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In 1955 The Museum of Modern Art staged Latin American Architecture since 1945, a landmark survey of modern architecture in Latin America. Published in conjunction with a new exhibition that revisits the region on the 60th anniversary of that important show, Latin America in Construction: Architecture 1955-1980 offers a complex overview of the positions, debates, and(...)
Latin America in construction: architecture 1955-1980
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In 1955 The Museum of Modern Art staged Latin American Architecture since 1945, a landmark survey of modern architecture in Latin America. Published in conjunction with a new exhibition that revisits the region on the 60th anniversary of that important show, Latin America in Construction: Architecture 1955-1980 offers a complex overview of the positions, debates, and architectural creativity from Mexico and Cuba to the Southern Cone between 1955 and the early 1980s.
Architecture since 1900, Americas
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In "The Architecture of Entertainment", architectural historian and author Robert Winter explain this "architecture of entertainment" - the inherent beauty and mystery of the era when historic architectural styles became adventurous escapades. Chapters cover topics such as "planning the city beautiful," "eclecticism," "housing for the masses," "gardens," "public(...)
Architecture since 1900, Americas
April 2006, Salt Lake City
The architecture of entertainment : L.A. in the twenties
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In "The Architecture of Entertainment", architectural historian and author Robert Winter explain this "architecture of entertainment" - the inherent beauty and mystery of the era when historic architectural styles became adventurous escapades. Chapters cover topics such as "planning the city beautiful," "eclecticism," "housing for the masses," "gardens," "public architecture," and more. Architects covered in this book include Bertram Goodhue; Morgan, Walls and Clements; Allison and Allison; and Parkinson and Parkinson working in public architecture; as well as Frank Lloyd Wright and Wallace Neff working in residential architecture. Also included are works of modernists Irving Gill, Alfred Loos, Richard Neutra, and others.
Architecture since 1900, Americas
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This comparative history of American architecture, social spaces, and engineered environments — organized by style, and then by chronology — is for the general reader. Within its heavily illustrated pages, Tom Martinson traces two millennia of the built environment of this endlessly fascinating, extraordinarily expansive, and utterly diverse nation. Pairing vibrant(...)
The atlas of American architecture : 2000 years of architecture, city planning, landscape architecture and civil engineering
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This comparative history of American architecture, social spaces, and engineered environments — organized by style, and then by chronology — is for the general reader. Within its heavily illustrated pages, Tom Martinson traces two millennia of the built environment of this endlessly fascinating, extraordinarily expansive, and utterly diverse nation. Pairing vibrant photography with a rich knowledge of the history of architecture in America — from the Hopi and Colonial years to neomodernism, Robert A. M. Stern, and Zaha Hadid — the book is a comprehensive overview of styles and developments, as well as telling the story of a country through its buildings.
Architecture since 1900, Americas
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What if we stopped dividing the US and Mexico, and instead saw the border as one region? This book envisions the cultural and industrial cohesion of the area. At a moment when migration has returned as a hot-button political issue and NAFTA is being renegotiated as the USMC, political discourse has exaggerated differences on either side of the shared US/Mexico border. But(...)
Architecture since 1900, Americas
December 2020
Two sides of the border: reimagining the region
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What if we stopped dividing the US and Mexico, and instead saw the border as one region? This book envisions the cultural and industrial cohesion of the area. At a moment when migration has returned as a hot-button political issue and NAFTA is being renegotiated as the USMC, political discourse has exaggerated differences on either side of the shared US/Mexico border. But what if we stopped dividing the United States and Mexico into two separate nations, and instead studied their shared histories, cultures and economies, acknowledging them as parts of a single region? In 2018, under the direction of Mexican architect Tatiana Bilbao, 13 architecture studios and their students across the United States and Mexico undertook the monumental task of attempting to rethink the US/Mexico border as a complex and dynamic, but also cohesive and integrated, region. ''Two sides of the border'' envisions the borderlands through five themes: creative industries and local production, migration, housing and cities, territorial economies and tourism. Building on a long shared history in the region, the projects in this volume use design and architecture to address social, political and ecological concerns along our shared border.
Architecture since 1900, Americas
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using(...)
August 2022
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
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Catapulted to fame by the international media in and around the 1980s, a loosely affiliated cadre of architects-the so-called L.A. Ten - emerged to define the future of Los Angeles architecture. In this book, architects Neil Denari, Frederick Fisher, Ming Fung, Craig Hodgetts, Coy Howard, Wes Jones, Thom Mayne, Eric Owen Moss, Michael Rotondi, and former associates of the(...)
L.A. [Ten]: interviews on Los Angeles architecture, 1970s-1990s
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Catapulted to fame by the international media in and around the 1980s, a loosely affiliated cadre of architects-the so-called L.A. Ten - emerged to define the future of Los Angeles architecture. In this book, architects Neil Denari, Frederick Fisher, Ming Fung, Craig Hodgetts, Coy Howard, Wes Jones, Thom Mayne, Eric Owen Moss, Michael Rotondi, and former associates of the late Franklin Israel offer a casual, witty, and approachable retrospective on the characters, environment, and cultural history of L.A. architecture as they remember it.
