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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the(...)
Artificial love : a story of machines and architecture
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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the world around him. Artificial Love weaves together three stories about architecture into one. The first, about machines as architecture, leads to speculations about technology and the human condition and to the assertion that machines are the sculptures of today. The second story is about the ways that architecture reflects the tribal and personal desires of those who make it. In the West, ideas of community, multiculturalism, and globalization compete furiously, leaving architecture to exist as it always has, as the past in the present. The third story features individual people experiencing their lives in the context of architecture. Here, Shepheard borrows the rhetorical device of Shakespeare's seven ages of man to propose that each person's life imitates the accumulating history of the human species. Shepheard's version of the history of humans is a technological one, in which machines become sculpture and sculpture becomes architecture. For Shepheard, our machines do not separate us from nature. Rather, our technology is our nature, and we cannot but be in harmony with nature. The change that we have wrought in the world, he says, is a wonderful and powerful thing.
Architectural Theory
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« Bien que l’expression “l’architecture de survie” ait un sens à peu près inverse de celui de “la survie de l’architecte”, mon but dans ce livre, est de reconsidérer le rôle de l’architecture dans la simple survie de l’espèce, sans pour autant utiliser des slogans grandiloquents, sans surestimer ce rôle et sans faire de propositions utopiques, donc irréalisables. Il va me(...)
L'architecture de survie : une philosophie de la pauvreté
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« Bien que l’expression “l’architecture de survie” ait un sens à peu près inverse de celui de “la survie de l’architecte”, mon but dans ce livre, est de reconsidérer le rôle de l’architecture dans la simple survie de l’espèce, sans pour autant utiliser des slogans grandiloquents, sans surestimer ce rôle et sans faire de propositions utopiques, donc irréalisables. Il va me falloir, de nouveau, poser certaines questions (sur lesquelles je travaille depuis plus de quarante ans), les analyser et enfin, et surtout, mentionner, à titre d’exemples, quelques solutions que j’ai proposées durant ces quarante ans. Les questions sont fort simples : à qui revient le droit de décision en matière d’architecture? Comment assurer ce droit à celui auquel il revient? Comment le faire dans un monde qui va vers une pauvreté croissante? Comment survivre dans un tel monde? Qu’est-ce que ce “monde pauvre”? Comment agir face à ces perspectives? »
Architectural Theory
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''Bedtime stories for architects'' is a compendium of texts, built works and graphic work by Peter Wilson. It offers glimpses of buildings by the German based office of BOLLES+WILSON, but it is not a monograph, it presents a cloud of discursive subjects and narratives, evidencing Wilson’s take on a wide range of academic, technical, cultural, and architectural issues. It(...)
Bedtime stories for Architects
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''Bedtime stories for architects'' is a compendium of texts, built works and graphic work by Peter Wilson. It offers glimpses of buildings by the German based office of BOLLES+WILSON, but it is not a monograph, it presents a cloud of discursive subjects and narratives, evidencing Wilson’s take on a wide range of academic, technical, cultural, and architectural issues. It has been called ‘tremendously cutting-edge’, perhaps because of the wry humor of the stories and Wilson’s witty and intelligent drawings – these extend to satirical portraits of – bankers, estate agents, property developers and a few OK people. Much of the book is organized alphabetically like a children’s book – A is for Albania, C is for Counterfactual Histories, G is for Guggenheim, M is for Malevich, O is for Olgiati, R is for Ritual. Counterfactual Histories (a concept from Borges) are paint-shop illustrated as surprising, poetic and enigmatic landscapes. ‘A Blue Review’ deconstructs a book on colour in architecture. Between the enigmatic graphic works are longer texts including Wilson’s extensive analysis of Studio Mumbai (first published in El Croquis), a longer investigation of the Swiss architect Valerio Olgiati and a history of Modernism in Wilson’s home country Australia.
Architectural Theory
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"Ideas, faces and places" is a record of an exhibition and symposium that took place in Dublin at The Irish Architectural Archive in the autumn of 2022, "Sweet Disorder and the Carefully Careless: Ideas, Faces and Places", which transferred to RIBA headquarters in London in the Spring of 2023. The book is a repository for some of the observations that arose at these(...)
Architectural Theory
January 2023
Ideas, faces and places : Sweet disorder and carefully careless
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"Ideas, faces and places" is a record of an exhibition and symposium that took place in Dublin at The Irish Architectural Archive in the autumn of 2022, "Sweet Disorder and the Carefully Careless: Ideas, Faces and Places", which transferred to RIBA headquarters in London in the Spring of 2023. The book is a repository for some of the observations that arose at these events made by architects and critics including John Tuomey, Ed Jones, Irina Davidovici, Kenneth Frampton and others. The exhibition juxtaposed Celia Scott’s busts of the architects James Stirling, Leon Krier, Alan Colquhoun, Ed Jones and others, with a pictorial biography of her husband, the eminent architect and academic Robert Maxwell (1922-2020). The view that this book offers of the exhibition and of the work of Scott and Maxwell is provisional and partial, offering the reader the chance to meander and to relish unexpected juxtapositions and oblique views of its subjects - almost exactly like the rooms that Celia Scott created in Dublin and in London. Robert Maxwell was one of the most important architectural theorists and teachers of the second half of the 20th century - this book is an essential addition to his oeuvre.
Architectural Theory
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Grace and architecture
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Through a constructive way of looking at the timing of architecture, this reference explores the myths of a critical history. The featured ideas are made more concrete and specific by focusing the enquiry on a forgotten building outside Helsinki — Espoonlahti Church — designed by the architects Timo and Tuomo Suomalainen.
