168 Results
Form:
books
books
Actions:
Price:
$25.00
(available to order)
Summary:
From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of(...)
$25.00
(available to order)
Summary:
From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of(...)
Title:
Surface tension : problematics of site
Actions:
Price:
$25.00
(available to order)
Summary:
From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of site-specificity, conceptualism, feminism, and architecture practice, "Surface Tension" reveals the connections between cultural production and the very spaces in which such work functions. These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including 'Coughing Piece', a never-before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures. Conversations occur between the pages of "Surface Tension", between theoretical analysis and modes of practice, that activate the publication as a site itself, one participating in a broad field of knowledge. Includes an audio CD of the sound art pieces. Artists Include: Gordon Matta-Clark, Lawrence Weiner,Jan Hofer, Melissa Dyne, Kim Abeles, Carol Brown, Christof Migone, Michael Rakowitz, Eyal Weizman, Rafael Lazano-Hemmer, Tanja Jordan, Lizzie Scott, Tim Durfee, Lize Mogel, Suzanne Lacy, Michael Asher, Bruce Nauman, Lucky Kitchen, Michael Prime, Alison Knowles, and Yoko Ono, amongst others.
Surface tension : problematics of site
Actions:
Price:
$25.00
(available to order)
Summary:
From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of site-specificity, conceptualism, feminism, and architecture practice, "Surface Tension" reveals the connections between cultural production and the very spaces in which such work functions. These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including 'Coughing Piece', a never-before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures. Conversations occur between the pages of "Surface Tension", between theoretical analysis and modes of practice, that activate the publication as a site itself, one participating in a broad field of knowledge. Includes an audio CD of the sound art pieces. Artists Include: Gordon Matta-Clark, Lawrence Weiner,Jan Hofer, Melissa Dyne, Kim Abeles, Carol Brown, Christof Migone, Michael Rakowitz, Eyal Weizman, Rafael Lazano-Hemmer, Tanja Jordan, Lizzie Scott, Tim Durfee, Lize Mogel, Suzanne Lacy, Michael Asher, Bruce Nauman, Lucky Kitchen, Michael Prime, Alison Knowles, and Yoko Ono, amongst others.
Form:
books
books
Publication:
December 2002, Los Angeles
December 2002, Los Angeles
Subject:
Acoustics
Acoustics
Form:
books
books
Actions:
Price:
$45.95
(available in store)
Summary:
''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the(...)
$45.95
(available in store)
Summary:
''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the(...)
Title:
Sonic signatures: Music, migration and the city at night
Actions:
Price:
$45.95
(available in store)
Summary:
''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the anthology consider a wide array of genres—including EDM, batida do gueto, and iSicathamiya—to understand how migrants resist oppression, long for people and places, and shape their adopted cities through music.
Sonic signatures: Music, migration and the city at night
Actions:
Price:
$45.95
(available in store)
Summary:
''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the anthology consider a wide array of genres—including EDM, batida do gueto, and iSicathamiya—to understand how migrants resist oppression, long for people and places, and shape their adopted cities through music.
Form:
books
books
Publication:
August 2023
August 2023
Subject:
Acoustics
Acoustics
Form:
books
books
Actions:
Price:
$25.00
(available in store)
Summary:
Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
$25.00
(available in store)
Summary:
Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
Title:
La recherche comme composition
Actions:
Price:
$25.00
(available in store)
Summary:
Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
La recherche comme composition
Actions:
Price:
$25.00
(available in store)
Summary:
Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
Form:
books
books
Publication:
September 2023
September 2023
Subject:
Acoustics
Acoustics
Form:
books
books
Actions:
Price:
$18.00
(available in store)
Summary:
Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno(...)
$18.00
(available in store)
Summary:
Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno(...)
