3 Results
Form:
books
books
Price:
$37.95
(available in store)
Summary:
Vito Acconci is well-known as a concept and performing artist who was far ahead of his time. In 2003, he realized one of his first architectural projects : for his artist-and-gallerist friend Kenny Schachter he designed the multifunctional gallery space conTEMPorary in New York. This experimental space became programmatic for their further collaboration, up to their(...)
$37.95
(available in store)
Summary:
Vito Acconci is well-known as a concept and performing artist who was far ahead of his time. In 2003, he realized one of his first architectural projects : for his artist-and-gallerist friend Kenny Schachter he designed the multifunctional gallery space conTEMPorary in New York. This experimental space became programmatic for their further collaboration, up to their(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
June 2005, Wien / New York
June 2005, Wien / New York
Title:
Art becomes architecture becomes art : a conversation between
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Price:
$37.95
(available in store)
Summary:
Vito Acconci is well-known as a concept and performing artist who was far ahead of his time. In 2003, he realized one of his first architectural projects : for his artist-and-gallerist friend Kenny Schachter he designed the multifunctional gallery space conTEMPorary in New York. This experimental space became programmatic for their further collaboration, up to their latest project in King’s Cross, London. Over the past years, Vito Acconci has moved towards architecture. Today’s Acconci Studio covers planning for such diverse projects as the Skateboard Park in San Juan, the Inside-Out Bookstore for Documenta X, or an urban planning for Tel Aviv. Vito Acconci and Kenny Schachter met for two discussions in London and Basel in 2004 and 2005.
Art becomes architecture becomes art : a conversation between
Actions:
Price:
$37.95
(available in store)
Summary:
Vito Acconci is well-known as a concept and performing artist who was far ahead of his time. In 2003, he realized one of his first architectural projects : for his artist-and-gallerist friend Kenny Schachter he designed the multifunctional gallery space conTEMPorary in New York. This experimental space became programmatic for their further collaboration, up to their latest project in King’s Cross, London. Over the past years, Vito Acconci has moved towards architecture. Today’s Acconci Studio covers planning for such diverse projects as the Skateboard Park in San Juan, the Inside-Out Bookstore for Documenta X, or an urban planning for Tel Aviv. Vito Acconci and Kenny Schachter met for two discussions in London and Basel in 2004 and 2005.
Form:
books
books
Publication:
June 2005, Wien / New York
June 2005, Wien / New York
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$43.95
(available to order)
Summary:
Pioneering conceptual artist Vito Acconci began his career as a poet. In the 1960s, before beginning his work in performance and video art, Acconci studied at the Iowa Writers Workshop and published poems in journals and chapbooks. Almost all of this work remains unknown; much of it appeared in the self-produced magazines of the Lower East Side's mimeo revolution, and(...)
$43.95
(available to order)
Summary:
Pioneering conceptual artist Vito Acconci began his career as a poet. In the 1960s, before beginning his work in performance and video art, Acconci studied at the Iowa Writers Workshop and published poems in journals and chapbooks. Almost all of this work remains unknown; much of it appeared in the self-produced magazines of the Lower East Side's mimeo revolution, and(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2006, Cambridge, Mass.
March 2006, Cambridge, Mass.
Title:
Languages to cover a page : the early writings of Vito Acconci
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Price:
$43.95
(available to order)
Summary:
Pioneering conceptual artist Vito Acconci began his career as a poet. In the 1960s, before beginning his work in performance and video art, Acconci studied at the Iowa Writers Workshop and published poems in journals and chapbooks. Almost all of this work remains unknown; much of it appeared in the self-produced magazines of the Lower East Side's mimeo revolution, and many other pieces were never published. Language to Cover a Page collects these writings for the first time and not only shows Acconci to be an important experimental writer of the period, but demonstrates the continuity of his early writing with his later work in film, video, and performance. "Language to cover a page" documents a key moment in the unprecedented intersection of artists and poets in the late 1960s - as seen in the Dwan Gallery's series of "Language" shows (1967-1970) and in Acconci's own journal 0 to 9. Indeed, as Acconci moved from the poetry scene to the art world, his poetry became increasingly performative while his artwork was often structured and motivated by linguistic play. Acconci's early writing recalls the work of Samuel Beckett, the deadpan voice of the nouveau roman, and the jump cuts and fraught permutations of the nouvelle vague. Poems in "Language to cover a page" explore the materiality of language ("language as matter and not ideas," as Robert Smithson put it), the physical space of the page, and the physicality of source texts (phonebooks, thesauruses, dictionaries). Other poems take the space of the page as an analogue to performance space or implicate the poem in a network of activity (as in his "Dial-a-Poem" pieces).
