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Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art. Starting from the(...)
Acoustics
January 1900, Los Angeles, Downey
Writing aloud: the sonic of language
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Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art. Starting from the perspective that the sound of the voice is crucial to our perceptions and understandings of language, to the creative possibility of being without language, Writing Aloud examines the repercussions of such a perspective. Considering the sonics of words, it extends this examination of vocalization and articulation into how it contributes to and influences communication and notions of self-recognition. And further, how orality effects the act of writing itself, stages the tension between sense and non-sense, and provides space for self-reflection.
Acoustics
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"If it all came down to one piece of music, what would you choose? How would you justify your choice? On live radio? These are the questions Julius Nil asked every other Sunday for a year on London's Resonance FM, before going to work at Yale under his given name, Seth Kim-Cohen. Includes 12 conversations with influential figures from classical, jazz, rock, pop, cultural(...)
One reason to live : conversations about music with Julius Nil
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"If it all came down to one piece of music, what would you choose? How would you justify your choice? On live radio? These are the questions Julius Nil asked every other Sunday for a year on London's Resonance FM, before going to work at Yale under his given name, Seth Kim-Cohen. Includes 12 conversations with influential figures from classical, jazz, rock, pop, cultural theory, philosophy and the burgeoning field of sound art."
Acoustics
$22.00
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Through literary, performative, and sonic analysis, this book simultaneously serves as a tool for investigating the micro-structures of audiophonic representation; proposes a unified, though open-ended, field theory of the sound arts; offers expanded descriptive possibilities for audio productions; and revises the study of audio mimesis in relation to gardens and landscape.
Varieties of audio mimesis : musical evocations of landscape
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Through literary, performative, and sonic analysis, this book simultaneously serves as a tool for investigating the micro-structures of audiophonic representation; proposes a unified, though open-ended, field theory of the sound arts; offers expanded descriptive possibilities for audio productions; and revises the study of audio mimesis in relation to gardens and landscape.
Acoustics
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In this volume, international artists, media theorists, art historians, and curators explore histories and concepts of radio as art in a world where old and new notions of communication and distribution are converging in the vast radio network known as the cell phone.
Re-inventing radio: aspects of radio as art
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In this volume, international artists, media theorists, art historians, and curators explore histories and concepts of radio as art in a world where old and new notions of communication and distribution are converging in the vast radio network known as the cell phone.
Acoustics
Arcana 2 musicians on music
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Arcana II is the second in a groundbreaking series of volumes presented by John Zorn answering a continuing need for critical attention toward avant-garde and experimental music. Thirty distinguished composer/performers illuminate and speculate upon method and practice in the process of making, experiencing, and thinking about music. Imaginatively elucidating through(...)
Arcana 2 musicians on music
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Arcana II is the second in a groundbreaking series of volumes presented by John Zorn answering a continuing need for critical attention toward avant-garde and experimental music. Thirty distinguished composer/performers illuminate and speculate upon method and practice in the process of making, experiencing, and thinking about music. Imaginatively elucidating through essays, scores, manifestoes, and interviews both real and imaginary, Arcana II gives voice to a new generation of brave musical explorers living outside the mainstream academy who passionately and selflessly devote themselves to a search for the miraculous.
Acoustics
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2000
Sounding out the city : personal stereos and the management of every life
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2000
books
June 2000, New York, Oxford
Acoustics
Arcana 3 musicians on music
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The writings in the continuing Arcana series provide direct connections to the inner sanctums of some of the most extraordinary musical thinkers of our time. Technical, philosophical and mystical in nature, these essays reach out to the listener to illuminate the creative processes and hidden stratagem of a music (and a community) largely misjudged and unappreciated by(...)
Arcana 3 musicians on music
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$42.00
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The writings in the continuing Arcana series provide direct connections to the inner sanctums of some of the most extraordinary musical thinkers of our time. Technical, philosophical and mystical in nature, these essays reach out to the listener to illuminate the creative processes and hidden stratagem of a music (and a community) largely misjudged and unappreciated by mainstream culture. Arcana provides welcome tools for digging into the underground and can lead the creative mind toward an exciting world of possibilities for artists, musicians, musical theorists and curious listeners alike.
Acoustics
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Karin Bijsterveld examines the persistence of noise on the public agenda, looking at four episodes of noise and the public response to it in Europe and the United States between 1875 and 1975: industrial noise, traffic noise, noise from neighborhood radios and gramophones, and aircraft noise. She also looks at a twentieth-century counterpoint to complaints about noise:(...)
Mechanical sound, technology, culture, and public problems of noise in the twentieth century
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Karin Bijsterveld examines the persistence of noise on the public agenda, looking at four episodes of noise and the public response to it in Europe and the United States between 1875 and 1975: industrial noise, traffic noise, noise from neighborhood radios and gramophones, and aircraft noise. She also looks at a twentieth-century counterpoint to complaints about noise: the celebration of mechanical sound in avant-garde music composed between the two world wars.
Acoustics
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"I am concerned with the power of sound! and what it can do to the body and the mind," wrote composer Pauline Oliveros. In the body, histories and politics come together with sound and listening, memory and feeling. "Bodies of sound" offers a resonant exploration of feminist sonic cultures and radical listening in over fifty contributions. In this book of echoes, a(...)
Bodies of sound: Becoming a feminist ear
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"I am concerned with the power of sound! and what it can do to the body and the mind," wrote composer Pauline Oliveros. In the body, histories and politics come together with sound and listening, memory and feeling. "Bodies of sound" offers a resonant exploration of feminist sonic cultures and radical listening in over fifty contributions. In this book of echoes, a variety of forms – from essays to text scores to art, fiction and memoir – speak across gender, ways of knowing, witnessing, sounding and voicing, translation, displacement, violence and peace.
Acoustics
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From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of(...)
Surface tension : problematics of site
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From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of site-specificity, conceptualism, feminism, and architecture practice, "Surface Tension" reveals the connections between cultural production and the very spaces in which such work functions. These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including 'Coughing Piece', a never-before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures. Conversations occur between the pages of "Surface Tension", between theoretical analysis and modes of practice, that activate the publication as a site itself, one participating in a broad field of knowledge. Includes an audio CD of the sound art pieces. Artists Include: Gordon Matta-Clark, Lawrence Weiner,Jan Hofer, Melissa Dyne, Kim Abeles, Carol Brown, Christof Migone, Michael Rakowitz, Eyal Weizman, Rafael Lazano-Hemmer, Tanja Jordan, Lizzie Scott, Tim Durfee, Lize Mogel, Suzanne Lacy, Michael Asher, Bruce Nauman, Lucky Kitchen, Michael Prime, Alison Knowles, and Yoko Ono, amongst others.
Acoustics