Title:
La musica contemporanea e il suo spazio
Actions:
Price:
$18.00
(available in store)
Summary:
Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno “inatteso”, la Musica contemporanea genera nuovi prototipi urbani, compositivi, cognitivi inaspettati. L’inatteso, nello specifico, non è solo la musica come generativa di un nuovo layer urbano, ma è una terza via di pensiero sullo spazio in toto. Spazio che viene disassato dalle logiche compositive visive e oggettuali tipiche della modernità, matrice di una prassi monodirezionata, verso una dimensione più aperta, orizzontale, sensoriale: una nuova esperienza intellettuale e di immaginazione.
La musica contemporanea e il suo spazio
Actions:
Price:
$18.00
(available in store)
Summary:
Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno “inatteso”, la Musica contemporanea genera nuovi prototipi urbani, compositivi, cognitivi inaspettati. L’inatteso, nello specifico, non è solo la musica come generativa di un nuovo layer urbano, ma è una terza via di pensiero sullo spazio in toto. Spazio che viene disassato dalle logiche compositive visive e oggettuali tipiche della modernità, matrice di una prassi monodirezionata, verso una dimensione più aperta, orizzontale, sensoriale: una nuova esperienza intellettuale e di immaginazione.
Form:
books
books
Publication:
September 2023
September 2023
Subject:
Acoustics
Acoustics
Form:
books
books
Price:
$45.00
(available to order)
Summary:
Une incursion dans un champ majeur du travail de Christina Kubisch, pionnière des arts sonores, qui explore depuis les années 1970 le potentiel sonore des champs électromagnétiques générés par notre environnement urbain et technologique.// An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of(...)
$45.00
(available to order)
Summary:
Une incursion dans un champ majeur du travail de Christina Kubisch, pionnière des arts sonores, qui explore depuis les années 1970 le potentiel sonore des champs électromagnétiques générés par notre environnement urbain et technologique.// An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of(...)
Title:
Inaudible, invisible : Une exploration des œuvres de Christina Kubisch
Actions:
Price:
$45.00
(available to order)
Summary:
Une incursion dans un champ majeur du travail de Christina Kubisch, pionnière des arts sonores, qui explore depuis les années 1970 le potentiel sonore des champs électromagnétiques générés par notre environnement urbain et technologique.// An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of electromagnetic fields generated by our urban and technological environment since the 1970s.
Inaudible, invisible : Une exploration des œuvres de Christina Kubisch
Actions:
Price:
$45.00
(available to order)
Summary:
Une incursion dans un champ majeur du travail de Christina Kubisch, pionnière des arts sonores, qui explore depuis les années 1970 le potentiel sonore des champs électromagnétiques générés par notre environnement urbain et technologique.// An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of electromagnetic fields generated by our urban and technological environment since the 1970s.
Form:
books
books
Publication:
September 2023
September 2023
Subject:
Acoustics
Acoustics
Form:
books
books
Actions:
Price:
$18.95
(available to order)
Summary:
In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists.
$18.95
(available to order)
Summary:
In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists.
Title:
On late style : music and literature against the grain
Actions:
Price:
$18.95
(available to order)
Summary:
In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists.
On late style : music and literature against the grain
Actions:
Price:
$18.95
(available to order)
Summary:
In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists.
Form:
books
books
Publication:
April 2007, New York
April 2007, New York
Form:
books
books
Actions:
Price:
$28.95
(available to order)
Summary:
This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind(...)
$28.95
(available to order)
Summary:
This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind(...)
Title:
In the blink of an ear, toward a non-cochlear sonic art
Actions:
Price:
$28.95
(available to order)
Summary:
This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound’s expanded situation and its uncontainable textuality. At the same time, this book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological.
In the blink of an ear, toward a non-cochlear sonic art
Actions:
Price:
$28.95
(available to order)
Summary:
This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound’s expanded situation and its uncontainable textuality. At the same time, this book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Acoustics
Acoustics
Form:
books
books
Price:
$44.95
(available to order)
Summary:
We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced(...)
$44.95
(available to order)
Summary:
We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced(...)
Subject:
Acoustics
Acoustics
Publication:
December 2006, Cambridge / London
December 2006, Cambridge / London
Title:
Spaces speak, are you listening ? Experiencing aural architecture
Actions:
Price:
$44.95
(available to order)
Summary:
We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture. The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling. Integrating contributions from a wide range of disciplines--including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others--Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.
