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The volume focuses on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the early Islamic period and examines the different ways of creating a beautiful environment. The book(...)
Arch Middle East
October 2001, New Haven
Islamic art and architecture 650-1250
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The volume focuses on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the early Islamic period and examines the different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book.
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October 2001, New Haven
Arch Middle East
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"Les chefs-d'œuvre de l'architecture traditionnelle de l'Inde" donnent un riche aperçu sur l'héritage et l'architecture indiens en promenant le lecteur à travers les siècles. Réservé initialement aux chercheurs, cet ouvrage présente une myriade d'informations sur les formes, écoles et styles d'architecture et aborde les différents aspects de l'esthétique indienne, de(...)
Les chefs-d'œuvre de l'architecture traditionnelle de l'Inde
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"Les chefs-d'œuvre de l'architecture traditionnelle de l'Inde" donnent un riche aperçu sur l'héritage et l'architecture indiens en promenant le lecteur à travers les siècles. Réservé initialement aux chercheurs, cet ouvrage présente une myriade d'informations sur les formes, écoles et styles d'architecture et aborde les différents aspects de l'esthétique indienne, de l'ingénierie des constructions, de l'histoire et des idées philosophiques afin de redonner à l'architecture indienne sa grandeur et sa majesté. "Les chefs-d'œuvre de l'architecture traditionnelle de l'Inde" est un ouvrage complet qui illustre l'évolution des formes architecturales et leur usage au cours des siècles. Il explique comment différentes cultures, religions et populations ont contribué à créer des styles divers. Des merveilles d'architecture ont ainsi été réalisées : des minars d'une hauteur imposante de l'architecture islamique à l'exquise architecture rocheuse des bouddhistes, de l'éblouissant temple de Dilwara au glorieux temple du Soleil. Source prodigieuse d'informations, ce livre est en outre brillamment illustré.
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The architecture of India reflects both the cultural diversity of the subcontinent and its rich political and historical inheritance. In this guide, the various strands of this rich architectural history, from the dawn of civilization to modern times, are presented in word and picture. Readers are taken on a tour of Indus Valley civilization, early Vedic traditions,(...)
Introduction to Indian architecture
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The architecture of India reflects both the cultural diversity of the subcontinent and its rich political and historical inheritance. In this guide, the various strands of this rich architectural history, from the dawn of civilization to modern times, are presented in word and picture. Readers are taken on a tour of Indus Valley civilization, early Vedic traditions, Hindu, Jain, Mughal, regional, colonial and post-independencearchitectural styles, and thematic architecture, as well as specific monuments and buildings.
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Jaipur, in Rajasthan, is renowned for its palaces and museums, its craft traditions and its distinctive pink shops and houses. A planned city within walls, it was built in pre-modern times according to a distinctive Indian theory of architecture known as vastu vidya. As architecture subsequently developed in India, in response to British and latterly post-colonial(...)
Arch Middle East
September 2002, London
Building Jaipur : the making of an Indian city
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Jaipur, in Rajasthan, is renowned for its palaces and museums, its craft traditions and its distinctive pink shops and houses. A planned city within walls, it was built in pre-modern times according to a distinctive Indian theory of architecture known as vastu vidya. As architecture subsequently developed in India, in response to British and latterly post-colonial policies, this system became increasingly marginalized and fragmented, decreasingly practised and understood. Taking Jaipur as a test case, the authors use this lost tradition to explain historic Indian buildings according to the rationale of their original architects. The authors also examine the place of traditional architectural theory in a modern context – Post-Modern architecture in India has often sought to recapture a spirit of the past, and yet been reluctant to engage with traditional theory. By chronicling the gradual eclipse of Indian architectural theory, the authors explain how this reluctance arose; they also describe the need and the terms for a fresh engagement with it. The result is an architectural biography of a city, and a concise history of Indian architectural theory over the last 300 years.
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Cet ouvrage offre un large panorama des décors architecturaux dans toute la diversité de l'aire géographique musulmane (Orient, Espagne et Maghreb, Turquie et Iran, sous-continent indien...).
L'Art de la céramique dans l'architecture musulmane
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Cet ouvrage offre un large panorama des décors architecturaux dans toute la diversité de l'aire géographique musulmane (Orient, Espagne et Maghreb, Turquie et Iran, sous-continent indien...).
