Database network interface
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Throughout human history, the library, the archive and the museum have embodied knowledge, information and collective culture to such an extent that it is possible to compare systems of information organisation with spatial and architectural typologies. The publication, conceived in the occasion of the exhibition at Archizoom (EPFL), dives into the relationship between(...)
Archive, library and the digital
October 2021
Database network interface
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Throughout human history, the library, the archive and the museum have embodied knowledge, information and collective culture to such an extent that it is possible to compare systems of information organisation with spatial and architectural typologies. The publication, conceived in the occasion of the exhibition at Archizoom (EPFL), dives into the relationship between architectural and digital culture beyond the pure rhetoric of the digital turn and the digital as architectural style. The hypothesis is that the notions of "database", "network" and "interface"—common in the field of information technology—could be related to architectural issues of a formal, compositional or symbolic nature, of which spatial arrangements, plans or façades are the expression. In this sense, the publication presents a selection of case studies highlighting the possible links between digital and non-digital cultural projects and their architectural counterparts.
Archive, library and the digital
Data feminism
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Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind?(...)
Archive, library and the digital
March 2020
Data feminism
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Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind? The narratives around big data and data science are overwhelmingly white, male, and techno-heroic. In ''Data feminism,'' Catherine D'Ignazio and Lauren Klein present a new way of thinking about data science and data ethics—one that is informed by intersectional feminist thought. Illustrating data feminism in action, D'Ignazio and Klein show how challenges to the male/female binary can help challenge other hierarchical (and empirically wrong) classification systems. They explain how, for example, an understanding of emotion can expand our ideas about effective data visualization, and how the concept of invisible labor can expose the significant human efforts required by our automated systems. And they show why the data never, ever ''speak for themselves.'' ''Data feminism'' offers strategies for data scientists seeking to learn how feminism can help them work toward justice, and for feminists who want to focus their efforts on the growing field of data science. But ''Data feminism'' is about much more than gender. It is about power, about who has it and who doesn't, and about how those differentials of power can be challenged and changed.
Archive, library and the digital
$34.00
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'Track Changes' balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and(...)
Track changes: a literary history of word processing
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'Track Changes' balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and serious literature adopted the technology, trace the spread of new metaphors and ideas from word processing in fiction and poetry, and consider the fate of literary scholarship and memory in an era when the final remnants of authorship may consist of folders on a hard drive or documents in the cloud.
Archive, library and the digital
$57.50
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The book "Writingplace: investigations in architecture and literature" marks a step forward in an emerging debate on literary means in architecture. It offers a series of reflections on written language as a crucial element of architecture culture, and on the potential of using literary methods in architectural and urban research, education and design. For everyone(...)
Writingplace: investigations in architecture and literature
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The book "Writingplace: investigations in architecture and literature" marks a step forward in an emerging debate on literary means in architecture. It offers a series of reflections on written language as a crucial element of architecture culture, and on the potential of using literary methods in architectural and urban research, education and design. For everyone interested in the transdisciplinary encounters between architecture and literature, the book offers both theoretical contributions that address notions such as narrative and literary imagination, and contemporary explorations regarding the operability of literary approaches. Writingplace includes contributions by experts in the fi eld such as Bart Keunen, Alberto Pérez Gómez, Wim van den Bergh, Klaske Havik, Katja Grillner and Wim Cuyvers.
Archive, library and the digital
Fantasies of the library
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''Fantasies of the Library'' lets readers experience the library anew. The book imagines, and enacts, the library as both keeper of books and curator of ideas--as a platform of the future. One essay occupies the right-hand page of a two-page spread while interviews scrolls independently on the left. Bibliophilic artworks intersect both throughout the book-as-exhibition. A(...)
Archive, library and the digital
September 2016
Fantasies of the library
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''Fantasies of the Library'' lets readers experience the library anew. The book imagines, and enacts, the library as both keeper of books and curator of ideas--as a platform of the future. One essay occupies the right-hand page of a two-page spread while interviews scrolls independently on the left. Bibliophilic artworks intersect both throughout the book-as-exhibition. A photo essay, "Reading Rooms Reading Machines" further interrupts the book in order to display images of libraries (old and new, real and imagined), and readers (human and machine) and features work by artists including Kader Atta, Wafaa Bilal, Mark Dion, Rodney Graham, Katie Paterson, Veronika Spierenburg, and others.
Archive, library and the digital
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In this publication, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival.(...)
Archive everything: mapping the everyday
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In this publication, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries.
Archive, library and the digital
$54.95
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The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have(...)
Rogue archives: digital cultural memory and the media fandom
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The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives.
Archive, library and the digital
A prehistory of the cloud
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We may imagine the digital cloud as placeless, mute, ethereal, and unmediated. Yet the reality of the cloud is embodied in thousands of massive data centers, any one of which can use as much electricity as a midsized town. Even all these data centers are only one small part of the cloud. Behind that cloud-shaped icon on our screens is a whole universe of technologies and(...)
A prehistory of the cloud
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We may imagine the digital cloud as placeless, mute, ethereal, and unmediated. Yet the reality of the cloud is embodied in thousands of massive data centers, any one of which can use as much electricity as a midsized town. Even all these data centers are only one small part of the cloud. Behind that cloud-shaped icon on our screens is a whole universe of technologies and cultural norms, all working to keep us from noticing their existence. In this book, Tung-Hui Hu examines the gap between the real and the virtual in our understanding of the cloud.
Archive, library and the digital
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Libraries have existed for millennia, but today the library field is searching for solid footing in an increasingly fragmented (and increasingly digital) information environment. What is librarianship when it is unmoored from cataloging, books, buildings, and committees? In "The Atlas of New Librarianship", R. David Lankes offers a guide to this new landscape for(...)
The atlas of new librarianship
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Libraries have existed for millennia, but today the library field is searching for solid footing in an increasingly fragmented (and increasingly digital) information environment. What is librarianship when it is unmoored from cataloging, books, buildings, and committees? In "The Atlas of New Librarianship", R. David Lankes offers a guide to this new landscape for practitioners. He describes a new librarianship based not on books and artifacts but on knowledge and learning; and he suggests a new mission for librarians: to improve society through facilitating knowledge creation in their communities. The vision for a new librarianship must go beyond finding library-related uses for information technology and the Internet; it must provide a durable foundation for the field. Lankes recasts librarianship and library practice using the fundamental concept that knowledge is created though conversation. New librarians approach their work as facilitators of conversation; they seek to enrich, capture, store, and disseminate the conversations of their communities.
Archive, library and the digital
$32.95
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Uniting eighteen leading critics in early modern literary studies, this volume explores book history and the material text. The essays incorporate a broad range of subjects, such as gender and sexuality, religion, postcolonial theory, political and economic history, adaptation and appropriation, historical formalism, and digital humanities. With essays on Shakespeare,(...)
Archive, library and the digital
August 2016
The book in history, the book as history
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Uniting eighteen leading critics in early modern literary studies, this volume explores book history and the material text. The essays incorporate a broad range of subjects, such as gender and sexuality, religion, postcolonial theory, political and economic history, adaptation and appropriation, historical formalism, and digital humanities. With essays on Shakespeare, Spenser, Milton, and others, this volume makes early modern literary studies and book history accessible and will be a core resource in the field for years to come.
Archive, library and the digital