Spaces speak, are you listening ? Experiencing aural architecture
Actions:
Price:
$44.95
(available to order)
Summary:
We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture. The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling. Integrating contributions from a wide range of disciplines--including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others--Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.
Form:
books
books
Publication:
December 2006, Cambridge / London
December 2006, Cambridge / London
Subject:
Acoustics
Acoustics
Form:
books
books
Actions:
Price:
$41.00
(available to order)
Summary:
Karin Bijsterveld examines the persistence of noise on the public agenda, looking at four episodes of noise and the public response to it in Europe and the United States between 1875 and 1975: industrial noise, traffic noise, noise from neighborhood radios and gramophones, and aircraft noise. She also looks at a twentieth-century counterpoint to complaints about noise:(...)
$41.00
(available to order)
Summary:
Karin Bijsterveld examines the persistence of noise on the public agenda, looking at four episodes of noise and the public response to it in Europe and the United States between 1875 and 1975: industrial noise, traffic noise, noise from neighborhood radios and gramophones, and aircraft noise. She also looks at a twentieth-century counterpoint to complaints about noise:(...)
Title:
Mechanical sound, technology, culture, and public problems of noise in the twentieth century
Actions:
Price:
$41.00
(available to order)
Summary:
Karin Bijsterveld examines the persistence of noise on the public agenda, looking at four episodes of noise and the public response to it in Europe and the United States between 1875 and 1975: industrial noise, traffic noise, noise from neighborhood radios and gramophones, and aircraft noise. She also looks at a twentieth-century counterpoint to complaints about noise: the celebration of mechanical sound in avant-garde music composed between the two world wars.
Mechanical sound, technology, culture, and public problems of noise in the twentieth century
Actions:
Price:
$41.00
(available to order)
Summary:
Karin Bijsterveld examines the persistence of noise on the public agenda, looking at four episodes of noise and the public response to it in Europe and the United States between 1875 and 1975: industrial noise, traffic noise, noise from neighborhood radios and gramophones, and aircraft noise. She also looks at a twentieth-century counterpoint to complaints about noise: the celebration of mechanical sound in avant-garde music composed between the two world wars.
Form:
books
books
Publication:
August 2008, Cambridge
August 2008, Cambridge
Subject:
Acoustics
Acoustics
Form:
books
books
Actions:
Price:
$30.95
(available to order)
Summary:
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art(...)
$30.95
(available to order)
Summary:
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art(...)
Title:
Background noise: perspectives on sound art
Actions:
Price:
$30.95
(available to order)
Summary:
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework Brandon LaBelle is a writer and curator who currently lives in Denmark. From 1998 to 2002 he developed and curated an international sound art festival in Los Angeles, Beyond Music; in 2001 he developed and organized Social Music, a series of radio works for Kunstradio in Vienna; in 2002 he curated Concrete Feedback, an exhibition of sound installations working with architecture, presented at the Southern California Institute of Architecture; and in 2002-03 he researched and curated the music section to the exhibition, Beyond Geometry: Experiments in Form, 1940s - 1970s for the Los Angeles County Museum of Art.
Background noise: perspectives on sound art
Actions:
Price:
$30.95
(available to order)
Summary:
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework Brandon LaBelle is a writer and curator who currently lives in Denmark. From 1998 to 2002 he developed and curated an international sound art festival in Los Angeles, Beyond Music; in 2001 he developed and organized Social Music, a series of radio works for Kunstradio in Vienna; in 2002 he curated Concrete Feedback, an exhibition of sound installations working with architecture, presented at the Southern California Institute of Architecture; and in 2002-03 he researched and curated the music section to the exhibition, Beyond Geometry: Experiments in Form, 1940s - 1970s for the Los Angeles County Museum of Art.
Form:
books
books
Publication:
April 2006, New York, London
April 2006, New York, London
Subject:
Acoustics
Acoustics