Languages to cover a page : the early writings of Vito Acconci
Actions:
Price:
$43.95
(available to order)
Summary:
Pioneering conceptual artist Vito Acconci began his career as a poet. In the 1960s, before beginning his work in performance and video art, Acconci studied at the Iowa Writers Workshop and published poems in journals and chapbooks. Almost all of this work remains unknown; much of it appeared in the self-produced magazines of the Lower East Side's mimeo revolution, and many other pieces were never published. Language to Cover a Page collects these writings for the first time and not only shows Acconci to be an important experimental writer of the period, but demonstrates the continuity of his early writing with his later work in film, video, and performance. "Language to cover a page" documents a key moment in the unprecedented intersection of artists and poets in the late 1960s - as seen in the Dwan Gallery's series of "Language" shows (1967-1970) and in Acconci's own journal 0 to 9. Indeed, as Acconci moved from the poetry scene to the art world, his poetry became increasingly performative while his artwork was often structured and motivated by linguistic play. Acconci's early writing recalls the work of Samuel Beckett, the deadpan voice of the nouveau roman, and the jump cuts and fraught permutations of the nouvelle vague. Poems in "Language to cover a page" explore the materiality of language ("language as matter and not ideas," as Robert Smithson put it), the physical space of the page, and the physicality of source texts (phonebooks, thesauruses, dictionaries). Other poems take the space of the page as an analogue to performance space or implicate the poem in a network of activity (as in his "Dial-a-Poem" pieces).
Form:
books
books
Publication:
March 2006, Cambridge, Mass.
March 2006, Cambridge, Mass.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Actions:
Price:
$45.00
(available to order)
Summary:
From 1967 to 1969, Vito Acconci & Bernadette Mayer collected the works of the some of the most exciting artists and writers for their mimeographed magazine, 0 TO 9. Robert Barry, Ted Berrigan, Clark Coolidge, John Giorno, Dan Graham, Michael Heizer, Kenneth Koch, Sol LeWitt, Jackson Mac Low, Harry Mathews, Adrian Piper, Bern Porter, Yvonne Rainer, Jerome Rothenberg, Aram(...)
$45.00
(available to order)
Summary:
From 1967 to 1969, Vito Acconci & Bernadette Mayer collected the works of the some of the most exciting artists and writers for their mimeographed magazine, 0 TO 9. Robert Barry, Ted Berrigan, Clark Coolidge, John Giorno, Dan Graham, Michael Heizer, Kenneth Koch, Sol LeWitt, Jackson Mac Low, Harry Mathews, Adrian Piper, Bern Porter, Yvonne Rainer, Jerome Rothenberg, Aram(...)
Subject:
Magazines, Back Issues
Magazines, Back Issues
Publication:
October 2008, New York
October 2008, New York
Title:
0 to 9 the complete magazine: 1967-1969
Actions:
Price:
$45.00
(available to order)
Summary:
From 1967 to 1969, Vito Acconci & Bernadette Mayer collected the works of the some of the most exciting artists and writers for their mimeographed magazine, 0 TO 9. Robert Barry, Ted Berrigan, Clark Coolidge, John Giorno, Dan Graham, Michael Heizer, Kenneth Koch, Sol LeWitt, Jackson Mac Low, Harry Mathews, Adrian Piper, Bern Porter, Yvonne Rainer, Jerome Rothenberg, Aram Saroyan, Robert Smithson, Alan Sondheim, Hannah Weiner, and Emmett Williams, among others, were contributors.
0 to 9 the complete magazine: 1967-1969
Actions:
Price:
$45.00
(available to order)
Summary:
From 1967 to 1969, Vito Acconci & Bernadette Mayer collected the works of the some of the most exciting artists and writers for their mimeographed magazine, 0 TO 9. Robert Barry, Ted Berrigan, Clark Coolidge, John Giorno, Dan Graham, Michael Heizer, Kenneth Koch, Sol LeWitt, Jackson Mac Low, Harry Mathews, Adrian Piper, Bern Porter, Yvonne Rainer, Jerome Rothenberg, Aram Saroyan, Robert Smithson, Alan Sondheim, Hannah Weiner, and Emmett Williams, among others, were contributors.
Form:
books
books
Publication:
October 2008, New York
October 2008, New York
Subject:
Magazines, Back Issues
Magazines, Back Issues
