to acknowledge that after 25 years, we have also doubtlessly played a crucial part in shaping a particular discourse, even normativizing it to some degree. Could it even be said that TzK has established a canon in its own right? With this issue, we now take stock of what TzK’s relationship to the canon might be, and moreover, what the notion of canonicity in 2015 might now represent.
Texte zur Kunst 100: the canon
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Summary:
Our 100th issue is dedicated to the question of the “canon.” We take up this theme with an interest in reflecting on the journal’s own role in the field of contemporary art — one that, when first initiated in 1990, was markedly counter-canonical, vigorously contesting certain methods of critique while supporting others. And yet, we pause here to acknowledge that after 25 years, we have also doubtlessly played a crucial part in shaping a particular discourse, even normativizing it to some degree. Could it even be said that TzK has established a canon in its own right? With this issue, we now take stock of what TzK’s relationship to the canon might be, and moreover, what the notion of canonicity in 2015 might now represent.
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books
books
Publication:
December 2015
December 2015
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Magazines
Magazines
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Issue 101 of Texte zur Kunst takes “Polarities” as its theme—a term that in the first degree we associate with what’s unfolding around us right now: ideological polarization, from Pegida to Donald Trump. In turn, this issue looks to the macro conditions in which art critical and art historical discourses are currently being formed, and within which they will need to(...)
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Issue 101 of Texte zur Kunst takes “Polarities” as its theme—a term that in the first degree we associate with what’s unfolding around us right now: ideological polarization, from Pegida to Donald Trump. In turn, this issue looks to the macro conditions in which art critical and art historical discourses are currently being formed, and within which they will need to(...)
Title:
Texte zur Kunst 101: Polarities
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Issue 101 of Texte zur Kunst takes “Polarities” as its theme—a term that in the first degree we associate with what’s unfolding around us right now: ideological polarization, from Pegida to Donald Trump. In turn, this issue looks to the macro conditions in which art critical and art historical discourses are currently being formed, and within which they will need to position themselves. What’s particularly striking, we argue, is that this trend toward polarization is happening despite the popular tendency, in recent decades, to speak of increased unification. How, then, can such polarization be reconciled with the dominant, and inherently continuous, neoliberal system—one characterized by the global economy’s promise of inclusiveness; utopian visions of peace (if not survival) via the “singularity” of screen, mind, and body; and a European Union as project of post-Soviet unification, striving to push all conflict to its periphery? What do we make of this growing difference between the ideals of technological/smooth space (where the art world often resides, swiftly neutralizing any resistance as “content”) and the broadening expanses of material unrest? Could the image of polarization be something not to avoid but to engage, at least as a potentially generative model, for understanding true opposition within a continuous system—for times that are anything but free from ideological division?
Texte zur Kunst 101: Polarities
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Issue 101 of Texte zur Kunst takes “Polarities” as its theme—a term that in the first degree we associate with what’s unfolding around us right now: ideological polarization, from Pegida to Donald Trump. In turn, this issue looks to the macro conditions in which art critical and art historical discourses are currently being formed, and within which they will need to position themselves. What’s particularly striking, we argue, is that this trend toward polarization is happening despite the popular tendency, in recent decades, to speak of increased unification. How, then, can such polarization be reconciled with the dominant, and inherently continuous, neoliberal system—one characterized by the global economy’s promise of inclusiveness; utopian visions of peace (if not survival) via the “singularity” of screen, mind, and body; and a European Union as project of post-Soviet unification, striving to push all conflict to its periphery? What do we make of this growing difference between the ideals of technological/smooth space (where the art world often resides, swiftly neutralizing any resistance as “content”) and the broadening expanses of material unrest? Could the image of polarization be something not to avoid but to engage, at least as a potentially generative model, for understanding true opposition within a continuous system—for times that are anything but free from ideological division?
Form:
books
books
Publication:
March 2016
March 2016
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of(...)
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of(...)
Title:
Texte Zur Kunst 126: mourning
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of loss and mourning in the context of racist and right-wing violence. At the same time, it draws attention to the transformative powers of grief.
Texte Zur Kunst 126: mourning
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of loss and mourning in the context of racist and right-wing violence. At the same time, it draws attention to the transformative powers of grief.
Form:
journals and magazines
journals and magazines
Publication:
June 2022
June 2022
Subject:
Magazines
Magazines