Architecture since 1900, Americas
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Detroit. Motor City. Ce nom est depuis cent ans le synonyme de l’industrie automobile américaine. Mais dans la musique, il signifie Haute Énergie, Usine à hits, P-Funk, techno et rap. Il évoque John Lee Hooker et Iggy Pop, Marvin Gaye et Jeff Mills, Bob Seger et George Clinton, Jack White et Eminem. Il embrasse toute l’histoire de la musique américaine, des big bands(...)
Detroit sampler: 100 ans de musique dans la Motor City
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Detroit. Motor City. Ce nom est depuis cent ans le synonyme de l’industrie automobile américaine. Mais dans la musique, il signifie Haute Énergie, Usine à hits, P-Funk, techno et rap. Il évoque John Lee Hooker et Iggy Pop, Marvin Gaye et Jeff Mills, Bob Seger et George Clinton, Jack White et Eminem. Il embrasse toute l’histoire de la musique américaine, des big bands swing qui soulevaient des ballrooms parmi les plus grandes du pays aux soirées électroniques qui faisaient vibrer les murs des friches industrielles, en passant par les shows télévisés prestigieux de Motown, le chaos des soirées psychédéliques des années de braise des seventies et la brutalité du hardcore enragé des années Reagan. Un siècle de musiques où Detroit a toujours été à l’avant-garde des musiques populaires. Cet ouvrage raconte une épopée de vinyle, de furie et d’électricité.
Architecture since 1900, Americas
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The Disappearing Face of New York is a visual guide to New York City’s timeworn storefronts, a collection of powerful images that capture the neighborhood spirit, familiarity, comfort and warmth that these shops once embodied. Almost all of these businesses are a reflection of New York’s early immigrant population, a wild mix of Irish, Germans, Jews, Italians, Poles,(...)
Architecture since 1900, Americas
January 2008, Berkeley
Store front:, the disappearing face of New York
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The Disappearing Face of New York is a visual guide to New York City’s timeworn storefronts, a collection of powerful images that capture the neighborhood spirit, familiarity, comfort and warmth that these shops once embodied. Almost all of these businesses are a reflection of New York’s early immigrant population, a wild mix of Irish, Germans, Jews, Italians, Poles, Eastern Europeans and later Hispanics and Chinese.
Architecture since 1900, Americas
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Exposed Architecture offers an overview of work by young architects in Latin America. Published in collaboration with LIGA, Space for Architecture in Mexico City, it is broken into three parts. The first documents, through images and brief texts, exhibitions that twelve firms from Argentina, Brazil/Uruguay, Chile, Mexico, Peru, Venezuela, and from Portugal created at(...)
Architecture since 1900, Americas
April 2018
Exposed architecture: exhibitions, interludes, and essays
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Exposed Architecture offers an overview of work by young architects in Latin America. Published in collaboration with LIGA, Space for Architecture in Mexico City, it is broken into three parts. The first documents, through images and brief texts, exhibitions that twelve firms from Argentina, Brazil/Uruguay, Chile, Mexico, Peru, Venezuela, and from Portugal created at LIGA’s exhibition space in Mexico. In the second part, six “Studio Interludes” shed light on practice and aesthetics in contemporary Latin American architecture. The third part comprises short essays by Latin American architects, along with two interviews with local figures, looking at key aspects and topics against a backdrop of the many challenges the region poses for the production and communication of architecture.
Architecture since 1900, Americas
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This publication celebrates a lost vision of Miami: the architectural golden age it enjoyed in the 1980s, when the subtropical city experienced a profound synergy between art and architecture. In these years, Miami’s architects partook of the discipline’s international discourse, pushing back against the utilitarian International Style with a playful yet innovative(...)
In Miami in the 1980s: The vanishing architecture of a paradise lost
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This publication celebrates a lost vision of Miami: the architectural golden age it enjoyed in the 1980s, when the subtropical city experienced a profound synergy between art and architecture. In these years, Miami’s architects partook of the discipline’s international discourse, pushing back against the utilitarian International Style with a playful yet innovative sensibility. Firms like Arquitectonica, an experimental studio founded in 1977, introduced thoroughly modern buildings typified by abstract designs in bold colors and graphics. Unfortunately, the contributions of these firms are often overlooked, and the era’s ethos of artistic inquiry has lapsed into a crude commercialism. The 2018 case of the Babylon, a building developed by Arquitectonica that was demolished only two years after its designation as a protected landmark, served as the impetus for Miami-based architectural historian and architect Charlotte von Moos’ research. Dismayed at the negligence shown toward such remarkable projects, she assembled this authoritative guide, compiling a group of essays and a photo series that delineate the treasures, built and unbuilt, of Miami’s 1980s architecture.
Architecture since 1900, Americas