Grace and architecture
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Through a constructive way of looking at the timing of architecture, this reference explores the myths of a critical history. The featured ideas are made more concrete and specific by focusing the enquiry on a forgotten building outside Helsinki — Espoonlahti Church — designed by the architects Timo and Tuomo Suomalainen.
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February 1998, Helsinki
Architectural Theory
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Terminal architecture
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In this book, British architecture critic Martin Pawley argues that design innovation and notions of obsolescence and replacement have been subordinated to rules for the benefit of heritage and tourism, resulting in cities which appear classical or Victorian. He claims that only by redefining our values can architecture continue to evolve and remain innovative.
Terminal architecture
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In this book, British architecture critic Martin Pawley argues that design innovation and notions of obsolescence and replacement have been subordinated to rules for the benefit of heritage and tourism, resulting in cities which appear classical or Victorian. He claims that only by redefining our values can architecture continue to evolve and remain innovative.
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September 1998, London
Architectural Theory
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Conception and birth, growth and maturity, aging and death--these are important moments in the human life story. They are also stages in the existence of a building, says the author of this unconventional history of the rituals and practices that surround built structures in America. Drawing on sources as varied as Masonic manuals, promotional brochures, janitorial(...)
Building lives : constructing rites and passages
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Conception and birth, growth and maturity, aging and death--these are important moments in the human life story. They are also stages in the existence of a building, says the author of this unconventional history of the rituals and practices that surround built structures in America. Drawing on sources as varied as Masonic manuals, promotional brochures, janitorial contracts, tourist guidebooks, and religious texts, cultural historian Neil Harris explores the rites of building passage over the past one hundred and fifty years. In this generously illustrated volume, he offers fascinating new insights into the social and cultural roles of buildings. This book suggests that architecture is a performing art as well as a fine art. Harris provides entertaining accounts of building introductions and presentations; celebrations, including groundbreakings, cornerstone layings, dedication ceremonies, and milestone anniversaries; efforts by builders, designers, real estate agents, photographers, and users to endow buildings with personality; debates over the naming of buildings; and attempts to document the erection and aging of buildings. Harris details recent strenuous efforts to prolong building life and vitality, and the increasing concern over "sick" and endangered buildings. Observing the difficulty that people experience in saying goodbye to old buildings that feel like friends, he calls for ceremony to mark the end as well as the beginning of a building's life.
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October 1998, New Haven
Architectural Theory
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To concentrate only on the profession of architecture is to ignore the much larger field of architecture, which structures the entire social universe of the architect and of which architects are only one part. This book critically surveys that field, exposing(...)
The favored circle : the social foundations of architectural distinction
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To concentrate only on the profession of architecture is to ignore the much larger field of architecture, which structures the entire social universe of the architect and of which architects are only one part. This book critically surveys that field, exposing many myths and debunking a number of heroes in the process. Using the conceptual apparatus of French sociologist Pierre Bourdieu, Stevens describes the field of architecture on two levels. First, he provides a detailed account of the field as it is at any given point in time, describing the different components and their relationships. Second, he analyzes the dynamics of the field through time, from the Renaissance to the present. He discusses the system of architectural education, as well as everyday aspects such as the competition for reputation. He concludes that throughout history, the most eminent architects have been connected to each other by master-pupil and collegiate relations. These networks, which still exist, provide a mechanism for architectural influence that runs parallel to that of the university-based schools.
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November 1998, Cambridge, Mass.
Architectural Theory
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BorderLine
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"BorderLine" highlights a particularly troubled site in Europe, the town and harbor of Kraljevica, just south of Rijeka, Croatia, where the failing ship-building industry and pollution from a large oil refinery threaten both the ecology and the prospects (...)
Architectural Theory
September 1998, Vienna
BorderLine
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"BorderLine" highlights a particularly troubled site in Europe, the town and harbor of Kraljevica, just south of Rijeka, Croatia, where the failing ship-building industry and pollution from a large oil refinery threaten both the ecology and the prospects of tourism. Drawing on the results of a workshop organized, funded and conducted by the Research Institute for Experimental Architecture (RIEA) in the Frankopan Castle in Kraljevica, "BorderLine" presents essays and projects by leading thinkers and architects addressing the contemporary problems such regions have within rapidly evolving European and global landscapes. "BorderLine" includes essays by Lebbeus Woods, Gabriela Seifert, Manuel Delanda, Aleksandra Wagner, Heinz Foerster, and Ekkehard Rehfeld; it also includes architectural projects and conceptual proposals by Lebbeus Woods, Peter Cook, Will Alsop, Per Kartredt, Masihiko Yendo, and Guy Lafranchi . This title is the first in the RIEAconcepts series, edited by Lebbeus Woods. These books will present innovative research and experimental projects initiated and implemented by both RIEA and individual architects.
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September 1998, Vienna
Architectural Theory
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Joseph Rykwert, a professor of architecture at the University of Pennsylvania, has contributed to the body of work about architecture a wide-ranging study of the use of the human figure in the discipline, particularly in columns. Rykwert plunges deep into architectural history, tracing the development of the classic orders from Greece to Rome and on through the(...)
The dancing column: on order in architecture
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Joseph Rykwert, a professor of architecture at the University of Pennsylvania, has contributed to the body of work about architecture a wide-ranging study of the use of the human figure in the discipline, particularly in columns. Rykwert plunges deep into architectural history, tracing the development of the classic orders from Greece to Rome and on through the Renaissance in France and Italy. He says the relationship between the human body and architecture is "deeply ingrained in all recorded architectural thinking." He especially sees a close tie between the body and the column, the essential building block of architectural order.
Architectural Theory