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November 2001, Paris
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Another Reason is a bold and innovative study of the intimate relationship between science, colonialism, and the modern nation. Gyan Prakash, one of the most influential historians of India writing today, explores in fresh and unexpected ways the complexities, contradictions, and profound importance of this relationship in the history of the subcontinent. He reveals how(...)
Another reason: science and the imagination of modern India
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Another Reason is a bold and innovative study of the intimate relationship between science, colonialism, and the modern nation. Gyan Prakash, one of the most influential historians of India writing today, explores in fresh and unexpected ways the complexities, contradictions, and profound importance of this relationship in the history of the subcontinent. He reveals how science served simultaneously as an instrument of empire and as a symbol of liberty, progress, and universal reason--and how, in playing these dramatically different roles, it was crucial to the emergence of the modern nation.
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August 1999
Arch Middle East
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Photography by Andrea Brizzi
Cuba : 400 years of architectural heritage
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Photography by Andrea Brizzi
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March 2000, New York
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Ilay Cooper, who has travelled extensively in India since 1965, surveys the vernacular buildings of each region with an expert knowledge of materials and techniques, as well as of history and tradition. Barry Dawson's photographs bring us into intimate contact with the rural towns and villages of India where ninety per cent of the population live and work.(...)
Traditional Buildings of India
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Ilay Cooper, who has travelled extensively in India since 1965, surveys the vernacular buildings of each region with an expert knowledge of materials and techniques, as well as of history and tradition. Barry Dawson's photographs bring us into intimate contact with the rural towns and villages of India where ninety per cent of the population live and work. Through this colourful, intimate and humane study of traditional architecture, the many personalities of India are revealed.
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May 1998, London
Arch Middle East
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"India by Design : colonial history and cultural display" maps for the first time a series of historical events - from the Raj in the mid-nineteenth century up to the present day - through which India was made fashionable to Western audiences within the popular cultural arenas of the imperial metropole. Situated at the convergence of discussions in anthropology, art(...)
Arch Middle East
November 2007, Berkeley, Los Angeles, London
India by design : colonial history and cultural display
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"India by Design : colonial history and cultural display" maps for the first time a series of historical events - from the Raj in the mid-nineteenth century up to the present day - through which India was made fashionable to Western audiences within the popular cultural arenas of the imperial metropole. Situated at the convergence of discussions in anthropology, art history, museum studies, and postcolonial criticism, this dynamic study investigates with vivid historical detail how Indian objects, bodies, images, and narratives circulated through metropolitan space and acquired meaning in an emergent nineteenth-century consumer economy. Through an examination of India as represented in department stores, museums, exhibitions, painting, and picture postcards of the era, the book carefully confronts the problems and politics of postcolonial display and offers an original and provocative account of the implications of colonial practices for visual production in our contemporary world.
Arch Middle East
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Dernière des religions révélées, l'Islam, né au VIIe siècle, suscite dès ses débuts une architecture impressionnante. A partir de la simple maison de Mahomet à Médine, cette foi nouvelle s'exprime dans un édifice nouveau : la mosquée, lieu du prosternement. Tant par ses espaces de prière que par ses palais et citadelles, l'art de bâtir du monde islamique, tout en(...)
L'architecture de l'Islam : au service de la foi et du pouvoir
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Dernière des religions révélées, l'Islam, né au VIIe siècle, suscite dès ses débuts une architecture impressionnante. A partir de la simple maison de Mahomet à Médine, cette foi nouvelle s'exprime dans un édifice nouveau : la mosquée, lieu du prosternement. Tant par ses espaces de prière que par ses palais et citadelles, l'art de bâtir du monde islamique, tout en empruntant aux civilisations conquises, s'affirme comme un courant esthétique majeur. Des formes inédites surgissent. Les architectes inventent la mosquée hypostyle, l'iwan, les stalactites, les mâchicoulis, le décor de faïence qui revêt coupoles et mihrab. C'est un langage sans cesse divers qui, partout, décline la même présence du décor, de l'arabesque, des motifs géométriques, des claustra, et surtout des textes sacrés. Henri Stierlin, historien de l'architecture, décrit et explique les mille et une formes des bâtiments musulmans, en soulignant les constantes et les infinies variations d'un art animé, durant plus de dix siècles, par un élan et par un souffle grandioses.
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