Type Addicted
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Lettering is a key visual element of great design. The right type can transform any project from mundane to extraordinary, and how to choose and treat font and lettering is a common challenge among designers and artists from every discipline. Type Addicted not only presents a rich selection of experimental and inspirational typefaces and their applications, it also(...)
Graphic Design and Typography
January 1900, North Point, Hong Kong
Type Addicted
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$40.00
(available to order)
Summary:
Lettering is a key visual element of great design. The right type can transform any project from mundane to extraordinary, and how to choose and treat font and lettering is a common challenge among designers and artists from every discipline. Type Addicted not only presents a rich selection of experimental and inspirational typefaces and their applications, it also reveals the diversity of innovative approaches used by contemporary designers to set tone, add impact, reinforce brand identity, and lend character to print and design work in various disciplines. Solutions to any type of dilemma are sure to be discovered among the pages. Examples include work by up and coming names as well as renowned icons from around the world.
Graphic Design and Typography
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With the increasing amount of issues affecting us as a whole in recent years, such as the global health crises, environmental destruction, and socio-economic disparities, the onus is on each and every one of us to do everything we can for the generations to come. Design has been—and will always be—our crucial tool in this regard. Whether it be through campaigns that(...)
Good by design: Ideas for a better world
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With the increasing amount of issues affecting us as a whole in recent years, such as the global health crises, environmental destruction, and socio-economic disparities, the onus is on each and every one of us to do everything we can for the generations to come. Design has been—and will always be—our crucial tool in this regard. Whether it be through campaigns that rally for action, posters that raise awareness, or products that actually change bad habits, designers combine creativity, craft, and compelling visuals to materialise concepts that can effectively transform the way we live. ''GOOD by DESIGN'' collates the best projects and insights to inspire not only those who wish to do good, but also hope for all in a better tomorrow.
Design Theory
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From the iconic 1964 Olympics poster by Yusaku Kamekura to the psychedelic posters of Tadanori Yokoo, Japan has made its way to the forefront of impactful and effective graphic and poster design since its post-war days. Fast forwarding to the Reiwa era, the Japanese graphic design scene has continued to evolve in terms of design values and aesthetics. Known for their(...)
POSUTA POSTER : Contemporary Poster Designs from Japan
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From the iconic 1964 Olympics poster by Yusaku Kamekura to the psychedelic posters of Tadanori Yokoo, Japan has made its way to the forefront of impactful and effective graphic and poster design since its post-war days. Fast forwarding to the Reiwa era, the Japanese graphic design scene has continued to evolve in terms of design values and aesthetics. Known for their dedication to craft and ingenuity, Japanese design aesthetics are not only timeless, but also incorporate unique elements found only in their culture. ''POSUTA POSTER'' serves to showcase poster designs from Japan's new generation of talent, spanning a wide range of categories that include political/social, advertising, experimental and more.
Printed Matter
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In the world of typography, it is not uncommon to see combinations of serif and sans serif typefaces in the same design. However, it takes skill to combine them in order to avoid tension and clashes, and ensure maximum readability of the text in the design. From font weights to classifications, each font has its own distinct personality, and should be carefully paired(...)
Sans in use: Creative typefaces and their applications
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$89.95
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In the world of typography, it is not uncommon to see combinations of serif and sans serif typefaces in the same design. However, it takes skill to combine them in order to avoid tension and clashes, and ensure maximum readability of the text in the design. From font weights to classifications, each font has its own distinct personality, and should be carefully paired to convey the right tone and mood of the design. Featuring a selection of type specimens and their design applications, ''Sans In Use'' collates the best combinations of the two typeface categories and serves as a reference point for inspiration-seeking designers and typographers.
Graphic Design and Typography
$89.95
(available in store)
Summary:
In the world of typography, it is not uncommon to see combinations of serif and sans serif typefaces in the same design. However, it takes skill to combine them in order to avoid tension and clashes, and ensure maximum readability of the text in the design. From font weights to classifications, each font has its own distinct personality, and should be carefully paired(...)
