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The product of an international collective of artists, architects and writers who create collaborative projects and publications, this third edition of Surface Tension's Supplement series documents three years of artistic research, site-specific work and location-based practices in Curitiba, Brazil--providing an in-depth exploration of the city's economically marginal(...)
Surface Tension's Supplement 3 :Manual for the construction of a cart as a device to elaborate social connection
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The product of an international collective of artists, architects and writers who create collaborative projects and publications, this third edition of Surface Tension's Supplement series documents three years of artistic research, site-specific work and location-based practices in Curitiba, Brazil--providing an in-depth exploration of the city's economically marginal favela dwellers, who venture throughout the public spaces of Curitiba in search of recyclable materials. Documentation and texts elaborate on the cultural and political issues that come to light through various uses of public space. Originally developed as a collaborative installation between international and local artists--including Ken Ehrlich, Brandon LaBelle, Octávio Camargo and Guilherme Soares--exhibited at Curitiba's Ybakatu Gallery, this publication raises pertinent questions about the consequences of cross-cultural and site-specific collaboration and proffers an experimental approach toward political inquiry and intermedia practice.
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially(...)
Inherent vice: bootleg histories of videotape and copyright
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy.
Acoustics
books
Sounds: noisy paper book
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«Except what you are reading on this page, this book has no words or printed images. It is as the title suggest a book about sounds. The pages in sequence make a quiet drama of subtle noises. By turning, rustling and fumbling the pages, you will find all thar is intended.
Sounds: noisy paper book
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«Except what you are reading on this page, this book has no words or printed images. It is as the title suggest a book about sounds. The pages in sequence make a quiet drama of subtle noises. By turning, rustling and fumbling the pages, you will find all thar is intended.
books
January 1992, New York
Acoustics
Sonic Youth: sensational fix
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This comprehensive 784-page volume--which includes two 7-inch records with unpublished songs by each member, album covers, band portraits and documentary photos, many of which have never been published before--is a must for fans and anyone seeking to connect the dots between New York's various cultural scenes. It features writings by band members and contributions by a(...)
Sonic Youth: sensational fix
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This comprehensive 784-page volume--which includes two 7-inch records with unpublished songs by each member, album covers, band portraits and documentary photos, many of which have never been published before--is a must for fans and anyone seeking to connect the dots between New York's various cultural scenes. It features writings by band members and contributions by a host of other luminaries, including Richard Hell, Mike Kelley, Jutta Koether, Alan Licht, Lydia Lunch and John Miller.
Acoustics
$36.95
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Audio Culture: Readings in Modern Music maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to(...)
Acoustics
September 2004, New York, London
Audio culture :readings in modern music
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Audio Culture: Readings in Modern Music maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture.
Acoustics
Harmonious triads: physicists, musicians, and instrument makers in nineteenth-century germany
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Historically, music was long classified as both art and science. In this book, Myles Jackson analyzes the relationship of physicists, musicians, and instrument makers in nineteenth-century Germany. Musical instruments provided physicists with experimental systems, and physicists' research led directly to improvements in musical-instrument manufacture and assisted(...)
Harmonious triads: physicists, musicians, and instrument makers in nineteenth-century germany
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Historically, music was long classified as both art and science. In this book, Myles Jackson analyzes the relationship of physicists, musicians, and instrument makers in nineteenth-century Germany. Musical instruments provided physicists with experimental systems, and physicists' research led directly to improvements in musical-instrument manufacture and assisted musicians in their performances.
Acoustics
$55.00
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Over the past century, an art form has emerged that draws from the worlds of visual art and music. Sound art’s roots can be found in the experimental work of Italian Futurism, Dada, and later the Fluxus group and the pioneering efforts of the American composer and artist John Cage. In the wake of this groundbreaking work, sound art began to mature into a movement, and(...)
Sound art: beyond music, between categories
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Over the past century, an art form has emerged that draws from the worlds of visual art and music. Sound art’s roots can be found in the experimental work of Italian Futurism, Dada, and later the Fluxus group and the pioneering efforts of the American composer and artist John Cage. In the wake of this groundbreaking work, sound art began to mature into a movement, and artists explored the interactive possibilities of sound and in turn created entirely new modes of experiencing and engaging with art. In this volume, the complete story of sound art is told by one of the country’s leading critics and scholars. The author traces the history of this form of art–highlighting the convergence of the indie world bands such as Sonic Youth with the art world–looking at the critical cross-pollination that has led to some of the most important and challenging art being produced today, including work by Christian Marclay, LaMonte Young, Janet Cardiff, Rodney Graham, and Laurie Anderson, among many others. Alan Licht is an American composer, guitarist, music writer, and a widely respected figure on the experimental music scene. He is not only responsible for important album reissues, but was a member of the cult classic NYC bands Love Child and Run On. He currently lives in New York City. Jim O’Rourke is an American musician and producer, and most widely known as a member of the rock band Sonic Youth. Considered an expert on experimental music, he has scored films for Werner Herzog and Olivier Assayas.
Acoustics
$28.95
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This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind(...)
In the blink of an ear, toward a non-cochlear sonic art
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This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound’s expanded situation and its uncontainable textuality. At the same time, this book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological.
Acoustics
Max Neuhaus: Times Square
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In 1977, Max Neuhaus turned a triangle of pedestrian space between 45th and 46th Streets in Times Square into an island of harmonic sound. The rich textures of that sound continue today, emanating from beneath the sidewalk grating, to anonymously reach an individual’s ears as if one has stumbled upon a secret. Known as Times Square, the celebrated installation was(...)
Max Neuhaus: Times Square
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$37.95
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In 1977, Max Neuhaus turned a triangle of pedestrian space between 45th and 46th Streets in Times Square into an island of harmonic sound. The rich textures of that sound continue today, emanating from beneath the sidewalk grating, to anonymously reach an individual’s ears as if one has stumbled upon a secret. Known as Times Square, the celebrated installation was restored in 2002 with support from Dia Art Foundation, which further commissioned a site-specific piece, Time Piece Beacon, from Neuhaus in 2006 for its museum in Beacon, New York.
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Ce livre a été publié à l'occasion de l'exposition tenue à Bourogne, l'Espace Multimédias Gantner du 23 février au 21 mars 2005. L'artiste sonore Brandon LaBelle y présentait ses oeuvres et un concert-performance.
Acoustics
October 2008, Dijon
Live bootleg, Brandon LaBelle
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Ce livre a été publié à l'occasion de l'exposition tenue à Bourogne, l'Espace Multimédias Gantner du 23 février au 21 mars 2005. L'artiste sonore Brandon LaBelle y présentait ses oeuvres et un concert-performance.
Acoustics