Serif in use: Creative typefaces and their applications
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$89.95
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Summary:
In the world of typography, it is not uncommon to see combinations of serif and sans serif typefaces in the same design. However, it takes skill to combine them in order to avoid tension and clashes, and ensure maximum readability of the text in the design. From font weights to classifications, each font has its own distinct personality, and should be carefully paired to convey the right tone and mood of the design. Featuring a selection of type specimens and their design applications, ''Serif In Use'' collates the best combinations of the two typeface categories and serves as a reference point for inspiration-seeking designers and typographers.
Graphic Design and Typography
$60.00
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Summary:
Before GPS systems and Google Maps were invented, folded paper maps and guidebooks were always our trusty companions while on the road. While paper maps are becoming increasingly obsolete, there is more to cartography than just bearings and scales. Illustrated maps hone the ability to bring a place to life through vivid drawings, leaving a unique impression filled with(...)
Get lost: Explore the world through map illustrations
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$60.00
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Before GPS systems and Google Maps were invented, folded paper maps and guidebooks were always our trusty companions while on the road. While paper maps are becoming increasingly obsolete, there is more to cartography than just bearings and scales. Illustrated maps hone the ability to bring a place to life through vivid drawings, leaving a unique impression filled with the illustrator's own experiences. From iconic landmarks to hidden shortcuts, ''GET LOST'' takes readers on a journey by allowing them to explore new places through the eyes of illustrators.
Architectural Plans and Cartography
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Typoholic collects a sampling of the most recent trends and developments in type design by designers who utilize diverse mediums as illustration, craft, fashion, photography and performing arts to manifest their designs whether for branding, editorial, product, promotional or installation based applications. This publication includes an introductory section showcasing(...)
Typoholic: material types in design
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Typoholic collects a sampling of the most recent trends and developments in type design by designers who utilize diverse mediums as illustration, craft, fashion, photography and performing arts to manifest their designs whether for branding, editorial, product, promotional or installation based applications. This publication includes an introductory section showcasing more than 40 brand new type families.
Graphic Design and Typography
$32.95
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Every typeface has its own charisma. Not only does its presence in design lend an attribute to the identity of a product or project, but also reflect the taste, personality and attitude of the designer behind. Most designers keep a list of favourites with no more then ten typefaces throughout their trajectory. Some make a statement by sticking to just one typeface in(...)
I love type series - volume 2 : avant garde
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Every typeface has its own charisma. Not only does its presence in design lend an attribute to the identity of a product or project, but also reflect the taste, personality and attitude of the designer behind. Most designers keep a list of favourites with no more then ten typefaces throughout their trajectory. Some make a statement by sticking to just one typeface in every piece of their work. The choice for typeface is the flag held high by designers. I Love Type is a collaboration between Viction : ary and TwoPoints.Net. The type collection series, with focus on one specific typeface at a time, documents the fashionable comeback of a selection of timehonored typefaces in a myriad of contemporary designs gathered from around the world.
Graphic Design and Typography
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Hands On collects an array of today’s interactive design in print — with projects incorporating magnets, stamps, stickers, stitching, pop-outs, scratch-away, paper folding, model building and more.
Hands on: interactive design in print
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Hands On collects an array of today’s interactive design in print — with projects incorporating magnets, stamps, stickers, stitching, pop-outs, scratch-away, paper folding, model building and more.
Graphic Design and Typography
$32.95
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Summary:
Every designer has a favorite typeface. More than a vehicle to transport words onto a page, a typeface can express taste, style, opinion, and attitude. The typeface a designer uses — and how he has manipulated it — reveals the personality and aesthetic of the designer himself. Using a selection of high-quality graphic design work for books, promotional(...)
I love type series vol. 1 : I love Futura
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$32.95
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Every designer has a favorite typeface. More than a vehicle to transport words onto a page, a typeface can express taste, style, opinion, and attitude. The typeface a designer uses — and how he has manipulated it — reveals the personality and aesthetic of the designer himself. Using a selection of high-quality graphic design work for books, promotional materials, signage and more, each book in the I Love Type series highlights a single typeface and its prevalence in the design community. This narrow focus lends itself to an in-depth study of each typeface — how the same font can be altered to create different moods and generate an entirely original effect. One of the most used sans serif typefaces, Futura is synonymous with efficiency and modernity, with its clean, even strokes, geometric shapes and lack of decorative flourishes.
Graphic Design and Typography